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Voicing the void : muteness and memory in Holocaust fiction

Auteur : Sara R Horowitz
Éditeur : Albany : State University of New York Press, ©1997.
Collection : SUNY series in modern Jewish literature and culture.
Édition/format :   Livre électronique : Publication gouvernementale provinciale ou d'état : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Through new close readings of Holocaust fiction, this book takes the field of Holocaust Studies in an important new direction. Reading a wide range of narratives representing different nationalities, styles, genders, and approaches, Horowitz demonstrates that muteness not only expresses the difficulty in saying anything meaningful about the Holocaust - it also represents something essential about the nature of the  Lire la suite...
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Détails

Genre/forme : Electronic books
Criticism, interpretation, etc
Format – détails additionnels : Print version:
Horowitz, Sara R., 1951-
Voicing the void.
Albany : State University of New York Press, ©1997
(DLC) 95051818
(OCoLC)33967778
Type d’ouvrage : Publication gouvernementale, Publication gouvernementale provinciale ou d'état, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Sara R Horowitz
ISBN : 0585055491 9780585055497 9780791431290 0791431290 9780791431306 0791431304
Numéro OCLC : 42855116
Description : 1 online resource (vii, 276 pages).
Contenu : 1. Introduction: The Idea of Fiction --
2. The Figure of Muteness --
3. Voices from the Killing Ground --
4. The Mute Language of Brutality --
5. The Reluctant Witness --
6. Muted Chords: From Victim to Survivor --
7. The Night Side of Speech --
8. Refused Memory --
9. The Chain of Testimony.
Titre de collection : SUNY series in modern Jewish literature and culture.
Responsabilité : Sara R. Horowitz.

Résumé :

Through new close readings of Holocaust fiction, this book takes the field of Holocaust Studies in an important new direction. Reading a wide range of narratives representing different nationalities, styles, genders, and approaches, Horowitz demonstrates that muteness not only expresses the difficulty in saying anything meaningful about the Holocaust - it also represents something essential about the nature of the event itself. The radical negativity of the Holocaust ruptures the fabric of history and memory, emptying both narrative and life of meaning. At the heart of Holocaust fiction lies a tension between the silence that speaks the rupture, and the narrative forms that attempt to represent, to bridge it.

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