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Wagner and Wagnerism in nineteenth-century Sweden, Finland, and the Baltic Provinces : reception, enthusiasm, cult

Author: Hannu Salmi
Publisher: Rochester, NY : University of Rochester Press, 2005.
Series: Eastman studies in music.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Database:WorldCat
Summary:
"Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces explores how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region and how excerpts from them were arranged for amateur performances in private homes."
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Named Person: Richard Wagner; Richard Wagner; Richard Wagner; Richard Wagner; Richard Wagner
Material Type: Biography, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Hannu Salmi
ISBN: 1580462073 9781580462075
OCLC Number: 61162096
Description: x, 310 pages : illustrations, maps ; 24 cm.
Contents: Richard Wagner, the wandering musician --
Wagner as an orchestral and drawing room composer --
The first steps in the cultural struggle --
Ent'racte : Wagner's promotional tour in Russia (1863) --
Cries and whispers : early Swedish encounters with Wagner --
Institutionalizing a composer --
Pilgrimage to Wagner --
The campaigners for Bayreuth --
Conclusion : the final chord.
Series Title: Eastman studies in music.
Responsibility: Hannu Salmi.
More information:

Abstract:

"Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces explores how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region and how excerpts from them were arranged for amateur performances in private homes."

"Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces reveals the surprising extent to which music lovers and operagoers from the various countries, many of them women, traveled to Wagner's Bayreuth Festival to attend performances. It also reconstructs the imaginative and patient efforts by which confirmed Wagnerians established Wagner societies in order to promote an understanding of the composer's work."--Jacket.

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