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The war you don't see

Author: John Pilger; Alan Lowery; Dartmouth Films (Firm); Strand Films.
Publisher: [Australia] : Ovation, [2011?]
Edition/Format:   DVD video : PAL color broadcast system : EnglishView all editions and formats
Summary:
The War You Don't See traces the history of 'embedded' and independent reporting from the carnage of World War I to the destruction of Hiroshima, and from the invasion of Vietnam to the current war in Afghanistan. As weapons and propaganda are ever more sophisticated, the very nature of war has developed into an 'electronic battlefield'. But who is the real enemy today?
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Details

Genre/Form: History
Interviews
Documentary films
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: John Pilger; Alan Lowery; Dartmouth Films (Firm); Strand Films.
OCLC Number: 726696560
Notes: Special feature: The goal is justice, the method is transparency : Julian Assange in conversation with John Pilger.
Credits: Editor, Joe Frost ; director of photography, Rupert Binsley ; original music, Sacha Puttnam.
Target Audience: Censorship classification: M.
Description: 1 videodisc (DVD) (165 min.) : sound, color ; 12 cm
Details: All regions ; PAL.
Responsibility: a Dartmouth Films production ; Strand Films ; a film by John Pilger ; directed, produced & written by John Pilger ; director & producer, Alan Lowery.

Abstract:

The War You Don't See traces the history of 'embedded' and independent reporting from the carnage of World War I to the destruction of Hiroshima, and from the invasion of Vietnam to the current war in Afghanistan. As weapons and propaganda are ever more sophisticated, the very nature of war has developed into an 'electronic battlefield'. But who is the real enemy today?

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Educational Media Reviews Online (1)

The War You Don’t See

(EMRO user published 2012-01-12 ) Good Permalink
The War You Don’t See features Bruce Springsteen singing “57 Channels (And Nothin’s On)” over the closing credits. This is an amusing way of reinforcing the documentary’s thesis that, despite the many channels for reporting available, there’s usually “nothing on” when it comes...
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