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Waste land

Verfasser/in: Lucy WalkerJoão JardimKaren HarleyAngus AynsleyHank LevineAlle Autoren
Verlag: [London] : Arthouse Films : distributed by Entertainment One, 2011.
Ausgabe/Format   DVD-Video : NTSC-Format : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
Brooklyn-based artist Vik Muniz grew up poor in Brazil. This film follows him as he returns to Rio de Janeiro, specifically to Jardim Gramacho, or "Garbage Garden." The world's largest landfill, it receives 7,000 tons daily, an astonishing 70% of all Rio's garbage. "We are not pickers of garbage; we are pickers of recyclable materials," says Tião, a catadore, or trash picker who thinks of himself and his fellows as  Weiterlesen…
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Details

Gattung/Form: Feature films
Documentary films
Nonfiction films
Exhibition catalogs
Exhibitions
Name: Vik Muniz; Vik Muniz
Medientyp: Videoaufnahme
Dokumenttyp: Bildmaterial
Alle Autoren: Lucy Walker; João Jardim; Karen Harley; Angus Aynsley; Hank Levine; Dudu Miranda; Pedro Kos; Moby.; Vik Muniz; Almega Projects (Firm); 02 Filmes (Firm); Entertainment One (Firm)
OCLC-Nummer: 768472373
Sprachhinweis: In English and Portuguese with optional English and French subtitles.
Anmerkungen: Originally produced as a motion picture in 2009.
Special features: Featurettes Waste land: Beyond Gramacho (ca. 16 min.); An untold story (9 min.).
Mitwirkende: Cinematography, Dudu Miranda; editor, Pedro Kos; music, Moby.
Interpret(en): Vik Muniz.
Beschreibung: 1 videodisc (ca. 99 min.) : sd., col. with b&w sequences ; 4 3/4 in.
Details: DVD; NTSC; 1.78:1 widescreen presentation; Dolby Digital 5.1, 2.0 Dolby Digital stereo.
Verfasserangabe: Almega Projects presents an Almega Projects and 02 Filmes production ; directed by Lucy Walker ; co-directed by João Jardim, Karen Harley ; produced by Hank Levine, Angus Aynsley.

Abstract:

Brooklyn-based artist Vik Muniz grew up poor in Brazil. This film follows him as he returns to Rio de Janeiro, specifically to Jardim Gramacho, or "Garbage Garden." The world's largest landfill, it receives 7,000 tons daily, an astonishing 70% of all Rio's garbage. "We are not pickers of garbage; we are pickers of recyclable materials," says Tião, a catadore, or trash picker who thinks of himself and his fellows as environmentalists. The catadores have a union, which has built a recycling center, medical clinic, day care and skills-training centers, and community lending library of discarded books for their members. Muniz photographs a number of the catadores, reworks the photographs with garbage, and auctions several in London. Believing in the transformative power of art, Muniz donates the proceeds to the catadores who posed, in recognition of their lives, in honor of the dignity of their work.

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Primary Entity

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