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Waste land

ผู้แต่ง: Lucy WalkerJoão JardimKaren HarleyAngus AynsleyHank Levineผู้แต่งทั้งหมด
สำนักพิมพ์: [London] : Arthouse Films : distributed by Entertainment One, 2011.
ครั้งที่พิมพ์/รูปแบบ:   วีดีโอ ดีวีดี : ระบบออกอากาศ NTSC : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
Brooklyn-based artist Vik Muniz grew up poor in Brazil. This film follows him as he returns to Rio de Janeiro, specifically to Jardim Gramacho, or "Garbage Garden." The world's largest landfill, it receives 7,000 tons daily, an astonishing 70% of all Rio's garbage. "We are not pickers of garbage; we are pickers of recyclable materials," says Tião, a catadore, or trash picker who thinks of himself and his fellows as  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม Feature films
Documentary films
Nonfiction films
Exhibition catalogs
Exhibitions
ชื่อบุคคล: Vik Muniz; Vik Muniz
ขนิดวัสดุ: การบันทึกวิดีโอ
ประเภทของเอกสาร: วัสดุที่มองเห็นได้
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Lucy Walker; João Jardim; Karen Harley; Angus Aynsley; Hank Levine; Dudu Miranda; Pedro Kos; Moby.; Vik Muniz; Almega Projects (Firm); 02 Filmes (Firm); Entertainment One (Firm)
OCLC Number: 768472373
หมายเหตุถาษา: In English and Portuguese with optional English and French subtitles.
หมายเหตุ: Originally produced as a motion picture in 2009.
Special features: Featurettes Waste land: Beyond Gramacho (ca. 16 min.); An untold story (9 min.).
เครดิต: Cinematography, Dudu Miranda; editor, Pedro Kos; music, Moby.
นักแสดง: Vik Muniz.
คำอธิบาย: 1 videodisc (ca. 99 min.) : sd., col. with b&w sequences ; 4 3/4 in.
รายละเอียด: DVD; NTSC; 1.78:1 widescreen presentation; Dolby Digital 5.1, 2.0 Dolby Digital stereo.
ความรับผิดชอบ: Almega Projects presents an Almega Projects and 02 Filmes production ; directed by Lucy Walker ; co-directed by João Jardim, Karen Harley ; produced by Hank Levine, Angus Aynsley.

บทคัดย่อ:

Brooklyn-based artist Vik Muniz grew up poor in Brazil. This film follows him as he returns to Rio de Janeiro, specifically to Jardim Gramacho, or "Garbage Garden." The world's largest landfill, it receives 7,000 tons daily, an astonishing 70% of all Rio's garbage. "We are not pickers of garbage; we are pickers of recyclable materials," says Tião, a catadore, or trash picker who thinks of himself and his fellows as environmentalists. The catadores have a union, which has built a recycling center, medical clinic, day care and skills-training centers, and community lending library of discarded books for their members. Muniz photographs a number of the catadores, reworks the photographs with garbage, and auctions several in London. Believing in the transformative power of art, Muniz donates the proceeds to the catadores who posed, in recognition of their lives, in honor of the dignity of their work.

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