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Waste land

作者: Lucy WalkerJoão JardimKaren HarleyAngus AynsleyHank Levine所有作者
出版商: [London] : Arthouse Films : distributed by Entertainment One, 2011.
版本/格式:   DVD影像 : NTSC彩色電視廣播系統 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Brooklyn-based artist Vik Muniz grew up poor in Brazil. This film follows him as he returns to Rio de Janeiro, specifically to Jardim Gramacho, or "Garbage Garden." The world's largest landfill, it receives 7,000 tons daily, an astonishing 70% of all Rio's garbage. "We are not pickers of garbage; we are pickers of recyclable materials," says Tião, a catadore, or trash picker who thinks of himself and his fellows as  再讀一些...
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詳細書目

類型/形式: Feature films
Documentary films
Nonfiction films
Exhibition catalogs
Exhibitions
提及的人: Vik Muniz; Vik Muniz
資料類型: 錄影
文件類型: 影像資料
所有的作者/貢獻者: Lucy Walker; João Jardim; Karen Harley; Angus Aynsley; Hank Levine; Dudu Miranda; Pedro Kos; Moby.; Vik Muniz; Almega Projects (Firm); 02 Filmes (Firm); Entertainment One (Firm)
OCLC系統控制編碼: 768472373
語言註釋: In English and Portuguese with optional English and French subtitles.
注意: Originally produced as a motion picture in 2009.
Special features: Featurettes Waste land: Beyond Gramacho (ca. 16 min.); An untold story (9 min.).
餘額: Cinematography, Dudu Miranda; editor, Pedro Kos; music, Moby.
表演者: Vik Muniz.
描述: 1 videodisc (ca. 99 min.) : sd., col. with b&w sequences ; 4 3/4 in.
詳述: DVD; NTSC; 1.78:1 widescreen presentation; Dolby Digital 5.1, 2.0 Dolby Digital stereo.
責任: Almega Projects presents an Almega Projects and 02 Filmes production ; directed by Lucy Walker ; co-directed by João Jardim, Karen Harley ; produced by Hank Levine, Angus Aynsley.

摘要:

Brooklyn-based artist Vik Muniz grew up poor in Brazil. This film follows him as he returns to Rio de Janeiro, specifically to Jardim Gramacho, or "Garbage Garden." The world's largest landfill, it receives 7,000 tons daily, an astonishing 70% of all Rio's garbage. "We are not pickers of garbage; we are pickers of recyclable materials," says Tião, a catadore, or trash picker who thinks of himself and his fellows as environmentalists. The catadores have a union, which has built a recycling center, medical clinic, day care and skills-training centers, and community lending library of discarded books for their members. Muniz photographs a number of the catadores, reworks the photographs with garbage, and auctions several in London. Believing in the transformative power of art, Muniz donates the proceeds to the catadores who posed, in recognition of their lives, in honor of the dignity of their work.

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