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Waste land

Author: Lucy WalkerJoão JardimKaren HarleyAngus AynsleyHank LevineAll authors
Publisher: [London] : Almega Projects ; New York, N.Y. : Distributed in the U.S. by New Video, ©2011.
Series: Arthouse films (Series), 019.
Edition/Format:   DVD video : NTSC color broadcast system : EnglishView all editions and formats
Database:WorldCat
Summary:
Brooklyn based artist Vik Muniz grew up poor in Brazil. This film follows him as he returns to Rio de Janeiro, specifically to Jardim Gramacho, or "Garbage Garden." The world's largest landfill, it receives 7,000 tons daily, an astonishing 70% of all Rio's garbage. "We are not pickers of garbage; we are pickers of recyclable materials," says Tião, a catadore, or trash picker who thinks of himself and his fellows as  Read more...
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Genre/Form: Documentary films
Exhibition catalogs
Feature films
Nonfiction films
Foreign films
Motion pictures
Portuguese language films
Exhibitions
Named Person: Vik Muniz; Vik Muniz
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Lucy Walker; João Jardim; Karen Harley; Angus Aynsley; Hank Levine; Moby.; Vik Muniz; Almega Projects (Firm); 02 Filmes (Firm); Arthouse Films.; New Video Group.
ISBN: 9781422915134 1422915131
OCLC Number: 698382256
Language Note: Soundtrack in English or Portuguese, with optional English or French subtitles.
Notes: Originally produced as a motion picture in 2009.
Bonus material: Beyond Gramacho (16 min.) -- Untold story (10 min.).
Credits: Director of photography, Dudu Miranda ; editor, Pedro Kos ; music, Moby ; dialogue transcriptions/translations, Olivia Wolfe, Carla Madiera, Beatriz Franco, Carlos Andre Oighenstein, Joana Galetti, Joca Vidal, Mauro Blanco, Fernanda Almeida Rocha, Cassia Talpalar, Andre W. Esteves.
Performer(s): Vik Muniz, Fabio Ghivelder, Isis Rodrigues Garros, José Carlos da Silva Baia Lopes (Zumbi), Sebastião Carlos dos Santos (Tião), Valter dos Santos, Ledie Laurentina da Silva (Irmã), Magna de França Santos, Suelem Pereira Dias.
Awards: Winner 2010 São Paulo International Film Festival Itamaraty Award for Best Documentary; João Jardim, Lucy Walker, Karen Harley; 2010 Sundance Film Festival, Audience Award World Cinema-Documentary; Lucy Walker; 2010 Berlin International Film Festival, Amnesty International Film Prize; Lucy Walker, Karen Harley, João Jardim, and Panorama Audience Award; Lucy Walker, Karen Harley, João Jardim; Full Frame Documentary Film Festival, Audience Award, Best Documentary; IDA Awards, Best Documentary.
Description: 1 videodisc (approximately 99 min.) : sound, color with black and white sequences ; 4 3/4 in.
Details: DVD; NTSC; 5.1 Dolby digital surround, 2.0 Dolby digital stereo.
Contents: Sugar children --
The realm of fine arts --
Jardim Gramacho --
Association of pickers --
A picker's life --
Honest work --
A family to support --
Making art --
Becoming a work of art --
Auction in London --
Museum of Modern Art exhibit --
Credits.
Series Title: Arthouse films (Series), 019.
Other Titles: Waste land, beyond Gramacho.
Untold story.
Wasteland
Waste land : une documentaire sur l'art
Responsibility: Almega Projects presents an Almega Projects and O2 Filmes production ; directed by Lucy Walker ; co-directed by João Jardim, Karen Harley ; produced by Angus Aynsley and Hank Levine.

Abstract:

Brooklyn based artist Vik Muniz grew up poor in Brazil. This film follows him as he returns to Rio de Janeiro, specifically to Jardim Gramacho, or "Garbage Garden." The world's largest landfill, it receives 7,000 tons daily, an astonishing 70% of all Rio's garbage. "We are not pickers of garbage; we are pickers of recyclable materials," says Tião, a catadore, or trash picker who thinks of himself and his fellows as environmentalists. The pickers have a union, which has built a recycling center, medical clinic, day care and skills-training centers, and community lending library of discarded books for their members. Muniz photographs a number of the pickers, reworks the photographs with garbage, and auctions several in London. Believing in the transformative power of art, Muniz donates the proceeds to the pickers who posed, in recognition of their lives, in honor of the dignity of their work.

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Primary Entity

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