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Waste land

Autor: Vik Muniz; Arthouse Films.; Curiously Bright Entertainment (Firm); Almega Projects (Firm); Entertainment One (Firm)
Editorial: [Beverly Hills, Calif.] : Arthouse Films : distributed by Entertainment One, ©2011.
Edición/Formato:   Video DVD : Sistema de difusión PAL en color : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Top-selling contemporary artist Vik Muniz takes viewers on an emotional journey to the world's largest landfill of the day, Jardim Gramacho. Here the catadores, who number in the thousands, work under the hot sun collecting recyclable materials such as bottles, plastic, and metal to be sold to wholesalers. Muniz invites the catadores to add refuse to his art, photographing the work from overhead. The finished  Leer más
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Detalles

Género/Forma: Exhibition catalogs
Exhibitions
Tipo de material: Grabación de video
Tipo de documento: Material visual
Todos autores / colaboradores: Vik Muniz; Arthouse Films.; Curiously Bright Entertainment (Firm); Almega Projects (Firm); Entertainment One (Firm)
Número OCLC: 855406015
Nota del idioma: English and Portuguese with English subtitles.
Notas: Originally produced in 2009.
Artista(s) : Vik Muniz.
Premios: 2010 Sundance Audience Award World Cinema Documentary; 2011 Academy Award Nom Documentary Feature.
Descripción: 1 videodisc (ca. 99 min.) : sd., col. with b&w sequences ; 4 3/4 in.
Detalles: DVD, PAL, region 2, 1.78:1 widescreen presentation, Dolby Digital 5.1, Dolby Digital stereo.
Otros títulos: Wasteland
Responsabilidad: [a film by Lucy Walker, João Walker, Karen Harley] ; an Almega Projects and 02 Filmes production ; directed by Lucy Walker ; co-directed by João Jardim, Karen Harley ; produced by Angus Aynsley [and] Hank Levine.

Resumen:

Top-selling contemporary artist Vik Muniz takes viewers on an emotional journey to the world's largest landfill of the day, Jardim Gramacho. Here the catadores, who number in the thousands, work under the hot sun collecting recyclable materials such as bottles, plastic, and metal to be sold to wholesalers. Muniz invites the catadores to add refuse to his art, photographing the work from overhead. The finished artwork will then be on display in museums and auctions around the world.

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Datos enlazados


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