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Water & power

Author: Standard Schaefer
Publisher: New York : Agincourt Press, [2005]
Edition/Format:   Print book : Poetry : EnglishView all editions and formats
Database:WorldCat
Summary:
""Water & Power" was the original title for the film Chinatown, and referred to the utility department that caused so much devastation to the Owens River. It is a fitting title for Standard Schaefer's second book of poetry which has many thematic overlaps with the film. Drawing upon documentary materials, journals, biographies, Hollywood and the literature of the American West, he describes the landscape and  Read more...
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Genre/Form: Poetry
Additional Physical Format: Online version:
Schaefer, Standard.
Water & power.
New York : Agincourt Press, [2005]
(OCoLC)605108659
Online version:
Schaefer, Standard.
Water & power.
New York : Agincourt Press, [2005]
(OCoLC)607672695
Document Type: Book
All Authors / Contributors: Standard Schaefer
ISBN: 1568861079 9781568861074
OCLC Number: 60749102
Description: 88 pages ; 21 cm
Other Titles: Water and power
Responsibility: Standard Schaefer.

Abstract:

""Water & Power" was the original title for the film Chinatown, and referred to the utility department that caused so much devastation to the Owens River. It is a fitting title for Standard Schaefer's second book of poetry which has many thematic overlaps with the film. Drawing upon documentary materials, journals, biographies, Hollywood and the literature of the American West, he describes the landscape and characters of that terrain as quite distinct from the legacy of Walden Pond and its corresponding notions of individualism, which are so prevalent in American culture. Schaefer's "western" depicts the inescapable fusion between humans and nature, their irreducible co-dependence, and the social bonds between pioneer women ranging from frontier prostitutes to literary figures such as Mary Austin, not to mention some unlikely connections between Walt Disney and Philip Marlowe--both "men in powder blue suits." Drawing on the work of Charles Mingus, Igor Stravinsky, Frank Zappa, and Willie Nelson, he tries to capture the music on which the landscapes depend, and playfully channels the voice of Californian poet Robinson Jeffers, as if the great anti-modernist were alive today. This is a portrait of the American West as seen through CIA sattelite photographs, accompanied by the music of West Coast Jazz and the European avant-garde composers who took refuge there, a homage to the rivers that made the West possible, and a condemnation of the corruption that made it's legacy inescapable."--Publisher's website.

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