aller au contenu
Watteau's painted conversations : art, literature, and talk in seventeenth- and eighteenth-century France Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

Watteau's painted conversations : art, literature, and talk in seventeenth- and eighteenth-century France

Auteur : Mary Vidal
Éditeur : New Haven : Yale University Press, 1992.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
Antoine Watteau painted his engaging and ravishing fetes galantes during a period in which the art of polite conversation flourished in France. In this innovative study, Mary Vidal shows that conversation was central to Watteau's images of sociability and provided the framework for figural and formal relationships even in his military, mythological, theatrical, and religious works. Vidal argues that Watteau's  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Criticism, interpretation, etc
Pictorial works
Ouvrages illustrés
Personne nommée : Antoine Watteau; Antoine Watteau; Antoine Watteau; Antoine Watteau
Format : Livre
Tous les auteurs / collaborateurs : Mary Vidal
ISBN : 0300054807 9780300054804
Numéro OCLC : 25631116
Description : xi, 238 pages : illustrations (some color) ; 27 cm
Contenu : 1. Not Just Talk: The Recurring Theme of Conversation in Watteau's Art --
2. The Age of Conversation: France in the Seventeenth and Eighteenth Centuries --
3. The Conversational Mode --
4. The Artist as Aristocrat --
5. L'Enseigne de Gersaint and the Conversational Structure of the Artistic Sign.
Responsabilité : Mary Vidal.

Résumé :

Antoine Watteau painted his engaging and ravishing fetes galantes during a period in which the art of polite conversation flourished in France. In this innovative study, Mary Vidal shows that conversation was central to Watteau's images of sociability and provided the framework for figural and formal relationships even in his military, mythological, theatrical, and religious works. Vidal argues that Watteau's paintings were not mere literal descriptions of social behaviour but represented conversation as part of an aesthetic, linguistic, and ethical system, as an art of living. Vidal shows that Watteau's focus on conversation was related to several developments in seventeenth- and eighteenth-century France: the rise and elaboration of an art of conversation, the intimate connection between polite discourse and the redefinition of the nobility, the flourishing of women's salons in Paris, and the development of the literary genre of the written conversation. Watteau, in common with writers such as Moliere, Scudery, Fontenelle, and Marivaux, recognized speech as the central sign system of French society. He identified the witty, improvisational, fluid, and open-ended characteristics of fine conversation with his new manner of painting. Through this analogy, he presented the artistic process itself as the main concern of the elite artist, in contrast to the scholarly, text-dependent images of the Academy. Yet in choosing conversation as his subject, Watteau also associated his art with the subtle rhetoric and self-reflexive, civilizing behavior of polite society. In his conversational artmaking, Watteau set up complex dialogic relationships between spoken words and images, past and present art, art and society, viewer and painting. Often regarded as merely erotic and decorative, his painted conversations are here shown to be also works of substance, ideas, and morals comparable with those of the greatest conversationalists, writers, and artists of his age.

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.
Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/25631116>
library:oclcnum"25631116"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/25631116>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1992"
schema:description"1. Not Just Talk: The Recurring Theme of Conversation in Watteau's Art -- 2. The Age of Conversation: France in the Seventeenth and Eighteenth Centuries -- 3. The Conversational Mode -- 4. The Artist as Aristocrat -- 5. L'Enseigne de Gersaint and the Conversational Structure of the Artistic Sign"@en
schema:description"Antoine Watteau painted his engaging and ravishing fetes galantes during a period in which the art of polite conversation flourished in France. In this innovative study, Mary Vidal shows that conversation was central to Watteau's images of sociability and provided the framework for figural and formal relationships even in his military, mythological, theatrical, and religious works. Vidal argues that Watteau's paintings were not mere literal descriptions of social behaviour but represented conversation as part of an aesthetic, linguistic, and ethical system, as an art of living. Vidal shows that Watteau's focus on conversation was related to several developments in seventeenth- and eighteenth-century France: the rise and elaboration of an art of conversation, the intimate connection between polite discourse and the redefinition of the nobility, the flourishing of women's salons in Paris, and the development of the literary genre of the written conversation. Watteau, in common with writers such as Moliere, Scudery, Fontenelle, and Marivaux, recognized speech as the central sign system of French society. He identified the witty, improvisational, fluid, and open-ended characteristics of fine conversation with his new manner of painting. Through this analogy, he presented the artistic process itself as the main concern of the elite artist, in contrast to the scholarly, text-dependent images of the Academy. Yet in choosing conversation as his subject, Watteau also associated his art with the subtle rhetoric and self-reflexive, civilizing behavior of polite society. In his conversational artmaking, Watteau set up complex dialogic relationships between spoken words and images, past and present art, art and society, viewer and painting. Often regarded as merely erotic and decorative, his painted conversations are here shown to be also works of substance, ideas, and morals comparable with those of the greatest conversationalists, writers, and artists of his age."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/196454490>
schema:genre"Pictorial works"@en
schema:genre"Criticism, interpretation, etc."@en
schema:genre"Pictorial works."@en
schema:inLanguage"en"
schema:name"Watteau's painted conversations : art, literature, and talk in seventeenth- and eighteenth-century France"@en
schema:numberOfPages"238"
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.