컨텐츠로 이동
Watteau's painted conversations : art, literature, and talk in seventeenth- and eighteenth-century France 해당 항목을 미리보기
닫기해당 항목을 미리보기
확인중입니다…

Watteau's painted conversations : art, literature, and talk in seventeenth- and eighteenth-century France

저자: Mary Vidal
출판사: New Haven : Yale University Press, 1992.
판/형식:   도서 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
Antoine Watteau painted his engaging and ravishing fetes galantes during a period in which the art of polite conversation flourished in France. In this innovative study, Mary Vidal shows that conversation was central to Watteau's images of sociability and provided the framework for figural and formal relationships even in his military, mythological, theatrical, and religious works. Vidal argues that Watteau's  더 읽기…
평가:

(아무런 평가가 없습니다.) 0 리뷰와 함께 - 첫번째로 올려주세요.

주제
다음과 같습니다:

 

도서관에서 사본 찾기

&AllPage.SpinnerRetrieving; 해당항목을 보유하고 있는 도서관을 찾는 중

상세정보

장르/형태: Criticism, interpretation, etc
Pictorial works
Ouvrages illustrés
명시된 사람: Antoine Watteau; Antoine Watteau; Antoine Watteau; Antoine Watteau
문서 형식:
모든 저자 / 참여자: Mary Vidal
ISBN: 0300054807 9780300054804
OCLC 번호: 25631116
설명: xi, 238 p. : ill. (some col.) ; 27 cm.
내용: 1. Not Just Talk: The Recurring Theme of Conversation in Watteau's Art --
2. The Age of Conversation: France in the Seventeenth and Eighteenth Centuries --
3. The Conversational Mode --
4. The Artist as Aristocrat --
5. L'Enseigne de Gersaint and the Conversational Structure of the Artistic Sign
책임: Mary Vidal.

초록:

Antoine Watteau painted his engaging and ravishing fetes galantes during a period in which the art of polite conversation flourished in France. In this innovative study, Mary Vidal shows that conversation was central to Watteau's images of sociability and provided the framework for figural and formal relationships even in his military, mythological, theatrical, and religious works. Vidal argues that Watteau's paintings were not mere literal descriptions of social behaviour but represented conversation as part of an aesthetic, linguistic, and ethical system, as an art of living. Vidal shows that Watteau's focus on conversation was related to several developments in seventeenth- and eighteenth-century France: the rise and elaboration of an art of conversation, the intimate connection between polite discourse and the redefinition of the nobility, the flourishing of women's salons in Paris, and the development of the literary genre of the written conversation. Watteau, in common with writers such as Moliere, Scudery, Fontenelle, and Marivaux, recognized speech as the central sign system of French society. He identified the witty, improvisational, fluid, and open-ended characteristics of fine conversation with his new manner of painting. Through this analogy, he presented the artistic process itself as the main concern of the elite artist, in contrast to the scholarly, text-dependent images of the Academy. Yet in choosing conversation as his subject, Watteau also associated his art with the subtle rhetoric and self-reflexive, civilizing behavior of polite society. In his conversational artmaking, Watteau set up complex dialogic relationships between spoken words and images, past and present art, art and society, viewer and painting. Often regarded as merely erotic and decorative, his painted conversations are here shown to be also works of substance, ideas, and morals comparable with those of the greatest conversationalists, writers, and artists of his age.

리뷰

사용자-기여 리뷰
GoodReads 리뷰 가져오는 중…
DOGObooks 리뷰를 가지고 오는 중…

태그

첫번째 되기
요청하신 것을 확인하기

이 항목을 이미 요청하셨을 수도 있습니다. 만약 이 요청을 계속해서 진행하시려면 Ok을 선택하세요.

링크된 데이터


<http://www.worldcat.org/oclc/25631116>
library:oclcnum"25631116"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/25631116>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1992"
schema:description"1. Not Just Talk: The Recurring Theme of Conversation in Watteau's Art -- 2. The Age of Conversation: France in the Seventeenth and Eighteenth Centuries -- 3. The Conversational Mode -- 4. The Artist as Aristocrat -- 5. L'Enseigne de Gersaint and the Conversational Structure of the Artistic Sign"@en
schema:description"Antoine Watteau painted his engaging and ravishing fetes galantes during a period in which the art of polite conversation flourished in France. In this innovative study, Mary Vidal shows that conversation was central to Watteau's images of sociability and provided the framework for figural and formal relationships even in his military, mythological, theatrical, and religious works. Vidal argues that Watteau's paintings were not mere literal descriptions of social behaviour but represented conversation as part of an aesthetic, linguistic, and ethical system, as an art of living. Vidal shows that Watteau's focus on conversation was related to several developments in seventeenth- and eighteenth-century France: the rise and elaboration of an art of conversation, the intimate connection between polite discourse and the redefinition of the nobility, the flourishing of women's salons in Paris, and the development of the literary genre of the written conversation. Watteau, in common with writers such as Moliere, Scudery, Fontenelle, and Marivaux, recognized speech as the central sign system of French society. He identified the witty, improvisational, fluid, and open-ended characteristics of fine conversation with his new manner of painting. Through this analogy, he presented the artistic process itself as the main concern of the elite artist, in contrast to the scholarly, text-dependent images of the Academy. Yet in choosing conversation as his subject, Watteau also associated his art with the subtle rhetoric and self-reflexive, civilizing behavior of polite society. In his conversational artmaking, Watteau set up complex dialogic relationships between spoken words and images, past and present art, art and society, viewer and painting. Often regarded as merely erotic and decorative, his painted conversations are here shown to be also works of substance, ideas, and morals comparable with those of the greatest conversationalists, writers, and artists of his age."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/196454490>
schema:genre"Pictorial works"@en
schema:genre"Criticism, interpretation, etc."@en
schema:genre"Pictorial works."@en
schema:inLanguage"en"
schema:name"Watteau's painted conversations : art, literature, and talk in seventeenth- and eighteenth-century France"@en
schema:numberOfPages"238"
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

윈도우 닫기

WorldCat에 로그인 하십시오 

계정이 없으세요? 아주 간단한 절차를 통하여 무료 계정을 만드실 수 있습니다.