跳到内容
Watteau's painted conversations : art, literature, and talk in seventeenth- and eighteenth-century France 预览资料
关闭预览资料
正在查...

Watteau's painted conversations : art, literature, and talk in seventeenth- and eighteenth-century France

著者: Mary Vidal
出版商: New Haven : Yale University Press, 1992.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Antoine Watteau painted his engaging and ravishing fetes galantes during a period in which the art of polite conversation flourished in France. In this innovative study, Mary Vidal shows that conversation was central to Watteau's images of sociability and provided the framework for figural and formal relationships even in his military, mythological, theatrical, and religious works. Vidal argues that Watteau's  再读一些...
评估:

(尚未评估) 0 附有评论 - 争取成为第一个。

主题
更多类似这样的

 

在图书馆查找

&AllPage.SpinnerRetrieving; 正在查找有这资料的图书馆...

详细书目

类型/形式: Criticism, interpretation, etc
Pictorial works
Ouvrages illustrés
提及的人: Antoine Watteau; Antoine Watteau; Antoine Watteau; Antoine Watteau
文件类型:
所有的著者/提供者: Mary Vidal
ISBN: 0300054807 9780300054804
OCLC号码: 25631116
描述: xi, 238 pages : illustrations (some color) ; 27 cm
内容: 1. Not Just Talk: The Recurring Theme of Conversation in Watteau's Art --
2. The Age of Conversation: France in the Seventeenth and Eighteenth Centuries --
3. The Conversational Mode --
4. The Artist as Aristocrat --
5. L'Enseigne de Gersaint and the Conversational Structure of the Artistic Sign.
责任: Mary Vidal.

摘要:

Antoine Watteau painted his engaging and ravishing fetes galantes during a period in which the art of polite conversation flourished in France. In this innovative study, Mary Vidal shows that conversation was central to Watteau's images of sociability and provided the framework for figural and formal relationships even in his military, mythological, theatrical, and religious works. Vidal argues that Watteau's paintings were not mere literal descriptions of social behaviour but represented conversation as part of an aesthetic, linguistic, and ethical system, as an art of living. Vidal shows that Watteau's focus on conversation was related to several developments in seventeenth- and eighteenth-century France: the rise and elaboration of an art of conversation, the intimate connection between polite discourse and the redefinition of the nobility, the flourishing of women's salons in Paris, and the development of the literary genre of the written conversation. Watteau, in common with writers such as Moliere, Scudery, Fontenelle, and Marivaux, recognized speech as the central sign system of French society. He identified the witty, improvisational, fluid, and open-ended characteristics of fine conversation with his new manner of painting. Through this analogy, he presented the artistic process itself as the main concern of the elite artist, in contrast to the scholarly, text-dependent images of the Academy. Yet in choosing conversation as his subject, Watteau also associated his art with the subtle rhetoric and self-reflexive, civilizing behavior of polite society. In his conversational artmaking, Watteau set up complex dialogic relationships between spoken words and images, past and present art, art and society, viewer and painting. Often regarded as merely erotic and decorative, his painted conversations are here shown to be also works of substance, ideas, and morals comparable with those of the greatest conversationalists, writers, and artists of his age.

评论

用户提供的评论
正在获取GoodReads评论...
正在检索DOGObooks的评论

标签

争取是第一个!
确认申请

你可能已经申请过这份资料。如果还是想申请,请选确认。

链接数据


<http://www.worldcat.org/oclc/25631116>
library:oclcnum"25631116"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/25631116>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1992"
schema:description"1. Not Just Talk: The Recurring Theme of Conversation in Watteau's Art -- 2. The Age of Conversation: France in the Seventeenth and Eighteenth Centuries -- 3. The Conversational Mode -- 4. The Artist as Aristocrat -- 5. L'Enseigne de Gersaint and the Conversational Structure of the Artistic Sign"@en
schema:description"Antoine Watteau painted his engaging and ravishing fetes galantes during a period in which the art of polite conversation flourished in France. In this innovative study, Mary Vidal shows that conversation was central to Watteau's images of sociability and provided the framework for figural and formal relationships even in his military, mythological, theatrical, and religious works. Vidal argues that Watteau's paintings were not mere literal descriptions of social behaviour but represented conversation as part of an aesthetic, linguistic, and ethical system, as an art of living. Vidal shows that Watteau's focus on conversation was related to several developments in seventeenth- and eighteenth-century France: the rise and elaboration of an art of conversation, the intimate connection between polite discourse and the redefinition of the nobility, the flourishing of women's salons in Paris, and the development of the literary genre of the written conversation. Watteau, in common with writers such as Moliere, Scudery, Fontenelle, and Marivaux, recognized speech as the central sign system of French society. He identified the witty, improvisational, fluid, and open-ended characteristics of fine conversation with his new manner of painting. Through this analogy, he presented the artistic process itself as the main concern of the elite artist, in contrast to the scholarly, text-dependent images of the Academy. Yet in choosing conversation as his subject, Watteau also associated his art with the subtle rhetoric and self-reflexive, civilizing behavior of polite society. In his conversational artmaking, Watteau set up complex dialogic relationships between spoken words and images, past and present art, art and society, viewer and painting. Often regarded as merely erotic and decorative, his painted conversations are here shown to be also works of substance, ideas, and morals comparable with those of the greatest conversationalists, writers, and artists of his age."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/196454490>
schema:genre"Pictorial works"@en
schema:genre"Criticism, interpretation, etc."@en
schema:genre"Pictorial works."@en
schema:inLanguage"en"
schema:name"Watteau's painted conversations : art, literature, and talk in seventeenth- and eighteenth-century France"@en
schema:numberOfPages"238"
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

关闭窗口

请登入WorldCat 

没有张号吗?很容易就可以 建立免费的账号.