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What do pictures want? : the lives and loves of images

著者: W J T Mitchell
出版: Chicago : University of Chicago Press, ©2005.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Why do we have such powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray?" "According to W.J.T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites,  続きを読む
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資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: W J T Mitchell
ISBN: 0226532453 9780226532455 0226532488 9780226532486
OCLC No.: 54988888
物理形態: xxi, 380 p., 16 p. of plates : ill. (some col.) ; 24 cm.
コンテンツ: Images. Vital signs : cloning terror --
What do pictures want? --
Drawing desire --
The surplus value of images --
Objects. Founding objects --
Offending images --
Empire and objecthood --
Romanticism and the life of things --
Totemism, fetishism, idolatry --
Media. Addressing media --
Abstraction and intimacy --
What sculpture wants : placing Antony Gormley --
The ends of American photography : Robert Frank as national medium --
Living color : race, stereotype, and animation in Spike Lee's Bamboozled --
The work of art in the age of biocybernetic reproduction --
Showing seeing : a critique of visual culture.
責任者: W.J.T. Mitchell.
その他の情報:

概要:

"Why do we have such powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray?" "According to W.J.T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their won. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting."--Jacket.

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"This lively collection of essays is something more than a critical tour of the problematics of contemporary art theory; it is more than a set of pertinent (or impertinent) interventions on a series 続きを読む

 
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