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What goes around comes around : the films of Jonathan Demme

저자: Michael Bliss; Christina Banks
출판사: Carbondale : Southern Illinois University Press, ©1996.
판/형식:   전자도서 : 주 또는 도 정부 간행물 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
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This study by Michael Bliss and Christina Banks is the first book-length work to critically address the films of Jonathan Demme, from his first major work in 1974, Caged Heat, to his most recent, Philadelphia. In tracing the themes and techniques that Demme has developed and perfected through two decades, Bliss and Banks point out the distinctive qualities of a Demme film: his sensitive and sympathetic treatment of  더 읽기…
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장르/형태: Electronic books
Criticism, interpretation, etc
추가적인 물리적 형식: Print version:
Bliss, Michael, 1947-
What goes around comes around.
Carbondale : Southern Illinois University Press, ©1996
(DLC) 94041204
(OCoLC)31374183
명시된 사람: Jonathan Demme; Jonathan Demme; Jonathan Demme; Jonathan Demme
자료 유형: 정부 간행물, 주 또는 도 정부 간행물, 인터넷 자료
문서 형식: 인터넷 자원, 컴퓨터 파일
모든 저자 / 참여자: Michael Bliss; Christina Banks
ISBN: 0585107823 9780585107820
OCLC 번호: 43476082
재생 노트: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
설명: 1 online resource (x, 176 pages) : illustrations
세부사항: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
내용: Canned heat --
Road crazies --
Radio daze --
Problems on the set --
Huck meets the Hucksters --
Imitation of life --
Many people clapping, one man rapping --
Bicentennial babies --
The gang's all here --
Screams --
Love and death.
책임: Michael Bliss & Christina Banks.

초록:

This study by Michael Bliss and Christina Banks is the first book-length work to critically address the films of Jonathan Demme, from his first major work in 1974, Caged Heat, to his most recent, Philadelphia. In tracing the themes and techniques that Demme has developed and perfected through two decades, Bliss and Banks point out the distinctive qualities of a Demme film: his sensitive and sympathetic treatment of characters; his use of wry humor, which aids his audience in appreciating human shortcomings; and his sense of joy in the filmmaking process. A graduate of what might be called the Roger Corman School of Filmmaking, Demme quickly managed to outgrow his exploitation film background and establish himself as a director whose concerns for humanistic issues, use of the newest and finest strains in contemporary music, and fascination with darker subjects in the midst of an often comic vision mark him as an impressive cinematic force. Demme is more interested in interpersonal relations and feelings than in deeds, an attitude complemented by his focus on issues of sexual equality and justice. Allowing for the kinds of fictional conclusions involving renewal and hope that exemplify the true mythos of comedy, Demme's films exemplify a statement that occurs in both Something Wild and Married to the Mob: "What goes around comes around."

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