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| 提及的人： | Van Morrison |
|---|---|
| 材料类型： | 传记 |
| 文件类型： | 书 |
| 所有的著者/提供者： |
Greil Marcus |
| ISBN: | 9781586488215 : 158648821X |
| OCLC号码： | 435418486 |
| 描述： | x, 195 p. ; 22 cm. |
| 内容： | Northern muse : Greek Theatre, Berkeley : 3 May 2009 -- pt. 1, A grimy Cinderella in a purple stage suit. Mystic eyes : 1965 ; Tupelo honey : 1971 ; Baby please don't go : 1965 ; John Brown's body : 1975 ; Caravan : The last waltz : 1976 ; It's all over now, Baby Blue : 1966 -- pt. 2. I'm going to my grave with this record ; Astral weeks : 1968 ; Almost Independence Day : 1972 ; Listen to the lion : 1972 ; Caledonia soul music : 1970 ; Moonshine whiskey : 1971 ; Just like a woman : 1971 ; The last laugh, on Mark Knopfler, Sailing to Philadelphia : 2000 -- pt. 3. A belief in the blues as a kind of curse one puts on oneself ; Common one : 1980 ... Tell me something : 1966 ; Linden Arlen stole the highlights : 1974 ; Breakfast on Pluto : 2005 ; The healing game : 1997 -- pt. 4. There was no false face the song could not erase ; Into the music : 1979 ; Friday's child : 1971 ; Madame George : 1968 ; Saint Dominic's preview : 1996 ; Sweet thing : 1968 ; Take me back : 1991 ; Jennifer Jason Leigh, 1995 ; Mystic eyes : Greek Theatre, Berkeley : 2009 ; Behind the ritual : 2008. |
| 其他题名： | Listening to Van Morrison |
| 责任： | Greil Marcus. |
摘要：
评论
出版商概要
"Booklist"
"No critical testimonial is more welcome than this assessment of Morrison's work by one of America's most astute cultural critics.... Marcus is informed and insightful. Particularly illuminating are his observations on the tensions between Morrison's roles as singer and songwriter, and on Morrison's ongoing 'quest for the yarragh'--fleeting, elusive moments of transcendence. Morrison's volatile idiosyncrasy and diverse oeuvre make his career difficult to appraise, but Marcus convinces us of its singular importance."
"Time Out New York""Marcus's approach yields fresh insight into one of pop's most complex personas."
"San Francisco Chronicle""Beautifully written."
"Portland Oregonian"
"[Marcus is] literate, brainy and fearless in making cross-genre comparisons."
"Portland Mercury"
"One of the most interesting rock scribes of the past quarter-century."
"Washington City Paper"
"Written in prose as free-associative as the musicl
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