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When the fire dances between the two poles : Mary Wigman, 1886-1973

著者: Allegra Fuller Snyder; Mary Wigman; Herta Glaz; Dance Horizons Video (Firm)
出版: Hightstown, NJ : Dance Horizons Video : Distributed by Princeton Book Co., ©1991.
エディション/フォーマット:   DVD : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Mary Wigman was a German dancer, choreographer, and dance instructor. A pioneer of expressionist dance, her work was hailed for bringing the deepest of existential experiences to the stage. As one of the most iconic figures of Weimar German culture, she is considered one of the most important figures in European dance history. Wigman's choreography often employed non-Western instrumentation, percussion as primary  続きを読む
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詳細

ジャンル/形式: Historical films
Biographical films
Documentary films
Nonfiction films
Biography
History
Interviews
関連の人物: Mary Wigman; Mary Wigman
資料の種類: Videorecording
ドキュメントの種類: 視覚資料
すべての著者/寄与者: Allegra Fuller Snyder; Mary Wigman; Herta Glaz; Dance Horizons Video (Firm)
ISBN: 9780871271693 0871271699
OCLC No.: 257674383
注記: Original Wigman text for the narration from "Mary Wigman, the language of dance" and "The Mary Wigman book" translated by Walter Sorell.
著作権: Executive producer/associate director/editor, Annette Macdonald.
パフォーマー Narrator, Herta Glaz; interviewees, Mary Wigman, Sol Hurok.
物理形態: 1 videodisc (41 min.) : sd., b&w ; 4 3/4 in.
詳細: DVD.
コンテンツ: Summer 1913 Lago Maggiore, Switzerland --
Laban School --
Dances 1913-1917 --
Witch Dance 1926 --
Mask --
The choric principle --
Shifting landscape: A dance cycle 1929 --
Invocation --
Seraphic song --
Face of night --
Pastoral --
Festive rhythm --
Dance of summer --
Storm song --
Teaching concepts: Hands --
Music --
Turning --
Farewell and thanksgiving 1942 --
Death call.
その他のタイトル: Mary Wigman, 1886-1973
Mary Wigman, 1886-1973
責任者: a film by Allegra Fuller Snyder ; produced and directed by Allegra Fuller Snyder.

概要:

Mary Wigman was a German dancer, choreographer, and dance instructor. A pioneer of expressionist dance, her work was hailed for bringing the deepest of existential experiences to the stage. As one of the most iconic figures of Weimar German culture, she is considered one of the most important figures in European dance history. Wigman's choreography often employed non-Western instrumentation, percussion as primary accompaniment, silence, masks, ecstatic spinning, and choral movement. She founded a school in Dresden, which existed from 1920 until 1942, at which she was a pioneer of modern stage dance (without pointe shoes), dance- and moving-pedagogy, and dance therapy.

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