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When the fire dances between the two poles : Mary Wigman, 1886-1973

作者: Allegra Fuller Snyder; Mary Wigman; Herta Glaz; Dance Horizons Video (Firm)
出版商: Hightstown, NJ : Dance Horizons Video : Distributed by Princeton Book Co., ©1991.
版本/格式:   DVD影像 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Mary Wigman was a German dancer, choreographer, and dance instructor. A pioneer of expressionist dance, her work was hailed for bringing the deepest of existential experiences to the stage. As one of the most iconic figures of Weimar German culture, she is considered one of the most important figures in European dance history. Wigman's choreography often employed non-Western instrumentation, percussion as primary  再讀一些...
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詳細書目

類型/形式: Historical films
Biographical films
Documentary films
Nonfiction films
Biography
History
Interviews
提及的人: Mary Wigman; Mary Wigman
資料類型: 錄影
文件類型: 影像資料
所有的作者/貢獻者: Allegra Fuller Snyder; Mary Wigman; Herta Glaz; Dance Horizons Video (Firm)
ISBN: 9780871271693 0871271699
OCLC系統控制編碼: 257674383
注意: Original Wigman text for the narration from "Mary Wigman, the language of dance" and "The Mary Wigman book" translated by Walter Sorell.
餘額: Executive producer/associate director/editor, Annette Macdonald.
表演者: Narrator, Herta Glaz; interviewees, Mary Wigman, Sol Hurok.
描述: 1 videodisc (41 min.) : sd., b&w ; 4 3/4 in.
詳述: DVD.
内容: Summer 1913 Lago Maggiore, Switzerland --
Laban School --
Dances 1913-1917 --
Witch Dance 1926 --
Mask --
The choric principle --
Shifting landscape: A dance cycle 1929 --
Invocation --
Seraphic song --
Face of night --
Pastoral --
Festive rhythm --
Dance of summer --
Storm song --
Teaching concepts: Hands --
Music --
Turning --
Farewell and thanksgiving 1942 --
Death call.
其他題名: Mary Wigman, 1886-1973
Mary Wigman, 1886-1973
責任: a film by Allegra Fuller Snyder ; produced and directed by Allegra Fuller Snyder.

摘要:

Mary Wigman was a German dancer, choreographer, and dance instructor. A pioneer of expressionist dance, her work was hailed for bringing the deepest of existential experiences to the stage. As one of the most iconic figures of Weimar German culture, she is considered one of the most important figures in European dance history. Wigman's choreography often employed non-Western instrumentation, percussion as primary accompaniment, silence, masks, ecstatic spinning, and choral movement. She founded a school in Dresden, which existed from 1920 until 1942, at which she was a pioneer of modern stage dance (without pointe shoes), dance- and moving-pedagogy, and dance therapy.

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