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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/56613630 Title: Why did you change the horse to a nun? : adaptations. Author: Gerald DiPego; Christopher Hampton; Fay Kanin; Anna Hamilton Phelan; Eric Roth; Alan Plater; Joe Morgenstern; Michelle Manning; Writers Guild Foundation; Sound Images, Inc Publisher: Englewood, Colo. : Sound Images, Inc., [1999] OCLC:56613630

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Why did you change the horse to a nun? : adaptations.

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Why did you change the horse to a nun? : adaptations.

Author:	Gerald DiPego; Christopher Hampton; Fay Kanin; Anna Hamilton Phelan; Eric Roth; All authors
Publisher:	Englewood, Colo. : Sound Images, Inc., [1999]
Edition/Format:	DVD video : EnglishView all editions and formats
Summary:	An examination of the often bewildering decisions made in film adaptations, this program considers some of the challenges inherent in turning a novel or play into a script for the large or small screen. It questions responsibility to source material and presents the experiences and opinions of adapters and adaptees.
Rating:	(not yet rated) 0 with reviews - Be the first.

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Material Type:	Videorecording
Document Type:	Visual material
All Authors / Contributors:	Gerald DiPego; Christopher Hampton; Fay Kanin; Anna Hamilton Phelan; Eric Roth; Alan Plater; Joe Morgenstern; Michelle Manning; Writers Guild Foundation.; Sound Images, Inc. Find more information about:
OCLC Number:	56613630
Performer(s):	Gerald DiPego, Christopher Hampton, Fay Kanin, Michelle Manning, Joe Morgenstern, Anna Hamilton Phelan, Alan Plater, Eric Roth.
Production notes:	Recorded at a Film and Television Writers forum, Words into Pictures, sponsored by the Writers Guild Foundation and held June 4-6, 1999 in Santa Monica, California.
Description:	1 videodisc (81 min.) : sd., col. ; 1/2 in.
Details:	DVD.

Abstract:

An examination of the often bewildering decisions made in film adaptations, this program considers some of the challenges inherent in turning a novel or play into a script for the large or small screen. It questions responsibility to source material and presents the experiences and opinions of adapters and adaptees.

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