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The Wilderness and the West

著者: Robert HughesRichard SlotkinPlanet 24 (Firm)British Broadcasting Corporation. Television Service.Time Warner, Inc.すべての著者
出版: [Alexandria, VA] : PBS Home Video, [1997]
シリーズ: American visions, 3.
エディション/フォーマット:   VHS : VHS tape   視覚資料 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
An eight part series presenting American history through its visual art, painting, sculpture, architecture and monuments. In this third segment as majestic primal America fosters the idea of landscape as God's fingerprint, landscape painting holds deep religious and patriotic connotations. Soon, the belief in Manifest Destiny is embodied in art. Traveling from Yellowstone to the Hudson Valley, Hughes explores the  続きを読む
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詳細

ジャンル/形式: Films for the hearing impaired
Pictorial works
In art
関連の人物: Thomas Cole; John James Audubon; Albert Bierstadt; John Gast; Emanuel Leutze; George Catlin; Frederic Edwin Church; Frederic Remington; Thomas Noran; William Henry Jackson
資料の種類: Videorecording
ドキュメントの種類: 視覚資料
すべての著者/寄与者: Robert Hughes; Richard Slotkin; Planet 24 (Firm); British Broadcasting Corporation. Television Service.; Time Warner, Inc.; WNET (Television station : New York, N.Y.); PBS Home Video.
ISBN: 0780618149 9780780618145
OCLC No.: 37449311
言語注記: Closed-captioned.
注記: Originally produced in 1966 for PBS.
Closed-captioned.
著作権: Producer/director, James Kent ; executive producer, Nicholas Rossiter ; photography, Dave Bennett ; film editor, Colin Minchin ; music, David Ferguson.
パフォーマー Robert Hughes (art critic), Richard Slotkin, James Ryan, Arthur Amiotte.
物理形態: 1 videocassette (58 min.) : sound, color with black and white sequences ; 1/2 in.
詳細: VHS.
シリーズタイトル: American visions, 3.
その他のタイトル: American visions.
責任者: written & presented by Robert Hughes ; a Planet 24 production in association with BBC Television ; a Time Inc.-BBC co-production ; produced in association with Thirteen/WNET.

概要:

An eight part series presenting American history through its visual art, painting, sculpture, architecture and monuments. In this third segment as majestic primal America fosters the idea of landscape as God's fingerprint, landscape painting holds deep religious and patriotic connotations. Soon, the belief in Manifest Destiny is embodied in art. Traveling from Yellowstone to the Hudson Valley, Hughes explores the artists Thomas Cole, John Audubon, Albert Bierstadt, John Gast, Currier & Ives, Emanuel Leutze, George Catlin, Frederick Church, Frederic Remington, Thomas Noran and William Jackson. In their work he finds the conflicting impulses to worship the land and to conquer it, to create a myth of the West just as the frontier is closing.

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