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William Faulkner : self-presentation and performance

著者: James G Watson
出版: Austin : University of Texas Press, 2000.
シリーズ: Literary modernism series.
エディション/フォーマット:   電子書籍 : Document : Biography : State or province government publication : English : 1st edすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"In this book, James Watson draws on the entire Faulkner canon, including letters and even photographs, to decipher the complicated ways in which Faulkner put himself forth through written performances and displays based in and expressive of his emotional biography. The topics Watson treats include the overtly performative aspects of The Sound and the Fury and related manuscripts and privately written records of  続きを読む
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詳細

ジャンル/形式: Electronic books
Correspondence
その他のフォーマット: Print version:
Watson, James G. (James Gray), 1939-
William Faulkner.
Austin : University of Texas Press, 2000
(DLC) 99042423
(OCoLC)42049268
関連の人物: William Faulkner; William Faulkner; William Faulkner; William Faulkner; William Faulkner; William Faulkner
資料の種類: Biography, Document, Government publication, State or province government publication, インターネット資料
ドキュメントの種類: インターネットリソース, コンピューターファイル
すべての著者/寄与者: James G Watson
ISBN: 0292797990 9780292797994
OCLC No.: 55898704
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010.
形態 1 online resource (xvi, 255 p.) : ill.
詳細: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
シリーズタイトル: Literary modernism series.
責任者: by James G. Watson.

概要:

"In this book, James Watson draws on the entire Faulkner canon, including letters and even photographs, to decipher the complicated ways in which Faulkner put himself forth through written performances and displays based in and expressive of his emotional biography. The topics Watson treats include the overtly performative aspects of The Sound and the Fury and related manuscripts and privately written records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie recurring motifs in his fiction such as marriage and fatherhood, his reading of Melville, Hawthorne, and Thoreau, and his working out through them the problematics of authorial sovereignty, his presentation of himself as "Old Moster," the artist-God of his fictional cosmos; and the complex of personal and epistolary relationships that lies behind novels from Soldiers' Pay to Requiem for a Nun."--Jacket.

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