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William Faulkner : self-presentation and performance

저자: James G Watson
출판사: Austin : University of Texas Press, 2000.
시리즈: Literary modernism series.
판/형식:   전자도서 : 문서 : 전기 : 주 또는 도 정부 간행물 : 영어 : 1st ed모든 판과 형식 보기
데이터베이스:WorldCat
요약:
"In this book, James Watson draws on the entire Faulkner canon, including letters and even photographs, to decipher the complicated ways in which Faulkner put himself forth through written performances and displays based in and expressive of his emotional biography. The topics Watson treats include the overtly performative aspects of The Sound and the Fury and related manuscripts and privately written records of  더 읽기…
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장르/형태: Electronic books
Criticism, interpretation, etc
History
Records and correspondence
Correspondence
추가적인 물리적 형식: Print version:
Watson, James G. (James Gray), 1939-
William Faulkner.
Austin : University of Texas Press, 2000
(DLC) 99042423
(OCoLC)42049268
명시된 사람: William Faulkner; William Faulkner; William Faulkner; William Faulkner; William Faulkner; William Faulkner; William Faulkner
자료 유형: 전기, 문서, 정부 간행물, 주 또는 도 정부 간행물, 인터넷 자료
문서 형식: 인터넷 자원, 컴퓨터 파일
모든 저자 / 참여자: James G Watson
ISBN: 0292797990 9780292797994
OCLC 번호: 55898704
재생 노트: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
설명: 1 online resource (xvi, 255 p.) : ill.
세부사항: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
일련 제목: Literary modernism series.
책임: by James G. Watson.

초록:

"In this book, James Watson draws on the entire Faulkner canon, including letters and even photographs, to decipher the complicated ways in which Faulkner put himself forth through written performances and displays based in and expressive of his emotional biography. The topics Watson treats include the overtly performative aspects of The Sound and the Fury and related manuscripts and privately written records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie recurring motifs in his fiction such as marriage and fatherhood, his reading of Melville, Hawthorne, and Thoreau, and his working out through them the problematics of authorial sovereignty, his presentation of himself as "Old Moster," the artist-God of his fictional cosmos; and the complex of personal and epistolary relationships that lies behind novels from Soldiers' Pay to Requiem for a Nun."--Jacket.

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