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William Faulkner : self-presentation and performance

作者: James G Watson
出版商: Austin : University of Texas Press, 2000.
叢書: Literary modernism series.
版本/格式:   電子書 : 文獻 : 傳記 : 州政府或者省政府刊物 : 英語 : 1st ed所有版本和格式的總覽
資料庫:WorldCat
提要:
"In this book, James Watson draws on the entire Faulkner canon, including letters and even photographs, to decipher the complicated ways in which Faulkner put himself forth through written performances and displays based in and expressive of his emotional biography. The topics Watson treats include the overtly performative aspects of The Sound and the Fury and related manuscripts and privately written records of  再讀一些...
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詳細書目

類型/形式: Electronic books
Criticism, interpretation, etc
History
Records and correspondence
Correspondence
其他的實體格式: Print version:
Watson, James G. (James Gray), 1939-
William Faulkner.
Austin : University of Texas Press, 2000
(DLC) 99042423
(OCoLC)42049268
提及的人: William Faulkner; William Faulkner; William Faulkner; William Faulkner; William Faulkner; William Faulkner; William Faulkner
資料類型: 傳記, 文獻, 政府刊物, 州政府或者省政府刊物, 網際網路資源
文件類型 網際網路資源, 電腦檔案
所有的作者/貢獻者: James G Watson
ISBN: 0292797990 9780292797994
OCLC系統控制編碼: 55898704
複製注釋: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
描述: 1 online resource (xvi, 255 pages) : illustrations.
詳述: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
叢書名: Literary modernism series.
責任: by James G. Watson.

摘要:

"In this book, James Watson draws on the entire Faulkner canon, including letters and even photographs, to decipher the complicated ways in which Faulkner put himself forth through written performances and displays based in and expressive of his emotional biography. The topics Watson treats include the overtly performative aspects of The Sound and the Fury and related manuscripts and privately written records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie recurring motifs in his fiction such as marriage and fatherhood, his reading of Melville, Hawthorne, and Thoreau, and his working out through them the problematics of authorial sovereignty, his presentation of himself as "Old Moster," the artist-God of his fictional cosmos; and the complex of personal and epistolary relationships that lies behind novels from Soldiers' Pay to Requiem for a Nun."--Jacket.

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