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William Faulkner : the making of a modernist

Autore: Daniel Joseph Singal
Editore: Chapel Hill : University of North Carolina Press, ©1997.
Serie: Fred W. Morrison series in Southern studies.
Edizione/Formato:   Libro : Biography : Local government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Through detailed analyses of individual texts, from the earliest poetry through Go Down, Moses, Singal traces Faulkner's attempt to liberate himself from the powerful and repressive Victorian culture in which he was raised by embracing the Modernist culture of the artistic avant-garde. Most important, it shows how Faulkner accommodated the conflicting demands of these two cultures by creating a set of dual  Per saperne di più…
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Informazioni aggiuntive sul format: Online version:
Singal, Daniel Joseph, 1944-
William Faulkner.
Chapel Hill : University of North Carolina Press, c1997
(OCoLC)644012789
Persona incaricata: William Faulkner; William Faulkner; William Faulkner; William Faulkner
Tipo materiale: Biography, Government publication, Local government publication
Tipo documento: Book
Tutti gli autori / Collaboratori: Daniel Joseph Singal
ISBN: 0807823554 9780807823552
Numero OCLC: 36011705
Descrizione: xii, 357 p. : ill. ; 24 cm.
Contenuti: Progenitor: the first William Faulkner --
Poplars and peacocks, nymphs and fauns --
Fierce, small, and impregnably virginal --
Discovering Yoknapatawpha --
All things become shadowy paradoxical --
Into the void --
The making of a modernist identity: Light in August --
The dark house of southern history --
Ruthless and unbearable honesty --
Diminished powers: the writing of Go down, Moses.
Titolo della serie: Fred W. Morrison series in Southern studies.
Responsabilità: Daniel J. Singal.
Maggiori informazioni:

Abstract:

Through detailed analyses of individual texts, from the earliest poetry through Go Down, Moses, Singal traces Faulkner's attempt to liberate himself from the powerful and repressive Victorian culture in which he was raised by embracing the Modernist culture of the artistic avant-garde. Most important, it shows how Faulkner accommodated the conflicting demands of these two cultures by creating a set of dual identities - one, that of a Modernist author writing on the most daring and subversive issues of his day, and the other, that of a southern country gentleman loyal to the conservative mores of his community. It is in the clash between these two selves, Singal argues, that one finds the key to making sense of Faulkner.

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