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William Kentridge.

Author: William Kentridge; Carolyn Christov-Bakargiev; Castello di Rivoli (Museum : Rivoli, Italy)
Publisher: Milano, Italy : Skira, ©2004.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"William Kentridge (b. 1955, Johannesburg) has always addressed the more challenging and intimate aspects of contemporary life and of South Africa, both during Apartheid and in the post-Apartheid period. Through his short animated films, his sculptures, installations, charcoal drawings on paper - based on a technique of erasure - as well as through his activities in theater as set designer and director, Kentridge  Read more...
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Details

Genre/Form: Exhibition catalogs
Exhibitions
Named Person: William Kentridge; William Kentridge; William Kentridge; William Kentridge; William Kentridge
Document Type: Book
All Authors / Contributors: William Kentridge; Carolyn Christov-Bakargiev; Castello di Rivoli (Museum : Rivoli, Italy)
ISBN: 8884917220 9788884917225
OCLC Number: 55050513
Language Note: English and Italian.
Notes: At head of title: Castello di Rivoli, Museo d'Arte Contemporanea.
"Exhibition and catalogue by Carolyn Christov-Bakargiev."--Title page verso.
Description: 256 pages : illustrations ; 28 cm
Contents: Foreword / Ida Gianelli --
Foreword / Armin Zweite --
Foreword / Elizabeth Ann Macgregor --
Foreword / Marcel Brisebois --
Foreword / Rochelle Keene --
On defectibility as a resource : William Kentridge's art of imperfection, lack, and falling short / Carolyn Christov-Bakargiev --
The shadow of a doubt : William Kentridge's bronze age / Jane Taylor --
Early works 1979-1989 --
The first Soho Eckstein films 1989-1996 --
UBU projects 1996-1997 --
Inside one's head : the late Soho 1998-1999 --
Furniture for projections 1999-2001 --
Shadows and processions 1999-2000 --
Zeno projects 2001-2003 --
Pre-cinema projects 1999-2003 --
Tide table 2003-2004.
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Abstract:

"William Kentridge (b. 1955, Johannesburg) has always addressed the more challenging and intimate aspects of contemporary life and of South Africa, both during Apartheid and in the post-Apartheid period. Through his short animated films, his sculptures, installations, charcoal drawings on paper - based on a technique of erasure - as well as through his activities in theater as set designer and director, Kentridge explores the nature of memory and emotions, the ambiguity and complexity of social conflicts in the age of globalization. His art suggests an original perspective which is both elegiac and dramatic, whereby perpetual change, process and transformation are balanced between ethics, responsibility and poetry." "This catalogue accompanies the exhibition organized by the Castello di Rivoli that will travel in 2004 and 2005 to the K20 K21 Kunstsammlung Nordrhein-Westfalen of Dusseldorf, the Museum of Contemporary Art of Sydney, the Musee d'Art Contemporary in Montreal and the Johannesburg Art Gallery in the artist's hometown."--Jacket.

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Linked Data


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