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William Wordsworth and the ecology of authorship : the roots of environmentalism in nineteenth-century culture

Auteur : Scott Hess
Éditeur : Charlottesville : University of Virginia Press, 2012.
Collection : Under the sign of nature.
Édition/format :   Livre imprimé : State or province government publication : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
In William Wordsworth and the Ecology of Authorship, Scott Hess explores Wordsworth's defining role in establishing what he designates as "the ecology of authorship": a primarily middle-class, nineteenth-century conception of nature associated with aesthetics, high culture, individualism, and nation. Instead of viewing Wordsworth as an early ecologist, Hess places him within a context that is largely cultural and  Lire la suite...
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Détails

Genre/forme : History
Personne nommée : William Wordsworth; William Wordsworth; William Wordsworth; William Wordsworth
Type d’ouvrage : Government publication, State or province government publication
Format : Book
Tous les auteurs / collaborateurs : Scott Hess
ISBN : 9780813932309 0813932300 9780813932323 0813932327 9780813932316 0813932319
Numéro OCLC : 748941720
Description : x, 290 pages ; 24 cm.
Contenu : Picturesque vision, photographic subjectivity, and the (un)framing of nature --
Wordsworth country: the Lake District and the landscape of genius --
Wordsworth's environmental protest: the Kendal and Windermere Railroad and the cultural politics of nature --
The Lake District and the museum of nature --
"My endless way": travel, gender, and the imaginative colonization of nature --
Epilogue: the ecology of authorship versus the ecology of community.
Titre de collection : Under the sign of nature.
Responsabilité : Scott Hess.

Résumé :

In William Wordsworth and the Ecology of Authorship, Scott Hess explores Wordsworth's defining role in establishing what he designates as "the ecology of authorship": a primarily middle-class, nineteenth-century conception of nature associated with aesthetics, high culture, individualism, and nation. Instead of viewing Wordsworth as an early ecologist, Hess places him within a context that is largely cultural and aesthetic. The supposedly universal Wordsworthian vision of nature, Hess argues, was in this sense specifically male, middle-class, professional, and culturally elite--factors that continue to shape the environmental movement today.

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Scott Hess has written a valuable book that reveals the limits of Romantic ecocriticism by explaining the danger of applying contemporary standards of environmentalism to an author like Wordsworth. Lire la suite...

 
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