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Wilson, Burton, photograph collection, 1967-1988.

Autore: Burton Wilson
Edizione/Formato:   Immagine : Photograph : Picture : English
Banca dati:WorldCat
Sommario:
The collection includes images of music venues, performers and other individuals involved in the music industry in Austin, Texas. Over half the images were taken at the Armadillo World Headquarters, documenting the performers and other individuals connected with this important venue. A significant number of prints represents another Austin venue, the Vulcan Gas Company. Nine other Austin performance sites are  Per saperne di più…
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Genere/forma: Photographs
Persona incaricata: Marcia Ball; Clifton Chenier; Guy Clark; Fats Domino; Jim Franklin; Kinky Friedman; Jimmie Dale Gilmore; Emmylou Harris; John Lee Hooker; Lightnin' Hopkins; Waylon Jennings; Freddy King; Mance Lipscomb; Bill Monroe; Michael Martin Murphey; Tracy Nelson; Willie Nelson; Gram Parsons; Linda Ronstadt; Doug Sahm; Boz Scaggs; Earl Scruggs; Bruce Springsteen; Taj Mahal; Jerry Jeff Walker; Big Joe Williams; Burton Wilson; Johnny Winter; Frank Zappa
Tipo materiale: Photograph, Picture
Tipo documento: Materiale visivo
Tutti gli autori / Collaboratori: Burton Wilson
Numero OCLC: 70126159
Descrizione: 135 photoprints : b&w, 58 mounted on exhibit board ; 8x10 in. or smaller.

Abstract:

The collection includes images of music venues, performers and other individuals involved in the music industry in Austin, Texas. Over half the images were taken at the Armadillo World Headquarters, documenting the performers and other individuals connected with this important venue. A significant number of prints represents another Austin venue, the Vulcan Gas Company. Nine other Austin performance sites are represented, as is the Filmore Auditorium in San Francisco, California. The images portray rock, country and blues musicians in performance and backstage; audiences; individuals connected with the operation of the venues; and interior and exterior shots of the venues. The bulk of the images were taken in the late 1960s and early 1970s.

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