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A woman's voice in baroque music : Mariane von Ziegler and J.S. Bach

著者: Mark A Peters
出版商: Aldershot, Hampshire, England ; Burlington, VT : Ashgate, ©2008.
版本/格式:   图书 : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"At the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariane von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been Largely ignored in the Bach literature." "A Woman s Voice in Baroque Music is the first book to deal in depth with issues of women in music in relation to Bach, and  再读一些...
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附加的形体格式: Online version:
Peters, Mark A., 1975-
Woman's voice in baroque music.
Aldershot, Hampshire, England ; Burlington, VT : Ashgate, ©2008
(OCoLC)654733983
提及的人: Johann Sebastian Bach; Mariane von Ziegler; Ziegler; Bach; Mariane von Ziegler; Christiane Mariane von Ziegler; Johann Sebastian Bach
材料类型: 传记, 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Mark A Peters
ISBN: 9780754658108 0754658104
OCLC号码: 170057801
描述: xviii, 192 pages : illustrations ; 24 cm
内容: Woman's voice: Mariane von Ziegler as poet --
Anonymous voice: Mariane von Ziegler's sacred cantata texts --
Divine voice: the significance of the vox Christi for Ziegler and for Bach --
The composer's voice: Bach's compositional procedures in the Ziegler cantatas --
Woman's voice restored: the reception of the Ziegler cantatas and their significance in Bach's output.
责任: Mark A. Peters.
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摘要:

At the end of his second year in Leipzig, J S Bach composed nine sacred cantatas to texts by Leipzig poet Mariane von Ziegler (1695-1760). This work deals with issues of women in music in relation to  再读一些...

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schema:reviewBody""At the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariane von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been Largely ignored in the Bach literature." "A Woman s Voice in Baroque Music is the first book to deal in depth with issues of women in music in relation to Bach, and one of the few comprehensive studies of a specific repertory of Bach's sacred cantatas. It therefore provides a significant new perspective on both Ziegler as poet and cantata librettist and Bach as cantata composer."--Jacket."
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