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Women and film : both sides of the camera

Author: E Ann Kaplan
Publisher: New York : Methuen, 1983.
Edition/Format:   Book : EnglishView all editions and formats
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Additional Physical Format: Online version:
Kaplan, E. Ann.
Women and film.
New York : Methuen, 1983
(OCoLC)557609285
Document Type: Book
All Authors / Contributors: E Ann Kaplan
ISBN: 0416317502 9780416317503
OCLC Number: 9489023
Notes: Includes index.
Description: xii, 259 p. : ill. ; 24 cm.
Contents: pt. 1. The classical and contemporary Hollywood cinema: Is the gaze male? --
Patriarchy and the male gaze in Cukor's Camille (1936) --
Fetishism and the repression of motherhood in Von Sternberg's Blonde Venus (1932) --
The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946) --
Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr. Goodbar (1977) --
pt. 2. The independent feminist film: The avant-gardes in Europe and the USA --
Silence as female resistance in Marguerite Duras's Nathalie Granger (1972) --
Female politics in the symbolic realm: Von Trotta's Marianne and Juliane (The German sisters) (1981) --
The American experimental woman's film: Yvonne Rainer's Lives of performers and Film about a woman who... (1972-4) --
The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81) --
The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980) --
Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-rite (1978) --
The woman director in the Third World: Sara Gomez's One way or another (1974) --
The future of the independent feminist film: strategies, production, exhibition, and distribution in the USA --
Conclusion: Motherhood and patriarchal discourse.
Responsibility: E. Ann Kaplan.

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