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| 附加的形体格式： | Online version: Kaplan, E. Ann. Women and film. New York : Methuen, 1983 (OCoLC)557609285 |
|---|---|
| 文件类型： | 书 |
| 所有的著者/提供者： |
E Ann Kaplan |
| ISBN: | 0416317502 9780416317503 |
| OCLC号码： | 9489023 |
| 注意： | Includes index. |
| 描述： | xii, 259 p. : ill. ; 24 cm. |
| 内容： | pt. 1. The classical and contemporary Hollywood cinema: Is the gaze male? -- Patriarchy and the male gaze in Cukor's Camille (1936) -- Fetishism and the repression of motherhood in Von Sternberg's Blonde Venus (1932) -- The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946) -- Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr. Goodbar (1977) -- pt. 2. The independent feminist film: The avant-gardes in Europe and the USA -- Silence as female resistance in Marguerite Duras's Nathalie Granger (1972) -- Female politics in the symbolic realm: Von Trotta's Marianne and Juliane (The German sisters) (1981) -- The American experimental woman's film: Yvonne Rainer's Lives of performers and Film about a woman who... (1972-4) -- The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81) -- The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980) -- Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-rite (1978) -- The woman director in the Third World: Sara Gomez's One way or another (1974) -- The future of the independent feminist film: strategies, production, exhibition, and distribution in the USA -- Conclusion: Motherhood and patriarchal discourse. |
| 责任： | E. Ann Kaplan. |
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由 bryant2110 已更新 2011-08-08