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Women, monstrosity and horror film : gynaehorror

Author: Erin Jean Harrington
Publisher: Abingdon, Oxon ; New York : Routledge, 2018.
Series: Film philosophy at the margins.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries - of taste, of bodies, of reason - are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
(DLC) 2017005807
(OCoLC)949987905
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Erin Jean Harrington
ISBN: 9781134779260 1134779267
OCLC Number: 1001277715
Description: 1 online resource.
Contents: Introduction: Mapping the spaces/faces of gynaehorror --
Roses and thorns: Virgins, vagina dentata and the monstrosity of female sexuality --
The lady vanishes: Pregnancy, abortion and subjectivity --
Not of woman born: Mad science, reproductive technology and the reconfiguration of the subject --
The monstrous-maternal: Negotiating discourses of motherhood --
Living deaths, menstrual monsters and hagsploitation: Horror and/of the abject barren body --
Afterword: Monstrous miscarriages and uncanny births --
Index.
Series Title: Film philosophy at the margins.
Other Titles: Gynaehorror
Responsibility: Erin Harrington.

Abstract:

Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries - of taste, of bodies, of reason - are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women. This book offers an in-depth analysis of women in horror films through an exploration of 'gynaehorror': films concerned with all aspects of female reproductive horror, from reproductive and sexual organs, to virginity, pregnancy, birth, motherhood and finally to menopause. Some of the themes explored include: the intersection of horror, monstrosity and sexual difference; the relationships between normative female (hetero)sexuality and the twin figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror films about pregnancy and abortion; reproductive technologies, monstrosity and 'mad science'; the discursive construction and interrogation of monstrous motherhood; and the relationships between menopause, menstruation, hagsploitation and 'abject barren' bodies in horror. The book not only offers a feminist interrogation of gynaehorror, but also a counter-reading of the gynaehorrific, that both accounts for and opens up new spaces of productive, radical and subversive monstrosity within a mode of representation and expression that has often been accused of being misogynistic. It therefore makes a unique contribution to the study of women in horror film specifically, while also providing new insights in the broader area of popular culture, gender and film philosophy.

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"it's a fascinating and feminist look at gynaehorror, and one that's highly recommended"Octavia Cade, Strange Horizons

 
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