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Women's cinema, world cinema : projecting contemporary feminisms

Author: Patricia White
Publisher: Durham : Duke University Press, 2015. ©2015
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
In Women's Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
White, Patricia, 1964-
Women's cinema, world cinema.
Durham : Duke University Press, 2015
(DLC) 2014031330
(OCoLC)875520525
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Patricia White
ISBN: 9780822376019 0822376016
OCLC Number: 897237244
Description: 1 online resource (ix, 270 pages) : illustrations
Contents: To each her own cinema : world cinema and the woman cineaste : Jane Campion's Cannes connections; Lucrecia Martel's vertiginous authorship; Samīrā Makhmalbāf's sororal cinema --
Framing feminisms : women's cinema as art cinema : Deepa Mehta's elemental feminism; Iranian diasporan women directors and cultural capital --
Feminist film in the age of the chick flick : global flows of women's cinema : engendering new Korean cinema in Jeong Jae-eun's Take care of my cat; Nadine Labaki's celebrity --
Network narratives : Asian women directors two-timing the system in Nia Dinata's Love for share --
Zero Chou and the spaces of Chinese lesbian film --
Is the whole world watching? Fictions of women's human rights : Sabiha Sumar's Democratic cinema; Jasmila Žbanić's Grbavica and Balkan cinema's incommensurable gazes; Claudia Llosa's Trans/national address.
Responsibility: Patricia White.

Abstract:

In Women's Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and receptio.

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"White has dealt with material that is dauntingly unwieldy and has provided the great scholarly service of making it far less so for others. She has provided a wonderful 'map', one that enables an Read more...

 
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