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Women's poetry and religion in Victorian England : Jewish identity and Christian culture

Auteur : Cynthia Scheinberg
Éditeur : Cambridge, UK ; New York : Cambridge University Press, 2002.
Collection : Cambridge studies in nineteenth-century literature and culture, 35.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
"Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Further, Scheinberg argues that women poets  Lire la suite...
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Détails

Personne nommée : Christina Georgina Rossetti; Elizabeth Barrett Browning; Grace Aguilar; Amy Levy; Grace Aguilar; Amy Levy; Elizabeth Barrett Browning; Christina Rossetti
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Cynthia Scheinberg
ISBN : 0521811120 9780521811125
Numéro OCLC : 48473905
Description : xi, 275 p. ; 24 cm.
Contenu : 1. Introduction --
2. "Sweet singers of Israel": gendered and Jewish otherness in Victorian poetics --
3. Elizabeth Barrett Browning and the "Hebraic monster" --
4. Christina Rossetti and the Hebraic goblins of the Jewish Scriptures --
5. "Judaism rightly reverenced": Grace Aguilar's theological poetics --
6. Amy Levy and the accents of minor(ity) poetry.
Titre de collection : Cambridge studies in nineteenth-century literature and culture, 35.
Responsabilité : Cynthia Scheinberg.
Plus d’informations :

Résumé :

"Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Further, Scheinberg argues that women poets in Victorian England of both Jewish and non-Jewish backgrounds had deep interests in the Jewish scriptures, and that they often used images and texts from Judaism in their poetry. She suggests that Jewish and Christian women used poetry as a site for creative and original theological interpretation, and that they entered into dialogue through their poetry about their own and each other's religious and artistic identities. Broadly interdisciplinary, the book's methodology calls on studies in poetics, religious studies, feminist literary criticism, and little-read Anglo-Jewish primary sources."--Jacket.

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Données liées


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