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Working with Ulysses Dove. Ethan Brown, Parrish Maynard.

Author: Celia IpiotisJeffrey C BushJuan BarreraArts Resources in Collaboration.New York Public Library. Dance Collection.All authors
Publisher: ©1996.
Series: Working with Ulysses Dove.
Edition/Format:   Video : Videocassette : NTSC color broadcast system : U-matic   Visual material : English
Database:WorldCat
Summary:
Ethan Brown and Parrish Maynard, dancers with American Ballet Theatre, recall how Ulysses Dove created the ballet Serious pleasures for the company. They describe the technical and expressional demands he made upon the dancers, citing in particular the choreography's athleticism and frank sexual content. They also note the difficulty of coping with the elaborate set, which included nine doors, through which the  Read more...
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Details

Genre/Form: Dance
Interviews
Video
Named Person: Ethan Brown; Parrish Maynard; Celia Ipiotis; Ulysses Dove; Ethan Brown; Ulysses Dove; Celia Ipiotis; Parrish Maynard
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Celia Ipiotis; Jeffrey C Bush; Juan Barrera; Arts Resources in Collaboration.; New York Public Library. Dance Collection.; Sathya Production Services (Firm)
OCLC Number: 35422750
Notes: Recording made possible by the Jerome Robbins Archive of the Recorded Moving Image of the Dance Collection of The New York Public Library in cooperation with Arts Resources in Collaboration Inc., Celia Ipiotis and Jeff Bush.
Unedited footage.
Credits: Camera, Juan Barrera ; audio, Molly McBride.
Performer(s): Interviewer: Celia Ipiotis.
Interviewees: Ethan Brown and Parrish Maynard.
Event notes: Videotaped in New York on June 18, 1996, by Sathya Production Services.
Description: 1 videocassette (31 min.) : sound, color NTSC ; 3/4 in. (U-matic).
Series Title: Working with Ulysses Dove.

Abstract:

Ethan Brown and Parrish Maynard, dancers with American Ballet Theatre, recall how Ulysses Dove created the ballet Serious pleasures for the company. They describe the technical and expressional demands he made upon the dancers, citing in particular the choreography's athleticism and frank sexual content. They also note the difficulty of coping with the elaborate set, which included nine doors, through which the dancers had to make numerous entrances and exits. Both Maynard, who danced a leading role in the ballet, and Brown describe how Dove's emphasis on human qualities helped them broaden their expressional range as dancers.

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Primary Entity

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