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Writers writing dying

Auteur : C K Williams
Éditeur : New York : Farrar, Straus and Giroux, 2012.
Édition/format :   Livre imprimé : English : 1st edVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Since his first poetry collection, Lies, C.K. Williams has nurtured an incomparable reputation--as a deeply moral poet, a writer of profound emotion, and a teller of compelling stories. In Writers Writing Dying, he retains the essential parts of his poetic identity--his candor, the drama of his verses, the social conscience of his themes--while slyly reinventing himself, re-casting his voice, and in many poems  Lire la suite...
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Détails

Format : Book
Tous les auteurs / collaborateurs : C K Williams
ISBN : 9780374293321 0374293325
Numéro OCLC : 778422703
Description : 65 pages ; 25 cm
Contenu : Whacked --
A hundred bones --
Vile jelly --
Bianca burning --
Rat wheel, dementia, Mont Saint-Michel --
Lonely crow --
Mask --
Watching the telly with Nietzsche --
Exhaust --
Prose --
Butchers --
Cancer --
Wall --
Crazy --
The invisible nuns, Sister John, and the saint --
Haste --
Timeline --
Newark noir --
The muse gene --
La chatte --
Spew --
Stations --
Poem for myself for my birthday --
Draft 23 --
Salt --
The day continues lovely --
Writers writing dying.
Responsabilité : C.K. Williams.

Résumé :

Retains the essential parts of the author's poetic identity - his candor, the drama of his verses, the social conscience of his themes - while slyly reinventing himself, re-casting his voice, and in  Lire la suite...

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Synopsis de l’éditeur

With . . . precision and passion . . . [Williams] show[s] that [he] also know[s] how to make love to the page, urging the reader to go slow--which is how all poetry should be read . . . Mr. Williams Lire la suite...

 
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   schema:description "Since his first poetry collection, Lies, C.K. Williams has nurtured an incomparable reputation--as a deeply moral poet, a writer of profound emotion, and a teller of compelling stories. In Writers Writing Dying, he retains the essential parts of his poetic identity--his candor, the drama of his verses, the social conscience of his themes--while slyly reinventing himself, re-casting his voice, and in many poems examining the personal--sexual desire, the hubris of youth, the looming specter of death--more bluntly and bravely than ever. In "(BProse," he confronts his nineteen year-old self, who despairs of writing poetry, with the question "(BHow could anyone know this little?" In a poem of meditation, "(BThe Day Continues Lovely," he radically expands the scale of his attention: "(BMeanwhile cosmos roars on with so many voices we can't hear ourselves think. Galaxy on. Galaxy off. Universe on, but another just behind this one ..." Even the poet's own purpose is questioned; in "(BDraft 23" he asks, "(BBetween scribble and slash--are we trying to change the world by changing the words?" With this wildly vibrant collection--by turns funny, moving, and surprising--Williams proves once again that, he has, in Michael Hofmann's words, "(Bas much scope and truthfulness as any American poet since Lowell and Berryman.""@en ;
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