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Writings about John Cage

Author: Richard Kostelanetz
Publisher: Ann Arbor : University of Michigan Press, 1993.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:

Distinguished composers, performers, and critics offer views of one of the most important figures in twentieth-century music<br>

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Genre/Form: Aufsatzsammlung
Criticism, interpretation, etc
Additional Physical Format: Online version:
Writings about John Cage.
Ann Arbor : University of Michigan Press, 1993
(OCoLC)622715404
Named Person: John Cage; John Cage; John Cage; John Cage; John Cage; John Cage
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Richard Kostelanetz
ISBN: 0472103482 9780472103485
OCLC Number: 26547138
Description: xx, 353 pages : illustrations ; 24 cm
Contents: Imaginary landscaper (1982) / Eric Salzman --
Beginning with Cage (1979) / Richard Kostelanetz --
On John Cage (1992) / Petr Kotik --
Counterpoint (1934) / Henry Cowell --
Percussionists in concert led by John Cage (1943) / Paul Bowles --
Ajemian-Masselos (1946) / Lou Harrison --
"--A ping, qualified by a thud" (1948) / Peggy Glanville-Hicks --
The early percussion music of John Cage (1978) / Stuart Saunders Smith --
About John Cage's "prepared piano" (1990) / Daniel Charles --
Cage's well-tampered clavier (1978) / Eric Salzman --
On form (1960) / Christian Wolff --
Cage and Satie (1973) / Michael Nyman --
The abstract composers (1952) / Virgil Thomson --
Cage String quartet (1972) / Peter Dickinson --
On Cage's String quartet in four parts (1988) / Deborah Campana --
New and electronic music (1957) / Christian Wolff --
Two albums by John Cage (1960) / Peter Yates --
John Cage late and early (1960) / Virgil Thomson --
De-linerarizing musical continuity (1990) / Daniel Charles --
"There's no such thing as silence--" : John Cage's Poetics of silence (1991) / Eric De Visscher --
Variations IV (ca. 1967) / Joseph Byrd --
John Cage and the theory of harmony (1983) / James Tenney --
John Cage's lecture "Indeterminacy" (1959) / Hans G. Helms --
Structure as context (1988) / Thomas DeLio --
John Cage in a new key (1981) / Natalie Crohn Schmitt --
Mimêsis and beyond : Mallarmé, Boulez, and Cage (1986-87) / Jonathan Scott Lee --
John Cage as a Hörspielmacher (1989) / Richard Kostelanetz --
Roaratorio appraisiated (1983) / William Brooks --
Freeman etudes (1991) / Paul Zukofsky and John Cage --
Europe's opera : notes on John Cage's Europeras 1 and 2 (1987) / Heniz-Klaus Metzger --
Europeras (1988) / Manfredi Piccolomini --
Figuration and prefiguration : notes on some new graphic notions (1991) / Daniel Charles --
Silence (1962) / John Hollander --
Social concerns (1968) / Calvin Tomkins --
A year from Monday (1968) / Roger Maren --
Cage and Fluxus (1990) / Henry Flynt --
Something about the writings of John Cage (1991) / Jackson Mac Low --
John Cage's longest and best poem (1990) / Richard Kostelanetz --
Cage's cage (1990) / Edward Rothstein --
Gertrude Stein and John Cage : Three fragments (1977) / Ellsworth Snyder --
"We have eyes as well as ears--" (1982) / Anne d'Harnoncourt --
The development of his visual art (1991) / Richard Kostelanetz --
Merce Cunningham : origins and influences (1983) / David Vaughan --
Cage and modern dance (1965) / Jill Johnston --
Music and dance (1982) / Merce Cunningham --
[16 dances] (1984) / William Brooks.
Responsibility: edited by Richard Kostelanetz.
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