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The writings of Robert Motherwell

Autore: Robert Motherwell; Dore Ashton; Joan Banach
Editore: Berkeley : University of California Press, ©2007.
Serie: Documents of 20th century art.
Edizione/Formato:   Libro : State or province government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Robert Motherwell (1915-1991), one of the leading American Abstract Expressionist painters, was also a theorist and exponent of the movement. His writing articulated the intent of the New York school --Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Franz Kline, Arshile Gorky, and others--during a period when their work was often reviled for its departure from traditional representation. As founder of the  Per saperne di più…
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Dettagli

Genere/forma: Aufsatzsammlung
Bibliographie
Persona incaricata: Robert Motherwell; Robert Motherwell
Tipo materiale: Government publication, State or province government publication, Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Robert Motherwell; Dore Ashton; Joan Banach
ISBN: 9780520250475 0520250478 9780520250482 0520250486
Numero OCLC: 76794865
Descrizione: ix, 387 p. : ill. ; 27 cm.
Contenuti: Notes on Mondrian and Chirico, 1942 --
Review of Art of this Century, ca. 1943 --
Note on Modern Art, ca. 1943 --
Preface to Apollinaire's The Cubist Painters, 1944 --
The Modern Painter's World, 1944 --
Plate Caption in Abstract and Surrealist Art in America, 1944 --
Review of Calder's Three Young Rats, 1944 --
Painters' Objects, 1944 --
Preface to Mondrian's Plastic Art and Pure Plastic Art, 1945 --
Personal Statement, 1945 --
Review of Henry Moore's Sculpture and Drawings, 1945 --
Preface to Paalen's Form and Sense, ca. 1945 --
Statement, 1946 --
Beyond the Aesthetic, 1946 --
Statement, 1947 --
Editorial Preface to Possibilities I, 1947 --
Prefatory Note to Max Ernst: Beyond Painting, 1948 --
Prefatory Note to Jean Arp's On My Way, 1948 --
A Tour of the Sublime, 1948 --
Preliminary Notice to Apollinaire's The Cubist Painters, 1949 --
Preliminary Notice to Kahnweiler's The Rise of Cubism, 1949 --
Preliminary Notice to Raymond's From Baudelaire to Surrealism, 1949 --
A Personal Expression, 1949 --
Reflections on Painting Now, 1949 --
Abstract Art and the Real, 1949 --
Black or White, 1950 --
For David Smith, 1950 --
Preface to Duthuit's The Fauvist Painters, 1950 --
The New York School, 1950. Expressionism, ca. 1950 --
A Statement and Introduction to the Illustrations in Modern Artists in America, 1951 --
Notes on Cy Twombly, 1951 --
Preface and Introduction to The Dada Painters and Poets, 1951 --
Preface ["The School of New York"], 1951 --
Postscript to the Preface ["The School of New York"], 1951 --
What Abstract Art Means to Me, 1951 --
The Rise and Continuity of Abstract Art, 1951 --
Apropos "Traditional" and "Modern" Methods of Teaching Art, 1952 --
Is the French Avant-Garde Overrated? 1953 --
Preface to a Joseph Cornell Exhibition, 1953 --
Symbolism, 1954 --
The Painter and the Audience, 1954 --
Of Form and Content, ca. 1954 --
The Artist and Modern Society, 1955 --
The Artist's Life, 1956 --
Notes on Bradley Walker Tomlin, 1957. The Significance of Miró, 1959 --
Lecture with Charles R. Hulbeck, 1959 --
Statement for "Conversations with Artists," 1960 ----
What Should a Museum Be? 1961 --
Painting as Existence: An Interview with David Sylvester, 1962 --
Homage to Franz Kline, 1962 --
A Process of Painting, 1964 --
David Smith: A Major American Sculptor, 1965 --
Plate Caption for the Stedelijk Museum Catalogue, 1966 --
Statement, 1967 --
On Jackson Pollock, 1967 --
On Rothko, 1967 --
On the "Lyric Suite," 1969 --
Interview and Letter to Michel Ragon, 1969 --
Statement on the "Open" Series, 1969 --
Motherwell Muses, 1969 --
Thoughts on Drawing, 1970 --
On the Humanism of Abstraction: The Artist Speaks, 1970 --
Statements before Congress, 1970 --
The Universal Language of Children's Art, and Modernism, 1970 --
On Rothko, a Eulogy, 1970 --
Introduction to Cabanne's Dialogues with Marcel Duchamp, 1971 --
Statement on Radicalism in the Visual Arts, 1971 --
A Recollection of David Smith and the 1950s, 1972 --
Introduction to The Journal of Eugene Delacroix, 1972 --
Statement on Picasso, 1974 --
The New York School (and Symbolism), ca. 1976 --
Art and Reality, ca. 1976 --
Parisian Artists in Exile: New York 1939/45, 1977 --
Provincetown and Days Lumberyard: A Memoir, 1978 --
Words of the Painter, 1978 --
Presentation of an Award to Erick Hawkins, 1979 --
The International World of Modernist Art, 1980 --
Notes for a Joyce Symposium, 1980 --
In Memoriam: Anthony Smith, 1981 --
Journal Entry, ca. 1981. Reflections on Abstract Art, 1982 --
Foreword to William C. Seitz's Abstract Expressionist Painting in America, 1983 --
Kafka's Visual Recoil: A Note (for Dore Ashton), 1983 --
Animating Rhythm, 1984 --
Response: When Is a Painting Finished? 1985 --
On Not Becoming an Academic, 1986 --
A Personal Recollection, 1986 --
Nomination of Jasper Johns to the American Academy of Arts and Letters, 1988.
Titolo della serie: Documents of 20th century art.
Responsabilità: edited by Dore Ashton with Joan Banach ; introduction by Dore Ashton.
Maggiori informazioni:

Abstract:

Robert Motherwell (1915-1991), one of the leading American Abstract Expressionist painters, was also a theorist and exponent of the movement. This book presents the artist's writings about art  Per saperne di più…

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