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The writings of Robert Motherwell

著者: Robert Motherwell; Dore Ashton; Joan Banach
出版: Berkeley : University of California Press, ©2007.
シリーズ: Documents of 20th century art.
エディション/フォーマット:   書籍 : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Robert Motherwell (1915-1991), one of the leading American Abstract Expressionist painters, was also a theorist and exponent of the movement. His writing articulated the intent of the New York school --Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Franz Kline, Arshile Gorky, and others--during a period when their work was often reviled for its departure from traditional representation. As founder of the  続きを読む
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詳細

ジャンル/形式: Aufsatzsammlung
Bibliographie
関連の人物: Robert Motherwell; Robert Motherwell
資料の種類: Government publication, State or province government publication, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Robert Motherwell; Dore Ashton; Joan Banach
ISBN: 9780520250475 0520250478 9780520250482 0520250486
OCLC No.: 76794865
物理形態: ix, 387 p. : ill. ; 27 cm.
コンテンツ: Notes on Mondrian and Chirico, 1942 --
Review of Art of this Century, ca. 1943 --
Note on Modern Art, ca. 1943 --
Preface to Apollinaire's The Cubist Painters, 1944 --
The Modern Painter's World, 1944 --
Plate Caption in Abstract and Surrealist Art in America, 1944 --
Review of Calder's Three Young Rats, 1944 --
Painters' Objects, 1944 --
Preface to Mondrian's Plastic Art and Pure Plastic Art, 1945 --
Personal Statement, 1945 --
Review of Henry Moore's Sculpture and Drawings, 1945 --
Preface to Paalen's Form and Sense, ca. 1945 --
Statement, 1946 --
Beyond the Aesthetic, 1946 --
Statement, 1947 --
Editorial Preface to Possibilities I, 1947 --
Prefatory Note to Max Ernst: Beyond Painting, 1948 --
Prefatory Note to Jean Arp's On My Way, 1948 --
A Tour of the Sublime, 1948 --
Preliminary Notice to Apollinaire's The Cubist Painters, 1949 --
Preliminary Notice to Kahnweiler's The Rise of Cubism, 1949 --
Preliminary Notice to Raymond's From Baudelaire to Surrealism, 1949 --
A Personal Expression, 1949 --
Reflections on Painting Now, 1949 --
Abstract Art and the Real, 1949 --
Black or White, 1950 --
For David Smith, 1950 --
Preface to Duthuit's The Fauvist Painters, 1950 --
The New York School, 1950. Expressionism, ca. 1950 --
A Statement and Introduction to the Illustrations in Modern Artists in America, 1951 --
Notes on Cy Twombly, 1951 --
Preface and Introduction to The Dada Painters and Poets, 1951 --
Preface ["The School of New York"], 1951 --
Postscript to the Preface ["The School of New York"], 1951 --
What Abstract Art Means to Me, 1951 --
The Rise and Continuity of Abstract Art, 1951 --
Apropos "Traditional" and "Modern" Methods of Teaching Art, 1952 --
Is the French Avant-Garde Overrated? 1953 --
Preface to a Joseph Cornell Exhibition, 1953 --
Symbolism, 1954 --
The Painter and the Audience, 1954 --
Of Form and Content, ca. 1954 --
The Artist and Modern Society, 1955 --
The Artist's Life, 1956 --
Notes on Bradley Walker Tomlin, 1957. The Significance of Miró, 1959 --
Lecture with Charles R. Hulbeck, 1959 --
Statement for "Conversations with Artists," 1960 ----
What Should a Museum Be? 1961 --
Painting as Existence: An Interview with David Sylvester, 1962 --
Homage to Franz Kline, 1962 --
A Process of Painting, 1964 --
David Smith: A Major American Sculptor, 1965 --
Plate Caption for the Stedelijk Museum Catalogue, 1966 --
Statement, 1967 --
On Jackson Pollock, 1967 --
On Rothko, 1967 --
On the "Lyric Suite," 1969 --
Interview and Letter to Michel Ragon, 1969 --
Statement on the "Open" Series, 1969 --
Motherwell Muses, 1969 --
Thoughts on Drawing, 1970 --
On the Humanism of Abstraction: The Artist Speaks, 1970 --
Statements before Congress, 1970 --
The Universal Language of Children's Art, and Modernism, 1970 --
On Rothko, a Eulogy, 1970 --
Introduction to Cabanne's Dialogues with Marcel Duchamp, 1971 --
Statement on Radicalism in the Visual Arts, 1971 --
A Recollection of David Smith and the 1950s, 1972 --
Introduction to The Journal of Eugene Delacroix, 1972 --
Statement on Picasso, 1974 --
The New York School (and Symbolism), ca. 1976 --
Art and Reality, ca. 1976 --
Parisian Artists in Exile: New York 1939/45, 1977 --
Provincetown and Days Lumberyard: A Memoir, 1978 --
Words of the Painter, 1978 --
Presentation of an Award to Erick Hawkins, 1979 --
The International World of Modernist Art, 1980 --
Notes for a Joyce Symposium, 1980 --
In Memoriam: Anthony Smith, 1981 --
Journal Entry, ca. 1981. Reflections on Abstract Art, 1982 --
Foreword to William C. Seitz's Abstract Expressionist Painting in America, 1983 --
Kafka's Visual Recoil: A Note (for Dore Ashton), 1983 --
Animating Rhythm, 1984 --
Response: When Is a Painting Finished? 1985 --
On Not Becoming an Academic, 1986 --
A Personal Recollection, 1986 --
Nomination of Jasper Johns to the American Academy of Arts and Letters, 1988.
シリーズタイトル: Documents of 20th century art.
責任者: edited by Dore Ashton with Joan Banach ; introduction by Dore Ashton.
その他の情報:

概要:

Robert Motherwell (1915-1991), one of the leading American Abstract Expressionist painters, was also a theorist and exponent of the movement. This book presents the artist's writings about art  続きを読む

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schema:description"The Significance of Miró, 1959 -- Lecture with Charles R. Hulbeck, 1959 -- Statement for "Conversations with Artists," 1960 ---- What Should a Museum Be? 1961 -- Painting as Existence: An Interview with David Sylvester, 1962 -- Homage to Franz Kline, 1962 -- A Process of Painting, 1964 -- David Smith: A Major American Sculptor, 1965 -- Plate Caption for the Stedelijk Museum Catalogue, 1966 -- Statement, 1967 -- On Jackson Pollock, 1967 -- On Rothko, 1967 -- On the "Lyric Suite," 1969 -- Interview and Letter to Michel Ragon, 1969 -- Statement on the "Open" Series, 1969 -- Motherwell Muses, 1969 -- Thoughts on Drawing, 1970 -- On the Humanism of Abstraction: The Artist Speaks, 1970 -- Statements before Congress, 1970 -- The Universal Language of Children's Art, and Modernism, 1970 -- On Rothko, a Eulogy, 1970 -- Introduction to Cabanne's Dialogues with Marcel Duchamp, 1971 -- Statement on Radicalism in the Visual Arts, 1971 -- A Recollection of David Smith and the 1950s, 1972 -- Introduction to The Journal of Eugene Delacroix, 1972 -- Statement on Picasso, 1974 -- The New York School (and Symbolism), ca. 1976 -- Art and Reality, ca. 1976 -- Parisian Artists in Exile: New York 1939/45, 1977 -- Provincetown and Days Lumberyard: A Memoir, 1978 -- Words of the Painter, 1978 -- Presentation of an Award to Erick Hawkins, 1979 -- The International World of Modernist Art, 1980 -- Notes for a Joyce Symposium, 1980 -- In Memoriam: Anthony Smith, 1981 -- Journal Entry, ca. 1981."@en
schema:description"Notes on Mondrian and Chirico, 1942 -- Review of Art of this Century, ca. 1943 -- Note on Modern Art, ca. 1943 -- Preface to Apollinaire's The Cubist Painters, 1944 -- The Modern Painter's World, 1944 -- Plate Caption in Abstract and Surrealist Art in America, 1944 -- Review of Calder's Three Young Rats, 1944 -- Painters' Objects, 1944 -- Preface to Mondrian's Plastic Art and Pure Plastic Art, 1945 -- Personal Statement, 1945 -- Review of Henry Moore's Sculpture and Drawings, 1945 -- Preface to Paalen's Form and Sense, ca. 1945 -- Statement, 1946 -- Beyond the Aesthetic, 1946 -- Statement, 1947 -- Editorial Preface to Possibilities I, 1947 -- Prefatory Note to Max Ernst: Beyond Painting, 1948 -- Prefatory Note to Jean Arp's On My Way, 1948 -- A Tour of the Sublime, 1948 -- Preliminary Notice to Apollinaire's The Cubist Painters, 1949 -- Preliminary Notice to Kahnweiler's The Rise of Cubism, 1949 -- Preliminary Notice to Raymond's From Baudelaire to Surrealism, 1949 -- A Personal Expression, 1949 -- Reflections on Painting Now, 1949 -- Abstract Art and the Real, 1949 -- Black or White, 1950 -- For David Smith, 1950 -- Preface to Duthuit's The Fauvist Painters, 1950 -- The New York School, 1950."@en
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schema:description"Reflections on Abstract Art, 1982 -- Foreword to William C. Seitz's Abstract Expressionist Painting in America, 1983 -- Kafka's Visual Recoil: A Note (for Dore Ashton), 1983 -- Animating Rhythm, 1984 -- Response: When Is a Painting Finished? 1985 -- On Not Becoming an Academic, 1986 -- A Personal Recollection, 1986 -- Nomination of Jasper Johns to the American Academy of Arts and Letters, 1988."@en
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