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Writings on music, 1965-2000
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Writings on music, 1965-2000

Author: Steve Reich; Paul Hillier
Publisher: Oxford ; New York : Oxford University Press, 2002.
Edition/Format:   Book : Biography : EnglishView all editions and formats
Summary:
"In the mid-1960s, Steve Reich radically renewed the musical landscape with a back-to-basics sound that came to be called Minimalism. These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout his career, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and
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Genre/Form: Aufsatzsammlung
Named Person: Steve Reich
Material Type: Biography
Document Type: Book
All Authors / Contributors: Steve Reich; Paul Hillier
ISBN: 0195111710 9780195111712 0195151151 9780195151152
OCLC Number: 47100942
Description: xvi, 254 p. : ill. ; 25 cm.
Contents: Early works (1965-68). It's gonna rain (1965) ; Come out (1966) ; Melodica (1966) ; Piano phase (1967) ; Violin phase (1967) ; Slow motion sound (1967) ; My name is (1967) ; Pendulum music (1968) --
Excerpts from an interview in art forum --
Music as a gradual process (1968) --
Wavelength by Michael Snow (1968) --
The phase shifting pulse gate ; Four organs ; Phase patterns ; An end to electronics (1968-1970) --
Some optimistic predictions (1970) about the future of music --
First interview with Michael Nyman (1970) --
Gahu : a dance of the Ewe tribe in Ghana (1971) --
Drumming (1971) --
Clapping music (1972) --
Postscript to a brief study of Balinese and African music (1973) --
Notes on music and dance (1973) --
Six pianos (1973) --
Music for mallet instruments, voices, and organ (1973) --
Music for pieces of wood (1973) --
Steve Reich and musicians (1973) --
Music and performance (1969-74; 1993) --
Videotape and a composer (1975) --
Dachau 1974 / Beryl Korot --
Music for 18 musicians (1976) --
Second interview with Michael Nyman (1976) --
Music for a large ensemble (1978) --
Octet (1979) --
Variations for winds, strings, and keyboards (1979) --
Tehillim (1981) --
Hebrew cantillation as an influence on composition (1982) --
Vermont counterpoint (1982) --
Eight lines (1983) --
The desert music (1984). Note by the composer ; Text / William Carlos Williams --
The desert music : Steven Reich in conversation with Jonathan Cott (1984) --
Sextet (1985) --
New York counterpoint (1985) --
Three movements (1986) --
Six marimbas (1986) --
Tenney (1986) --
Texture ; Space ; Survival (1987) --
The four sections (1987) --
Electric counterpoint (1987) --
Non-western music and the western composer (1988) --
Different trains (1988) --
Chamber music : an expanded view (1989) --
Questionnaire (1989) --
On the size and seating of an orchestra (1990) --
Aaron Copland (1990) --
John Cage (1992) --
Kurt Weill, the orchestra, and vocal style : and interview with K. Robert Schwarz (1992) --
The cave. A new type of music theater (1993) / Steve Reich and Beryl Korot ; The cave : synopsis --
Jonathan Cott interview Beryl Korot and Steve Reich on The cave (1993) --
Thought about the madness in Abraham's cave (1994) / Steve Reich and Beryl Korot --
Answers to questions about Different trains (1994) --
Duet (1994) --
Nagoya Marimbas (1994) --
The future of music for the next 150 years (1994) --
Beautiful/ugly (1994) --
Schönberg (1995) --
City life (1995) --
Proverb (1995) --
Music and language (1996) --
Feldman (1997) --
Berio (1997) --
Three tales (1998-2000) / Steve Reich and Beryl Korot --
Triple quartet (1999) --
Know what is above you (1999) --
Two questions about opera (1999) --
Ligeti (2000) --
De Keersmaeker, Kylian, and European dance (2000) --
Steve Reich in conversation with Paul Hillier (2000)
Other Titles: Essays.
Responsibility: Steve Reich ; edited with an introduction by Paul Hillier.
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Abstract:

This title provides a collection of the composer Steve Reich's writings on music, from his classic essay from 1968 on "Music as a Gradual Process," which was the founding call for the development of  Read more...

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schema:description"Early works (1965-68). It's gonna rain (1965) ; Come out (1966) ; Melodica (1966) ; Piano phase (1967) ; Violin phase (1967) ; Slow motion sound (1967) ; My name is (1967) ; Pendulum music (1968) -- Excerpts from an interview in art forum -- Music as a gradual process (1968) -- Wavelength by Michael Snow (1968) -- The phase shifting pulse gate ; Four organs ; Phase patterns ; An end to electronics (1968-1970) -- Some optimistic predictions (1970) about the future of music -- First interview with Michael Nyman (1970) -- Gahu : a dance of the Ewe tribe in Ghana (1971) -- Drumming (1971) -- Clapping music (1972) -- Postscript to a brief study of Balinese and African music (1973) -- Notes on music and dance (1973) -- Six pianos (1973) -- Music for mallet instruments, voices, and organ (1973) -- Music for pieces of wood (1973) -- Steve Reich and musicians (1973) -- Music and performance (1969-74; 1993) -- Videotape and a composer (1975) -- Dachau 1974 / Beryl Korot --"
schema:description"Music for 18 musicians (1976) -- Second interview with Michael Nyman (1976) -- Music for a large ensemble (1978) -- Octet (1979) -- Variations for winds, strings, and keyboards (1979) -- Tehillim (1981) -- Hebrew cantillation as an influence on composition (1982) -- Vermont counterpoint (1982) -- Eight lines (1983) -- The desert music (1984). Note by the composer ; Text / William Carlos Williams -- The desert music : Steven Reich in conversation with Jonathan Cott (1984) -- Sextet (1985) -- New York counterpoint (1985) -- Three movements (1986) -- Six marimbas (1986) -- Tenney (1986) -- Texture ; Space ; Survival (1987) -- The four sections (1987) -- Electric counterpoint (1987) -- Non-western music and the western composer (1988) -- Different trains (1988) -- Chamber music : an expanded view (1989) -- Questionnaire (1989) -- On the size and seating of an orchestra (1990) -- Aaron Copland (1990) -- John Cage (1992) --"
schema:description"Kurt Weill, the orchestra, and vocal style : and interview with K. Robert Schwarz (1992) -- The cave. A new type of music theater (1993) / Steve Reich and Beryl Korot ; The cave : synopsis -- Jonathan Cott interview Beryl Korot and Steve Reich on The cave (1993) -- Thought about the madness in Abraham's cave (1994) / Steve Reich and Beryl Korot -- Answers to questions about Different trains (1994) -- Duet (1994) -- Nagoya Marimbas (1994) -- The future of music for the next 150 years (1994) -- Beautiful/ugly (1994) -- Schönberg (1995) -- City life (1995) -- Proverb (1995) -- Music and language (1996) -- Feldman (1997) -- Berio (1997) -- Three tales (1998-2000) / Steve Reich and Beryl Korot -- Triple quartet (1999) -- Know what is above you (1999) -- Two questions about opera (1999) -- Ligeti (2000) -- De Keersmaeker, Kylian, and European dance (2000) -- Steve Reich in conversation with Paul Hillier (2000)"
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schema:name"Writings on music, 1965-2000"
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schema:reviewBody""In the mid-1960s, Steve Reich radically renewed the musical landscape with a back-to-basics sound that came to be called Minimalism. These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout his career, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and non-western idioms. His works reflect the steady evolution of an original musical mind."."
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