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|Document Type:||Sound Recording|
|All Authors / Contributors:||
Arthur Sullivan; Philip Potter; Elizabeth Harwood; Ann Hood; Thomas Round; John Reed; Malcolm Sargent; Isidore Godfrey; D'Oyly Carte Opera Company.; Royal Philharmonic Orchestra.; Royal Opera House (London, England). Orchestra.
|Notes:||London: 417 358-2 (417 359-2--417 360-2).
Originally released in 1964.
Booklet with synopsis (8 p.)--inserted in container.
|Performer(s):||Philip Potter, Elizabeth Harwood, Royal Philharmonic Orchestra, Sir Malcolm Sargent, conductor (1st work) ; Ann Hood, Thomas Round, John Reed, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey, conductor (2nd work) ; D'Oyly Carte Opera Company.|
|Description:||2 sound discs : digital, stereo. ; 4 3/4 in.|
|Contents:||The yeomen of the guard : Overture. When maiden loves, she sits and sighs. Tower warders, under orders. When our gallant Norman foes. Alas! I waver to and fro. Is life a boon? Here's a man jollity. I have a song to sing, O! How say you, maiden. I've jibe and joke and quip and crank. 'Tis done! I am a bride. Were I thy bride. Oh, Sergeant Meryll, is it true. Night has spread her pall once more. Oh! a private buffoon is a lighthearted loon. Hereupon we're both agreed. Free from his fetters grim. Strange adventure. Hark! what was that, sir? A man who would woo a fair maid. When a wooer goes a-wooing. Rapture, rapture. Comes the pretty young bride --
Trial by Jury : Hark the hour of ten is sounding. When first my old, old love I knew. When I, good friends, was called to the bar. Where is the plaintiff. May it please you, my Lud! Oh, gentlemen, listen, I pray. A nice dilemma we have here. I love him, I love him.
|Responsibility:||Gilbert and Sullivan.|