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Yes? no! maybe-- : seductive ambiguity in dance

Author: Emilyn Claid
Publisher: London ; New York : Routledge, 2006.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Covering 50 years of British dance from Margot Fonteyn to modern innovators such as Wendy Houston and Nigel Charnock, this work covers shifts in performance-spectator relationships and investigates questions such as subjectivity, gender and race from a variety of theoretical perspectives.
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Genre/Form: History
Named Person: Emilyn Claid; Emilyn Claid
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Emilyn Claid
ISBN: 0415371562 9780415371568 041537247X 9780415372473 0203969502 9780203969502
OCLC Number: 61864151
Description: x, 245 pages : illustrations ; 22 cm
Contents: 1. Setting the scene --
2. X6 : a hinge in time --
I. Yes? : fantasies of perfection : setting the scene for change --
3. The upward line --
4. Watching ballet : illusion becoming real --
5. Performing ballet : real becoming illusion --
6. Classical androgyny --
7. Cracking the myth --
8. The Oedipal narrative --
9. An articulate silence --
10. Dying to please --
II. No! : coming down to earth as dancing subjects --
11. Expressions from the lifeworld --
12. Figures of parody --
13. Subverting tragedy --
14. Feminist battles with androgyny --
15. Within the frame of new dance --
16. Letting go of the mirror --
17. Figures of jouissance --
18. K/no/w body of illusion : seduction in reverse.
Responsibility: Emilyn Claid.
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Abstract:

Covering British dance, from Margot Fonteyn to contemporary practitioners, this is an approach to performing and watching dance. It also brings the author's life experience and interweaves it with  Read more...

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