zum Inhalt wechseln
Yorùbá music in the twentieth century : identity, agency, and performance practice Titelvorschau
SchließenTitelvorschau
Prüfung…

Yorùbá music in the twentieth century : identity, agency, and performance practice

Verfasser/in: Bode Omojola
Verlag: Rochester, NY : University of Rochester Press, 2012. ©2012
Serien: Eastman/Rochester studies in ethnomusicology, v. 2.
Ausgabe/Format   Print book : Ton-CD : Tonaufnahme   Computer-Datei : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
From the primeval age of Ayànàgalú (the Yorùbá pioneer-drummer-turned-deity-of-drumming) to the modern era, Yorùbá musical traditions have been shaped by individual performers: drummers, dancers, singers, and chanters, who express self-mediated visions of their social and cultural environment. Yorùbá Music in the Twentieth Century explores the role of the performer and the performing group in creating these  Weiterlesen…
Bewertung:

(noch nicht bewertet) 0 mit Rezensionen - Verfassen Sie als Erste eine Rezension.

Themen
Ähnliche Titel

 

Exemplar ausleihen

&AllPage.SpinnerRetrieving; Suche nach Bibliotheken, die diesen Titel besitzen ...

Details

Gattung/Form: Music
Medientyp: Tonaufnahme
Dokumenttyp: Buch, Computer-Datei
Alle Autoren: Bode Omojola
ISBN: 9781580464093 1580464092 9781580464932 1580464939
OCLC-Nummer: 775420094
Beschreibung: 285 pages : illustrations, music ; 24 cm + 1 audio disc.
Inhalt: Yorùbá drumming : performance practice and the politics of identity --
Talking and stammering : toward an analysis of Yorùbá drumming --
Songs of the king's wives : gendered and social identities in Yorùbá vocal performance --
The aírégbé song tradition of Yorùbá female chiefs --
Yorùbá music in the Christian liturgy : notation, performance, and identity --
Yorùbá music in Christian worship : the Aládǔrà church --
Yorùbá popular music : hybridity, identity, and power --
Yorùbá Islamic popular music.
Serientitel: Eastman/Rochester studies in ethnomusicology, v. 2.
Verfasserangabe: Bode Omojola.
Weitere Informationen:

Abstract:

Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yoruba genres of music.  Weiterlesen…

Rezensionen

Redaktionelle Rezension

Nielsen BookData

"While there are many books addressing one facet or another of Yoruba music, no other book covers the variety of genres and idioms discussed in Yoruba Music in the Twentieth Century. Professor Weiterlesen…

 
Nutzer-Rezensionen
Suche nach GoodReads-Rezensionen
Suche nach DOGObooks-Rezensionen…

Tags

Tragen Sie als Erste Tags ein.

Ähnliche Titel

Anfrage bestätigen

Sie haben diesen Titel bereits angefordert. Wenn Sie trotzdem fortfahren möchten, klicken Sie auf OK.

Verlinkung


<http://www.worldcat.org/oclc/775420094>
library:oclcnum"775420094"
library:placeOfPublication
rdf:typeschema:Book
rdf:valueUnknown value: snd
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2012"
schema:creator
schema:datePublished"2012"
schema:description"Yorùbá drumming : performance practice and the politics of identity -- Talking and stammering : toward an analysis of Yorùbá drumming -- Songs of the king's wives : gendered and social identities in Yorùbá vocal performance -- The aírégbé song tradition of Yorùbá female chiefs -- Yorùbá music in the Christian liturgy : notation, performance, and identity -- Yorùbá music in Christian worship : the Aládǔrà church -- Yorùbá popular music : hybridity, identity, and power -- Yorùbá Islamic popular music."@en
schema:description"From the primeval age of Ayànàgalú (the Yorùbá pioneer-drummer-turned-deity-of-drumming) to the modern era, Yorùbá musical traditions have been shaped by individual performers: drummers, dancers, singers, and chanters, who express self-mediated visions of their social and cultural environment. Yorùbá Music in the Twentieth Century explores the role of the performer and the performing group in creating these traditions, contributing to the ongoing reorientation of scholarship on African music toward individual creativity within a larger social network. Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional Yorùbá genres such as bata and dundun drumming as well as more contemporary genres such as Yorùbá popular music. The book also addresses a spectrum of social issues, ranging from gender inequality to the impact of Christianity and Islam on Yorùbá musical practice. Throughout, Omojola emphasizes the interrelatedness of the different components of the Yorùbá musical landscape, as well as the role of specific individuals and groups of musicians, who have continued to draw from indigenous Yorùbá musical resources to create new musical forms in the process of engaging the social dynamics of a rapidly changing environment. -- Back cover."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1202352145>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:isPartOf
schema:name"Yorùbá music in the twentieth century : identity, agency, and performance practice"@en
schema:workExample
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBB282423>
wdrs:describedby

Content-negotiable representations

Fenster schließen

Bitte in WorldCat einloggen 

Sie haben kein Konto? Sie können sehr einfach ein kostenloses Konto anlegen,.