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Yorùbá music in the twentieth century : identity, agency, and performance practice

Auteur : Bode Omojola
Éditeur: Rochester, NY : University of Rochester Press, 2012. ©2012
Collection: Eastman/Rochester studies in ethnomusicology, v. 2.
Édition/format:   Livre imprimé : CD audio : Document   Enregistrement sonore   Fichier d'ordinateur : AnglaisVoir toutes les éditions et tous les formats
Base de données:WorldCat
Résumé:
From the primeval age of Ayànàgalú (the Yorùbá pioneer-drummer-turned-deity-of-drumming) to the modern era, Yorùbá musical traditions have been shaped by individual performers: drummers, dancers, singers, and chanters, who express self-mediated visions of their social and cultural environment. Yorùbá Music in the Twentieth Century explores the role of the performer and the performing group in creating these  Lire la suite...
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Détails

Genre/forme: Criticism, interpretation, etc
Folk music
Popular music
Music
Type d’ouvrage: Document
Type de document: Livre, Fichier d'ordinateur, Enregistrement sonore
Tous les auteurs / collaborateurs: Bode Omojola
ISBN: 9781580464093 1580464092 9781580464932 1580464939
Numéro OCLC: 775420094
Note sur la langue: Vocal selections on accompanying disc sung in Yoruba.
Description: 285 pages : illustrations, music ; 24 cm + 1 audio disc (digital, MP3 ; 4 3/4 in.).
Contenu: Yorùbá drumming : performance practice and the politics of identity --
Talking and stammering : toward an analysis of Yorùbá drumming --
Songs of the king's wives : gendered and social identities in Yorùbá vocal performance --
The aírégbé song tradition of Yorùbá female chiefs --
Yorùbá music in the Christian liturgy : notation, performance, and identity --
Yorùbá music in Christian worship : the Aládǔrà church --
Yorùbá popular music : hybridity, identity, and power --
Yorùbá Islamic popular music. Contents of accompanying CD: Aroko bó̳dúnde (Sule Ayantunde) --
Olúkòso O̳bakòso (Sule Ayantunde) --
Afasé̳gbèjò (Musibau Ayanlere and his bàtá group) --
Mos̳áké̳ké̳ (Musibau Ayanlere and his bàtá group) --
O̳ba ko ye̳ á (Airegbe group, Emure-Ekiti) --
Olús̳égun, Àjàs̳é̳gun / Dayo Dedeke (The Polytechnic Choir, Ibadan ; Christopher Ayodele, conductor) --
Kérésìmesì odún dé / Dayo Dedeke (The Polytechnic Choir, Ibadan ; Christopher Ayodele, conductor) --
Èmi yíó gbě ojú mi sókè wonnì / Ekundayo Philips (The University of Ibadan Choir ; Tolu Owoaje, conductor) --
Olúwa lo lùs̳ó̳ àgùntàn mi / Christopher Aydele (The Polytechnic Choir, Ibadan ; Christopher Ayodele, conductor) --
A s̳eés̳e ni ká má a wí (Central Choir, Celestial Church of Christ ; Wole Adetiran, conductor) --
Mas̳e dá ni lé̳jó̳ (Central Choir, Celestial Church of Christ ; Wole Adetiran, conductor) --
Orin ìgbéyàwó (Monsurat Gbajumo and the Islamic Voice of Solieena-Al Rishad) --
Mi ó ní sìn wó̳n wá sáyé (Monsurat Gbajamo and the Islamic Voice of Solieena-Al Rishad).
Titre de collection: Eastman/Rochester studies in ethnomusicology, v. 2.
Responsabilité: Bode Omojola.
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Résumé:

Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yoruba genres of music.  Lire la suite...

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Synopsis de l’éditeur

"While there are many books addressing one facet or another of Yoruba music, no other book covers the variety of genres and idioms discussed in Yoruba Music in the Twentieth Century. Professor Lire la suite...

 
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