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Milling, Jane 1967-

Overview
Works: 23 works in 101 publications in 1 language and 2,684 library holdings
Genres: Criticism, interpretation, etc  History  Reference works  Biography 
Roles: Author, Editor, Publishing director
Classifications: PN2581,
Publication Timeline
Key
Publications about Jane Milling
Publications by Jane Milling
Most widely held works by Jane Milling
The Cambridge history of British theatre ( Book )
12 editions published between 2004 and 2015 in English and held by 598 libraries worldwide
Volume One of The Cambridge History of British Theatre begins in Roman Britain and ends with Charles II's restoration to the throne imminent. The four essays in Part One treat pre-Elizabethan theatre, the eight in Part Two focus on the riches of the Elizabethan era, and the seven in Part Three on theatrical developments during and after the reigns of James I and Charles I. The essays are written for the general reader by leading British and American scholars, who combine an interest in the written drama with an understanding of the material conditions of the evolving professional theatre which the drama helped to sustain, often enough against formidable odds. The volume unfolds a story of enterprise, innovation and, sometimes, of desperate survival over years in which theatre and drama were necessarily embroiled in the politics of everyday life
Modern theories of performance : from Stanislavski to Boal by Jane Milling( Book )
13 editions published between 2000 and 2001 in English and held by 492 libraries worldwide
The modern era in the theatre is remarkable for the extraordinary role and influence of theoretical practitioners, whose writings have shaped our sense of the possibilities and objectives of performance. This study offers a critical exploration of the theoretical writings of key modern practitioners from Stanlislavski to Boal. Designed to be read alongside primary source material, each chapter offers not only a summary and exposition of these theories, but a critical commentary on their composition as discourses. Close scrutiny of the cultural context and figurative language of these important, and sometimes difficult, texts yields fresh insight into the ideas of these practitioners
Devising performance : a critical history by Deirdre Heddon( Book )
14 editions published between 2005 and 2016 in English and held by 409 libraries worldwide
The book charts the development of collaboratively-created performances from the 1950s to the present day. Companies discussed include the Living Theatre, Open Theatre, Australian Performing Group, People Show, Teatro Campesino, Theatre de Complicite, Legs on the Wall, Forced Entertainment and Third Angel. Against this background of enormous variety, fundamental questions are posed: 'What is devised theatre?'; 'Why have theatre-makers chosen to devise performances since the 1950s?' and 'How has devised performance changed over the last fifty years?'
Modern British playwriting. voices, documents, new interpretations by Jane Milling( Book )
13 editions published in 2012 in English and Undetermined and held by 166 libraries worldwide
This volume equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically. It offers a broad survey of the context and of the playwrights and companies such as Complicite and DV8 that rose to prominence at this time
Extraordinary actors : essays on popular performers : studies in honor of Peter Thomson ( Book )
7 editions published between 2003 and 2004 in English and held by 159 libraries worldwide
The basset table by Susanna Centlivre( Book )
1 edition published in 2009 in English and held by 74 libraries worldwide
The Cambridge history of British theatre ( Book )
23 editions published between 2004 and 2015 in English and held by 61 libraries worldwide
The first of three volumes looking at the turbulent public life of performance in Britain. Volume One covers pre-Elizabethan theatre
Origins to 1660 ( Book )
1 edition published in 2004 in English and held by 29 libraries worldwide
The Cambridge history of British theatre by Baz Kershaw( Book )
1 edition published in 2004 in English and held by 10 libraries worldwide
This volume explores the rich and complex histories of English, Scottish and Welsh theatres in the period 1896-2002. Original essays by leading historians and critics investigate the major aspects of theatrical performance
Women dramatists, 1550-1670 plays in performance (1) ( visu )
2 editions published in 1999 in English and held by 9 libraries worldwide
Introduces and discusses extracts from four plays by early modern women: The tragedy of Mariam by Elizabeth Cary, directed and discussed by Stephanie Hodgson-Wright; The concealed fancies by Lady Jane Cavendish and Lady Elizabeth Brackley, directed by Alison Findlay and Jane Milling and discussed by Alison Findlay; The convent of pleasure by Margaret Cavendish, directed by Bill Pinner and discussed by Gweno Williams; and Iphigenia at Aulis by Euripides, translated by Lady Jane Lumley and directed and discussed by Stephanie Hodgson-Wright. Intended to contest the idea that plays by early modern women were not intended for performance
The Cambridge history of British theatre ( file )
1 edition published in 2004 in English and held by 2 libraries worldwide
The Cambridge history of British theatre ( file )
1 edition published in 2004 in English and held by 2 libraries worldwide
The Cambridge history of British theatre. since 1895 ( Book )
2 editions published in 2004 in English and held by 2 libraries worldwide
Audience immersion : environment, interactivity, narrative in the work of Punchdrunk by Rose May Biggin( file )
1 edition published in 2014 in English and held by 1 library worldwide
Theatre and performance practices ( serial )
in English and held by 1 library worldwide
Critical discourse within European plays in the first half of the twentieth century and the manifestations of a similar phenomenon in modern Egyptian drama by Rasha Ahmed Khairy Hafez Dawood( file )
1 edition published in 2014 in English and held by 1 library worldwide
The Cambridge history of British theatre. 1660 to 1895 ( Book )
1 edition published in 2004 in English and held by 1 library worldwide
"In the female coasts of fame" : women's dramatic writing on the public stage, 1669-71 by Jane Milling( Article )
1 edition published in 2000 in English and held by 1 library worldwide
The Cambridge history of British theatre. Origins to 1660 ( Book )
1 edition published in 2004 in English and held by 1 library worldwide
The Cambridge History of British Theatre Vol. 1: Origins to 1660 by Baz Kershaw( file )
1 edition published in 2004 in English and held by 0 libraries worldwide
 
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English (97)
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