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Documentary Educational Resources (Firm)

Works: 1,245 works in 2,889 publications in 7 languages and 56,822 library holdings
Genres: Documentary films  Nonfiction films  Ethnographic films  Short films  Biography  Nonfiction television programs  Ethnographic television programs  Documentary television programs  Internet videos  Case studies 
Roles: Distributor, Producer, prn, fds, Restager, Publisher, Other
Classifications: PN1997, 305.8961
Publication Timeline
Publications about Documentary Educational Resources (Firm)
Publications by Documentary Educational Resources (Firm)
Most widely held works about Documentary Educational Resources (Firm)
Most widely held works by Documentary Educational Resources (Firm)
N!ai : the story of a !Kung woman by John Marshall( visu )
23 editions published between 1979 and 2014 in English and held by 803 libraries worldwide
A compilation of footage of the !Kung people of Namibia from 1951 through 1978. Focuses on the changes in the life of these people as seen through the reflections of one woman, N!ai
First contact by Bob Connolly( visu )
7 editions published between 1982 and 2014 in English and held by 611 libraries worldwide
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First contact. Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. The Papuans tell how they thought the white men were their ancestors, bleached by the sun and returned from the dead. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons. Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold. First contact is one of those rare films that holds an audience spell-bound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there. Filmmaker: Bob Connolly, Robin Anderson
The hunters by John Marshall( visu )
11 editions published between 1958 and 2014 in English and held by 533 libraries worldwide
In this classic documentary filmed in 1952 and 1953, the Kalahari Bushmen of Africa wage a constant war for survival against the hot arid climate and unyielding soil. "The hunters" focuses on four Ju/'hoansi men who undertake a hunt to obtain meat for their village. The chronicle of their 13-day trek hunting a giraffe is shared when they return home, illustrating the ancient roots and continual renewal of African tribal cultures
The!Kung San : traditional!Kung life by John Marshall( visu )
11 editions published between 1987 and 2014 in English and held by 464 libraries worldwide
Using footage from 1978 through 1986, this video shows some of the dramatic changes in life-style and subsistence which the !Kung have undergone since their days of traditional gathering and hunting. No longer relying completely on foods obtained self-sufficiently, we glimpse the! Kung being given hand-outs of mealie meal, spending earned money from working in the South African Army on alcohol and consumer goods, and living in areas which increase crowding and argument. Filmmaker and anthropologist John Marshall is filmed helping the !Kung negotiate with South African authorities their right to install a pump on traditional lands. With a move back to traditional lands, and development of cattle herding and planned agriculture, there is a small hope that !Kung can be successful in a mixed economy
A man called "Bee" : studying the Yanomamö by Napoleon A Chagnon( visu )
22 editions published between 1974 and 2008 in English and South American Indian [Other] and held by 451 libraries worldwide
Follows anthropologist Napoleon Chagnon as he collects anthropological field data among the Yanoama Indians of southern Venezuela
Joe Leahy's neighbors : film discussion by Bob Connolly( visu )
7 editions published between 1988 and 2014 in English and Creoles and Pidgins, English and held by 385 libraries worldwide
This Nine Network (Australia) Sunday program discusses and shows excerpts of the feature length film Joe Leahy's neighbors, which is the followup of First Contact. The excerpts and commentary trace the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970s
The Feast by Robert Hass( visu )
12 editions published between 1970 and 2009 in English and South American Indian [Other] and held by 382 libraries worldwide
Each summer for the past one hundred years, local residents on an otherwise tranquil block in the Williamsburg section of Brooklyn turn their lives upside down for two weeks in order to host the reenactment of a centuries-old religious pageant. The annual feast of San Paulino di Nola has its roots in an archaic fertility rite with exotic pagan undertones. Italians from the Campanese village of Nola, who emigrated to Williamsburg in the 1880s, brought their blessed saint statues, fig trees, and traditional values to New York. Soon after they arrived to a new world of stoops and storefronts, they formed a special "society," dedicated to maintaining the annual feast of their hometown saint in their new-world neighborhood. But what makes this display so spectacular is an 85-foot, 3-ton obelisk known as the Giglio, which, along with a full brass band and church pastor, is hoisted on the shoulders of 100 neighborhood men and carried aloft through the streets. The blocks-long procession provokes many moods, alternating between reflective piety and frenzied hysteria, around which fireworks are set off and everyone receives a fertility blessing. Da Feast! celebrates a very special day in the life of the Giglio, on its 100th anniversary in the streets of Williamsburg. While the intimate documentary features the neighborhood's dynamic young priest, Father Fonti; the ceremony's Capo Paranza, Phil Galasso; an appearance by Brooklyn's colorful Borough president, Marty Markowitz; and a swinging original jazz score by Joe Magnarelli, the real star is filmmaker (and Williamsburg resident) Artemis Willis' 96-year-old landlord, Massimino -- who built the Giglio in Italy and brought his craft and his soul to Brooklyn. More than a block party or a church social, the Feast continues to unfold on personal, political, communal, familial, and cosmic levels in this constantly changing community. Today, zeppole carts are likely to stand adjacent to henna tattoo parlors, and the area's young hipsters observe a lesson in community from the local Italian Americans, and they both embrace a soundtrack that ranges from ancient folksongs to "Gonna Fly Now" (the theme from Rocky)
The Ax Fight by Timothy Asch( visu )
16 editions published between 1975 and 2016 in English and South American Indian [Other] and held by 319 libraries worldwide
A four-part analysis of a fight in a Yanomamo Indian village between local descent groups. Includes an unedited record of the event; a slow-motion replay of the fight with commentary; a discussion of the kinship structure of the fight; and an edited version
Cartoneros by Ernesto Livon-Grosman( visu )
4 editions published between 2007 and 2014 in Spanish and English and held by 311 libraries worldwide
"Follows the paper recycling process in Buenos Aires from the trash pickers who collect paper informally through middlemen in warehouses, to executives in large corporate mills. The process exploded into a multimillion dollar industry after Argentina's latest economic collapse. The film is both a record of an economic and social crisis and an invitation to audiences to rethink the value of trash"--Container
The Swahili beat : an introduction to the history of the East African Coast by Kenny Mann( visu )
3 editions published between 2008 and 2014 in English and held by 273 libraries worldwide
The Swahili beat is an upbeat look at the remarkable history of the Swahili people of Kenya and Tanzania's East African coast. Packed with the music and dance of its indigenous peoples, the film takes viewers along the coast from the fabled island of Lamu to Zanzibar, Mombasa, Kilwa, Bagamoyo and Dar es Salaam, tracing the development of the Swahili culture through the intermarriage of Arab settlers, arriving from Oman in the 8th century, with local Africans. The resulting Islamic hybrid culture cemented economic and social stability. The emergence of the Swahili as prosperous merchant brokers in the Indian Ocean basin and in the growing East African slave trade made them a lucrative target for successive waves of settlers, invaders and colonizers, including the Persians, Portuguese, Arabs, Germans and British. The Swahili have withstood all these invasions and maintained their Afro-Arab Islamic culture until today. Can they survive in the face of globalization, the Internet and tourism? Filmmaker: Kenny Mann
!Kung Bushmen Hunting Equipment by John Marshall( visu )
5 editions published between 1966 and 2014 in English and held by 258 libraries worldwide
This film shows in detail all the pieces in the Ju/'hoan hunting kit and how each piece is made and used, from the collection of the raw materials to the final fabrication, including the preparation of poison arrows
Owners of the water : conflict and collaboration over rivers ("Tede'wa") ( visu )
3 editions published between 2009 and 2014 in English and Multiple languages and held by 256 libraries worldwide
A unique collaboration between two indigenous filmmakers and an anthropologist, Owners of the water is a compelling documentary with groundbreaking ethnographic imagery. A central Brazilian Xavante, a Wayuu from Venezuela, and a US anthropologist explore an indigenous campaign to protect a river from devastating effects of uncontrolled Amazonian soy cultivation. Xavante and Wayuu are nationally and internationally prominent political actors and both face challenges over water. Owners highlights a civic protest showing strategic use of culture to bring attention to deforestation and excessive use of agritoxins in unregulated soy cultivation. The film features a diversity of Xavante opinions and evidence that non-indigenous members of the local population both support and oppose indigenous demands. The film showcases indigenous efforts to build networks among different native peoples and across nations. The film results from long collaboration between anthropologist Laura Graham and Xavante and more recent collaboration with Wayuu. The Association Xavante Wara, a Xavante organization that promotes indigenous knowledge and ways of living in the central Brazilian cerrado (a spiritually and materially integrated space that Xavante know as 'ro) and conservation of this unique environment, invited Graham to tell the story of its campaign to save the Rio das Mortes. David Hernández Palmar, a Wayuu (Iipuana clan) from Venezuela, accompanied Graham to meet the Xavante and learn about their struggles over water. After the trip the Xavante and Wayuu filmmakers and the anthropologist made this film based on the ethnographic footage of their intercultural encounters. Film Festivals, Screenings, Awards Göttingen International Ethnographic Film Festival, Germany, 2010. Filmmaker: Laura R. Graham, David Hernandez Palmar, Caimi Waiasse
Siaka, an African musician by Hugo Zemp( visu )
4 editions published between 2005 and 2014 in English and held by 253 libraries worldwide
Siaka Diabaté is a musician at Bouaké, the second largest town in the Côte d'Ivoire. Through his mother's family he is Senufo, but through his father's ancestry he considers himself a Mande griot. He is a multi-talented professional musician, and for the local festivals plays five instruments: the Senufo and Maninka balafons, the kora harp, the dundun drum and the electric guitar. This film shows Siaka playing in the group led by Soungalo Coulibaly before his death in 2004, including the use of jembe drums, which we also see being made. Using long continuous shots that give priority to the music and to what Siaka and Soungalo have to say, this documentary introduces the audience to a fascinating world of urban music that incorporates traditional songs and dances by griots. Shot on site a few weeks before rising of civil war, during various festivities, this film presents a living portrait of this lovable and highly skilled musician working in a traditional environment, adding another dimension to the pleasure of seeing and hearing him during his international tours. This vidoes includes the extra features: Interview with Soungalo Coulibaly (9 min), Soungalo and his group playing for a wedding (10 min). Always keeping to his favorite method, the ethnomusicologist films alone, avoids unnecessary comments and favors long sequence-shots, which, better than any other device, allows the viewer to become part of the action and to absorb it. Vincent Zanetti, Cahiers de musiques traditionnelles, 19, 2006. The film follows Siaka closely as he plays at different festivities and rehearsals. The flow of the film is magnificent in these scenes. There is a feeling of floating and living in the moment of the sequences. No pressure is felt and the camera is clearly at the heart of the action ... There is an easiness of communication between the researcher and his informants. Aleksi Oksanen, The World of Music, 49(3), 2007. Zemp's beautifully crafted film was shot on location in Bouaké in July and August 2002 ... This documentary is not a biopic but an in-depth look into how a talented young musician gets by in Africa today. July Strand, Ethnomusicology, 53 (2), 2009. Filmmaker: Hugo Zemp
The uprising of '34 by George C Stoney( visu )
4 editions published between 1995 and 2014 in English and held by 251 libraries worldwide
This films tells the story of the General Strike of 1934, a massive but little-known strike by hundreds of thousands of southern textile workers. After three weeks the strike was stopped, the strikers denied jobs. Sixty years later this strike is virtually unknown, and union representation in the South still suspect
The Nuer by Hilary Harris( visu )
6 editions published between 1971 and 2009 in English and Nilo-Saharan [Other] and held by 248 libraries worldwide
Presents the most important relationships and events in the lives of the Nuer, Nilotic people in Sudan and on the Ethiopian border. Demonstrates the vital significance of cattle and their central importance in all Nuer thought and behavior
To the Land of Bliss by Wen-jie Qin( visu )
8 editions published between 2001 and 2007 in English and held by 239 libraries worldwide
Focusing on the post-Mao revival of Buddhism in China, the filmmaker offers an intimate portrayal of the Chinese Pure Land Buddhist way of living and dying
Box of Treasures by Chuck Olin( visu )
9 editions published between 1980 and 2007 in English and held by 231 libraries worldwide
Many years ago, the Canadian government "confiscated" numerous ritual possessions belonging to the Kwakiutl Indians and forbade them to hold illegal pot latch ceremonies. In 1980, after years of struggle and negotiations, these sacred objects were returned to the tribe. This program looks at the resulting celebration and the present-day efforts of the Kwakiutl to keep their culture and heritage alive
Diary of a Maasai village by Melissa Llewelyn-Davies( visu )
5 editions published between 1984 and 2014 in English and held by 222 libraries worldwide
This series of five films by Melissa Llelewyn-Davies looks at daily life among the Maasai. The films are presented as a diary of a 7-week visit to a single village. The structure is episodic and the content dependent on various events or stories, some of which are developed through more than one film. The tapes can be used independently or together, to give an in-depth sense of Maasai life. The senior man in the village is the most important Maasai prophet and magician who is known as the Laibon. He is regarded as a wealthy man because he has so many wives and children. He has 13 wives living in the village as well as a large number of children, about 20 daughters-in-law, and 30 grandchildren. All the main characters in the films are somehow related to the Laibon, who was nearly 80 years old when the films were made. A common thread to the events of all five films is the ever-present anxiety about the state of the herds. These appear to be slowly depleting due to drought, disease and an increasing need to sell livestock for cash. Cash and/or livestock are needed by the Laibon and his kin to trade for wives, to pay off debts and to compensate for previous thefts
African Dance: Sand, Drum, and Shostakovich by Ken Glazebrook( visu )
7 editions published between 2002 and 2007 in French and English and held by 216 libraries worldwide
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, including those with dance historians Yacouba Konate and Alponse Tierou, add insight to beautifully-photographed performances. What emerges is a fascinating diversity of contemporary African dance themes and styles. Exploring the interactions between tradition and modernism, the consequences of colonization and urbanization, the self-expression of women through dance, and the roles of masculinity and family relationships, the film is a unique source of information and inspiration for dancers, dance historians, choreographers, critics, as well as those interested in African culture, past and present
Poto mitan : Haitian women, pillars of the global economy by Renée Bergan( visu )
6 editions published between 2009 and 2011 in English and held by 216 libraries worldwide
"Told through the compelling lives of five courageous Haitian women workers, POTO MITAN gives the global economy a human face. Each woman's personal story explains neoliberal globalization, how it is gendered, and how it impacts Haiti. And while POTO MITAN offers an in-depth understanding of Haiti, its focus on women's subjugation, worker exploitation, poverty, and resistance demonstrates that these are global struggles" -- Container
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