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Davis, Miles

Overview
Works: 2,921 works in 9,020 publications in 10 languages and 92,567 library holdings
Genres: Biography  Jazz  Live sound recordings  Trumpet music (Jazz)  Drama  Operas  Film adaptations  Interviews  Jazz-rock (Music)  Film noir 
Roles: Performer, Author, Instrumentalist, Composer, Interviewee, Conductor, Musician, Singer, Illustrator, Originator, Other, Dedicatee, per, Bibliographic antecedent, Contributor, Actor, Artist, Editor, Arranger, Creator, Honoree
Classifications: ML419.D39, 781.65
Publication Timeline
Key
Publications about Miles Davis
Publications by Miles Davis
Publications by Miles Davis, published posthumously.
Most widely held works about Miles Davis
 
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Most widely held works by Miles Davis
Kind of blue by Miles Davis( Sound Recording )
169 editions published between 1959 and 2016 in 6 languages and held by 3,136 libraries worldwide
The DVD incorporates Columbia staff photographer Don Hunstein's black-and-white still photography of the studio sessions, the voice of Miles at the sessions, and excerpts of radio interviews with Evans and Adderley. There are interviews with David Amram, the late Ed Bradley, Ron Carter, Jimmy Cobb, Bill Cosby, Herbie Hancock (who demonstrates "So what" at he the piano), funk-rocker Me'Shell Ndegeocello, hip-hop's Q-Tip, Carlos Santana, John Scofield, Horace Silver, and many others. It also unearths the group's entire 26 minute in-session appearance on "Robert Herridge Theatre: The sound of Miles Davis, " a CBS television program recorded in 1959 and broadcast in 1960. The documentary was produced by Nell Mulderry, directed by Chris Lenz, edited by Paul Rachman, co-produced by Ashley Kahn, and written by Michael Cuscuna
Bitches brew by Miles Davis( Sound Recording )
48 editions published between 1970 and 2015 in 5 languages and held by 1,463 libraries worldwide
Zum 40. Jubiläum des Meilensteins 'Bitches Brew' (1970) von Miles Davis erscheint die Platte in einer Sonderedition, in der das ursprüngliche Tracklisting um bisher unveröffentlichte Titel ergänzt wird. Ausserdem liegt eine DVD mit einem Livemitschnitt eines Auftrittes vom November 1969 in Kopenhagen, bei dem Teile des im April 1970 folgenden Albums gespielt wurden. Dieses Konzert ist ebenfalls unveröffentlicht. Die Besetzung ist jeweils beeindruckend: An der Studioaufnahme nahmen neben Miles Davis (Trompete) Wayne Shorter (Saxofone), Joe Zawinul und Chick Corea (beide Piano), Lenny White und Jack DeJohnette (beide Schlagzeug), John McLaughlin (Gitarre), Dave Holland (Bass) u.a. teil. Auf der Bühne spielte das Quintett Miles Davis, Wayne Shorter, Chick Core, Dave Holland und Jack DeJohnette. Mit 'Bitches Brew' stiess der innovative Davis einmal mehr eine neue Tür auf, die Platte gilt - noch mehr als der Vorgänger 'In a silent way' - als Wegbereiter des Fusion-Jazz. ä'Bitches Brew' is so forward thinking, it retains its freshness and mystery in the 21st centuryä (www.allmusic.com)
Birth of the cool by Miles Davis( Sound Recording )
49 editions published between 1950 and 2015 in 4 languages and held by 1,255 libraries worldwide
Somethin' else by Cannonball Adderley( Sound Recording )
56 editions published between 1958 and 2014 in 7 languages and held by 1,009 libraries worldwide
Originally released in 1958
Porgy and Bess by George Gershwin( Sound Recording )
71 editions published between 1958 and 2015 in 5 languages and held by 1,001 libraries worldwide
Cd1: Porgy & Bess 1 The buzzard song 4:06 2 Bess, you is my woman now 5:11 3 Gone 3:39 4 Gone, gone, gone 2:03 5 Summertime 3:18 6 Bess, oh where's my Bess 4:28 7 Prayer (Oh doctor Jesus) 4:40 8 Fishermen strawberry and devil crab 4:06 9 My man's gone now 6:13 10 It ain't necessarily so 4:23 11 Here come de honey man 1:12 12 I loves you Porgy 4:06 13 There's a boat that's leaving soon for New York 3:23 Cd2 : JEX6211; Miles : The new Miles Davis quintet 1 Just squeeze me 7:29 2 There is no greater love 5:21 3 How am I to know 4:41 4 S'posin 5:17 5 The theme 5:51 6 Stablemates 5:20 JEX6210 Blue haze 1 I'll remember April 7:55 2 Four 4:03 3 Old devil moon 3:24 4 Smooch 3:07 5 Blue haze 6:12 6 When lights are low 3:29 7 Tune up 3:56 8 Miles ahead 4:28
Milestones by Miles Davis( Sound Recording )
100 editions published between 1896 and 2015 in 7 languages and held by 994 libraries worldwide
What is immediately noticeable upon listening to this delicately and superbly remastered version of Miles Davis classic first -- and only -- album with his original sextet is how deep the blues presence is on it. Though it is true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackie" -- recorded in 1955 for a Prestige session with Jackie McLean. Davis is still in his role as a trumpet master, showing a muscularity of tone that reveals something more akin to Roy Eldridge or Louis Armstrong than Dizzy or Fats Navarro. The tempo is furious as all the members of the sextet solo except for Jones. The saxophonists trade choruses and come off sounding like mirrored images of one another in the slower, post-bop blues that is "Sid's Ahead." With a slippery melody line that quotes two harmonic lines from early New Orleans-styled blues, Davis drives the band into the rhythm section's garage. It's Cannonball first with his stuttered, angular lines, hiccuping halfway through the interval before continuing on with a squeak here and the slightest squawk there. Next up is Davis, blowing fluid and straightened lines, ribbons through the rhythm section's center as Red Garland lays out and leaves it to Paul Chambers and Philly Joe Jones to provide the earnest, time-keeping 4/4 that Davis sidles to in the tune. When Coltrane solos, all best are off as he plays as pure a blues as he was capable at the time. Nonetheless, there are the long lines of slurred notes, smattered against Garland's harmonies and he slips into quoting "Skip to my Lou" before knotting it back down to the basics and even then not for long. Coltrane was already exploring the edges of mode and harmony; he used an intervallic invention in the choruses to juxtapose his solo against the rhythm section and it worked -- but it must have made Davis raise an eyebrow. Chambers' solo is as tasteful and as breezy and free as only he could be. His contrapuntal soloing rides the rhythm out, Garland striding along quietly until the tune returns
'Round about midnight by Miles Davis( Sound Recording )
40 editions published between 1956 and 2011 in 5 languages and held by 968 libraries worldwide
The Legacy re-issue contains four bonus tracks from the original sessions, plus a second disc of live material; one-track from the Newport Jazz Fest 1955 and eight previously unreleased tracks from the 1956 Pasadena concert
Sketches of Spain by Miles Davis( Sound Recording )
64 editions published between 1960 and 2015 in 6 languages and held by 919 libraries worldwide
Miles ahead by Miles Davis( Sound Recording )
91 editions published between 1957 and 2015 in 5 languages and held by 866 libraries worldwide
This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis, who hadn't worked together since recording the critically admired but commercially unsuccessful sides that would later be issued as The Birth of the Cool. Columbia also allowed Evans to assemble a 19-piece band for the recordings, at a time when big bands were far out of fashion and also at a time when the resulting recordings could not be released until two years in the future (because of Davis' contractual obligations with Prestige). Davis was also expected to carry the album as its only soloist, and manage not to get lost among a cast of supporting musicians that included a huge horn section. To a large extent, he succeeds. Evans' arrangements in particular are well-suited to the format, and he and Davis formed a deep and close partnership where ideas were swapped back and forth, nurtured, and developed long before they were expressed in the studio. Davis gets off to a great start, with the hyper-kinetic "Springsville," which seems to almost perfectly embody Evans' and Davis' partnership with its light, flexible exchanges between soloist and orchestra. He is strongest on the ballads, though, where his subdued and wistful tone rises high above the hushed accompaniment, especially on "Miles Ahead" and "Blues for Pablo" (which foreshadows the bluesy, Latin-tinged sound of Sketches of Spain). The upbeat "I Don't Want to Be Kissed (By Anyone but You)" is another strong song, but shows the weakness of the format as Davis intersperses a charming, bright, technically challenging solo with a blasting horn section that occasionally buries him. It is a fine end, however, to an album that gave a hint of the greatness that would come as Evans and Davis fine-tuned their partnership over the course of the next several years. Stacia Proefrock
Ken Burns jazz the story of America's music by Ken Burns( Sound Recording )
5 editions published in 2000 in English and held by 796 libraries worldwide
Music from the PBS special Jazz, by filmmaker Ken Burns
Miles smiles by Miles Davis Quintet( Sound Recording )
35 editions published between 1966 and 2014 in 4 languages and held by 702 libraries worldwide
With their second album, the Miles Davis Quintet really began to hit their stride, recording memorable, yet open-ended standards for modern bop
In a silent way by Miles Davis( Sound Recording )
46 editions published between 1969 and 2015 in 6 languages and held by 696 libraries worldwide
Ascenseur pour l'echafaud = Elevator to the gallows by Louis Malle( visu )
26 editions published between 1958 and 2011 in 4 languages and held by 680 libraries worldwide
Julien is a former paratrooper, who now works for millionaire arms dealer Simon Carala. He is in love with Florence, Carala's wife. They plan to murder him and make it look like a suicide, but Julien forgets a rather important detail. Leaving the engine of his sports car running, he races up to the office to retrieve it, but fate intervenes, and Julien misses his rendezvous with Florence. She spends the night wandering the Parisian streets alone. Meanwhile brash teenager Louis and his girlfriend Veronique decide to "borrow" the car, which launches a disastrous stream of coincidence with sinister consequences
Relaxin' with the Miles Davis Quintet by Miles Davis( Sound Recording )
38 editions published between 1956 and 2007 in 5 languages and held by 620 libraries worldwide
Cookin' with the Miles Davis Quintet by Miles Davis Quintet( Sound Recording )
43 editions published between 1956 and 2014 in 4 languages and held by 575 libraries worldwide
Bags' groove by Miles Davis( Sound Recording )
62 editions published between 1954 and 2014 in 5 languages and held by 564 libraries worldwide
Bird the original recordings of Charlie Parker by Charlie Parker( Sound Recording )
10 editions published in 1988 in 3 languages and held by 538 libraries worldwide
Miles on Miles : interviews and encounters with Miles Davis by Paul Maher( Book )
3 editions published between 2008 and 2009 in English and held by 509 libraries worldwide
Gathering 30 most vital Miles Davis interviews--on his music, his life, and his philosophy--this collection reveals the jazz icon as a complex and contradictory man, secretive at times but extraordinarily revealing at others. Miles was not only a musical genius, but an enigma, and nowhere else was he so compelling, exasperating, and entertaining as he was in his interviews, which vary from polite to outrageous, from straight-ahead to contrarian. Many were conducted by leading journalists like Leonard Feather, Stephen Davis, Ben Sidran, Mike Zwerin, and Nat Hentoff; while others have never before been printed, and are newly transcribed from radio and television shows--making this the definitive source for anyone wanting to really encounter the legend in print
A tribute to Jack Johnson by Miles Davis( Sound Recording )
38 editions published between 1970 and 2011 in 5 languages and held by 499 libraries worldwide
Sunday at the Village Vanguard by Bill Evans Trio( Sound Recording )
3 editions published between 1985 and 1987 in No Linguistic Content and held by 481 libraries worldwide
 
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WorldCat IdentitiesRelated Identities
Alternative Names

controlled identity Henry, Cleo

Davies, Miles 1926-1991
Davis, M. 1926-1991
Davis, Miles 1926-1991
Davis, Miles D. 1926-1991
Davis, Miles Dewey
Davis, Miles Dewey 1926-1991
Davis, Miles Dewey Davis, III
Davis, Miles Dewey III
Davis#III#, Miles Dewey 1926-1991
Mailss Deiviss
Majls Dejvis
Miles.
Miles Davies
Miles Davis
Miles Davis afroamerikai jazz trombitás, zenekarvezető és zeneszerző
Miles Davis americký trumpetista
Miles Davis Amerikaans jazz-trompettist
Miles Davis amerykański trębacz jazzowy
Miles Davis compositore, trombettista jazz statunitense
Miles Davis en amerikanisch Dschääsmuusiker
Miles Davis Jazz trumpeter
Miles Davis jazzman américain
Miles Davis trompetista y compositor estadounidense de jazz
Miles Davis US-amerikanischer Jazz-Trompeter, -Flügelhornist, Komponist und Bandleader
Μάιλς Ντέιβις Αμερικανός τζαζ μουσικός
Дейвис, Майлс
Дэвис, Майлс
Дэвис, Майлс 1926-1991
Майлз Девіс
Майлс Дейвис
Майлс Дэйвіс
Мајлс Дејвис
Մայլս Դևիս
מיילס דייוויס
مايلز ديفيس
مایلز دیویس
माइल्स डेव्हिस
মাইলস ডেভিস
ਮਾਇਲਸ ਡੇਵਿਸ
ไมล์ส เดวิส
მაილს დევისი
데이비스, 듀이 마일즈 1926-1991
데이비스, 마일스 1926-1991
데이비스, 마일즈 1926-1991
마일스 데이비스
デイビス, マイルス
デイビス, マイルス・デューイ
マイルス・デイヴィス
邁爾士·戴維斯
Languages
English (321)
German (64)
French (37)
Spanish (16)
Italian (8)
Japanese (7)
Dutch (6)
Danish (2)
Chinese (1)
Greek, Modern [1453- ] (1)
Covers
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