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Newman, Ernest 1868-1959

Works: 325 works in 1,590 publications in 4 languages and 29,003 library holdings
Genres: Stories, plots, etc  Biography  Criticism, interpretation, etc  Records and correspondence  History  Biographies 
Roles: Author, Editor, Translator, Dedicatee, Creator, Author of introduction, Narrator, Other, Contributor, Performer
Classifications: ML410.B4, 927.8
Publication Timeline
Publications about Ernest Newman
Publications by Ernest Newman
Publications by Ernest Newman, published posthumously.
Most widely held works about Ernest Newman
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Most widely held works by Ernest Newman
Wagner as man & artist by Ernest Newman( Book )
135 editions published between 1902 and 2014 in 5 languages and held by 2,108 libraries worldwide
Ernest Newman (1868-1959) was undoubtedly the greatest Wagnerian critic of his age. (His magisterial four-volume Life of Richard Wagner is also reissued in this series.) In this 1914 work, he attempts 'a complete and impartial psychological estimate' of a complex and frequently misinterpreted genius. He notes that such an attempt would have been impossible before the publication in 1911 of Wagner's autobiographical Mein Leben, but in his opening chapter he also warns against a naïve reading of that work, and of others by people 'who combine the maximum of good intentions with the minimum of critical insight'. He is clear-sighted about the strengths of Wagner the artist, not least his need to be 'the central sun of his universe', which of course led to Wagner the man behaving pettily, selfishly and frequently as a tyrant. This lucid account richly deserves its place in the history of Wagner studies
Stories of the great operas and their composers by Ernest Newman( Book )
53 editions published between 1928 and 1990 in English and Undetermined and held by 1,738 libraries worldwide
Vol I: Richard Wagner and his works; Vol II: Mozart (1756-1791) to Thomas (1811-1896)-Mozart, Beethoven, Rossini, Von Weber, and Thomas; Vol III: Verdi (1813-1901) to Puccini (1858-1924)-Verdi, Gounod, Bizet, Offenbach, Humperdinck, and Puccini. The aim of this work is to tell the story of the opera accompanied by a descriptive analysis of the music, with some musical scores, and with biographical sketches of the composers. -- Publisher's description
Beethoven the creator : the great creative epochs: from the Eroica to the Appassionata by Romain Rolland( Book )
34 editions published between 1929 and 1968 in English and held by 1,578 libraries worldwide
In the period from 1803 to 1806, Beethoven composed three major works that were to remain, in his own eyes, the culminating peaks of his genius: the "Eroica" Symphony, the Appassionata, and "Leonora," his only opera (subsequently known as "Fidelio"). Each is a milestone in Beethoven's development, and, taken as a group, they represent the most vital creative period in his career. In this book, that brief period is surveyed by one of the world's greatest writers on music (see his Essays on Music, Dover $1.50). A Nobel Prize winner for literature, Romain Rolland understood Beethoven as few others have, and he has written about him in a way that has established this book as a classic in music appreciation and history. - nthdegree books
Memoirs of Hector Berlioz, from 1803 to 1865, comprising his travels in Germany, Italy, Russia, and England by Hector Berlioz( Book )
27 editions published between 1932 and 1996 in English and held by 1,502 libraries worldwide
The Wagner operas by Ernest Newman( Book )
31 editions published between 1949 and 2013 in English and held by 1,400 libraries worldwide
Analyses of the operas, omitting Die Feen, Das Liebesverbot and Rienzi
The life of Richard Wagner by Ernest Newman( Book )
10 editions published between 1949 and 1969 in English and held by 1,110 libraries worldwide
More stories of famous operas by Ernest Newman( Book )
26 editions published between 1943 and 2013 in English and held by 1,081 libraries worldwide
This book contains the definitive treatment of the stories, texts, and music of Turandot, Gianni Schicchi, The Barber of Bagdad, ThaIs, Eugen Onegin, Prince Igor, The Golden Cockerel, Elektra, Orfeo ed Euridice, Lakme, Les Huguenots, CosI fan tutte, The Seraglio, Les Troyens, Don Pasquale, La Juive, Manon, Falstaff, Louise, Pelleas and Melisande, The Bartered Bride, Die Fledermaus, Romeo and Juliet, Der Rosenkavalier, Cavalleria Rusticana, I Pagliacci, Wozzeck, L'Heure Espagnole, and Boris Godounov. The foremost authority on opera presented in the comprehensive volume all that the opera-goer, radio listener, music-lover, and confirmed operamane will wish to know about them. It is unique as both guide and armchair companion. Ernest Newman's gigantic grasp of his subject is clear at every turn, as are his sheer writing ability and wit. He larded his treatment of the operas with biographical and historical materials acquired in a long lifetime of study and writing. This is the first volume of the trilogy of books (the other two being The Wagner Operas and Seventeen Famous Operas) with which Ernest Newman wished to replace his much earlier book, Stories of the Great Operas
Gluck and the opera; a study in musical history by Ernest Newman( Book )
51 editions published between 1895 and 2010 in English and German and held by 1,013 libraries worldwide
Early in his long career, the self-taught English music critic Ernest Newman (1868-1959) wrote this influential account of Gluck's life and musical achievements in relation to the intellectual life of the eighteenth century. First published in 1895, Gluck and the Opera traces the composer's ideas and his efforts to move opera forward after a period of stagnation. Musicians, thinkers and satirists had been writing for generations about the need to reform the opera, but it was Gluck who brought about far-reaching changes that paved the way for Mozart, Weber and Wagner. His most notable innovation was the fusing of the Italian and French operatic traditions. The first part of the book is a chronological account of Gluck's eventful career, which took him all over Europe but was centred on Paris and Vienna. The second part deals with Gluck in his broader cultural and intellectual context, and lists his works
The man Liszt ; a study of the tragicomedy of a soul divided against itself by Ernest Newman( Book )
26 editions published between 1934 and 1970 in English and German and held by 930 libraries worldwide
Hugo Wolf by Ernest Newman( Book )
46 editions published between 1907 and 2012 in 3 languages and held by 906 libraries worldwide
The tragic story of an erratic genius's life and a survey of some of his works, including his art songs and operas. Very interesting and very stimulating.? The New York Times
The unconscious Beethoven by Ernest Newman( Book )
24 editions published between 1927 and 1970 in English and Undetermined and held by 859 libraries worldwide
Richard Strauss by Ernest Newman( Book )
27 editions published between 1908 and 2010 in English and Undetermined and held by 778 libraries worldwide
J.S. Bach by Albert Schweitzer( Book )
34 editions published between 1911 and 1999 in English and Undetermined and held by 744 libraries worldwide
"Schweitzer's great work is probably the most important single contribution to the notable increase in the appreciation and understanding of J.S. Bach in recent years. Equally valuable aesthetically and practically, it reflects the wide outlook on life and art which the remarkable calibre of its author's mind makes possible, treating its subject from the standpoint not of a single art, but of art and science in general." -- Provided by publisher
Great operas : the definitive treatment of their history, stories, and music by Ernest Newman( Book )
7 editions published between 1943 and 1960 in English and Spanish and held by 626 libraries worldwide
Essays on 30 operatic masterpieces
Testament of music, essays and papers by Ernest Newman( Book )
11 editions published between 1962 and 1963 in English and held by 596 libraries worldwide
Seventeen famous operas by Ernest Newman( Book )
8 editions published between 1954 and 2013 in English and Undetermined and held by 564 libraries worldwide
"The great composer does not set to work because he is inspired, but becomes inspired because he is working." 'Ernest Newman In Seventeen Famous Operas, renowned musicologist and music critic Ernest Newman goes beyond simply retelling the plots of the operas he has chosen to feature in this volume. Because for Newman, opera was theater'and he demonstrates that with his in-depth studies of the seventeen featured operas. Newman uses biographical, literary, and historical background to expose the reader to how each featured work came to be. These featured works include La Boheme, Madame Butterfly, Carmen, La Traviata, The Marriage of Figaro, The Barber of Seville, The Magic Flute and ten other famous works. Seventeen Famous Operas is a must-read for music librarians, opera lovers, and propagandists of music everywhere
More essays from the world of music; essays from the London Sunday times by Ernest Newman( Book )
21 editions published between 1958 and 1978 in English and held by 537 libraries worldwide
Containing material some of which was originally published prior to 1923, this collection of essays represents an important historical work in the world of music. Newman's essays the conductor's function in the orchestra; analyzes the lives and works of a variety of composers; and presents Newman's thoughts on a variety of matters
A musical motley by Ernest Newman( Book )
26 editions published between 1915 and 2013 in English and Undetermined and held by 526 libraries worldwide
Excerpt: ... Composition, it is rather curious that while I was writing on our too great readiness to admire everything a classic does, merely because he is a classic, someone in the Times Literary Supplement should have been regarding much the same fallacy--more particularly in poetry and painting--from a slightly different point of view. The thesis of the Times writer is that at this or that stage in every art, professionalism--by which he means the mere way of saying things that a period or a single master has made easy, irrespective of the value of the things that are being said--is apt to get the upper hand of inspiration. Art implies the more or less traditional manipulation of a medium, for no man can begin writing or painting or making music as if he had never read a book or seen a picture or heard a score; and there always comes a stage at which the medium is manipulated in merely professional fashion, at the expense of the higher faculty of personal invention. Examples of this process are to be found in the greatest artists: the Times writer cites, among others, Titian, Tintoretto, Shakespeare, and Beethoven. One result of this professionalism, he goes on to say, is that it spoils not only the artist but the public, that comes to identify difficulty of handling with inm spiration, and is inclined to think too little of the art that is simple, direct, and unencumbered with the visible apparatus of manufacture. The public sees the grand manner in many a passage of Shakespeare or Milton that is the merest platitude phrased with professional pomposity; while it looks down on art so artless as that of Blake in his simpler lyrics
Musical studies by Ernest Newman( Book )
31 editions published between 1905 and 2012 in English and Undetermined and held by 493 libraries worldwide
Weingartner on music & conducting : three essays by Felix Weingartner( Book )
1 edition published in 1969 in English and held by 462 libraries worldwide
On conducting. On the performance of Beethoven's symphonies. The symphony since Beethoven
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Alternative Names
Cecil, Hugh Mortimer.
Cecil, Hugh Mortimer 1868-1959
Ernest Newman Brits muziekcriticus (1868-1959)
Ernest Newman englischer Musikkritiker
Ernest Newman musicologue et critique musical britannique
Ernest Njuman
Roberts, John M. 1868-1959
Roberts, William 1868-1959
Robertson, John M. 1868-1959
English (620)
German (12)
Spanish (5)
French (1)
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