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Stanislavsky, Konstantin 1863-1938

Overview
Works: 1,097 works in 3,287 publications in 18 languages and 56,655 library holdings
Genres: Biography  Records and correspondence  History  Criticism, interpretation, etc  Case studies  Handbooks and manuals  Anecdotes 
Roles: Author, Creator, Other, Honoree, Author of introduction, Dedicatee, Director, Illustrator, Editor
Classifications: PN2062, 792.028
Publication Timeline
Key
Publications about Konstantin Stanislavsky
Publications by Konstantin Stanislavsky
Publications by Konstantin Stanislavsky, published posthumously.
Most widely held works about Konstantin Stanislavsky
 
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Most widely held works by Konstantin Stanislavsky
An actor's work : a student's diary by Konstantin Stanislavsky( Book )
300 editions published between 1900 and 2015 in 12 languages and held by 5,303 libraries worldwide
This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself
Building a character by Konstantin Stanislavsky( Book )
89 editions published between 1949 and 2013 in 3 languages and held by 2,640 libraries worldwide
Stanislavski's "System" offers both a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination. Generations of actors have been inspired by his ideas -- the "magic if," "emotional memory," the "unbroken line"--And by that hallmark of Stanislavski's work, an unwavering commitment to theatrical truth
Creating a role by Konstantin Stanislavsky( Book )
67 editions published between 1961 and 2014 in 3 languages and held by 2,290 libraries worldwide
This third volume examines the development of a character from the viewpoint of three widely contrasting plays: Griboyedov's Woe from Wit, Shakespeare's Othello, and Gogol's The Inspector General. Building on the first two books, Stanislavski demonstrates how a fully realized character is born in three stages: "studying it; establishing the life of the role; putting it into physical form." Tracing the actor's process from the first reading to production, he explores how to approach roles from inside and outside simultaneously. He shows how to recount the story in actor's terms, how to create an inner life that will give substance to the author's words, and how to search into one's own experiences toconnect with the character's situation. Finally, he speaks of the physical expression of the character in gestures, sounds, intonation, and speech. Throughout, a picture of a real artist at work emerges, sometimes failing, but always seeking truthful answers
Stanislavsky on the art of the stage by Konstantin Stanislavsky( Book )
50 editions published between 1950 and 2010 in 4 languages and held by 1,688 libraries worldwide
From the Introduction: The theory of acting, as evolved by Stanislavsky in his famous 'system', is not based on reasoning, as many of his critics assert, so much as on experience. It is the result of a lifetime devoted to the art of the stage, of years of experiment as actor and producer, and of a feeling of dissatisfaction with what passes for 'success' both among actors and audiences. While certain general principles of acting had been laid down by a number of famous actors and playwrights, these, Stanislavsky found, had never been reduced to a system with the result that teachers of acting have nothing on which to base their teaching, since 'inspiration' on which the theoreticians of the stage put so much stress, cannot be taught, nor can it be expected to materialize itself just when the actor needs it. Neither can producers be relied on to assist the actor in capturing this elusive 'inspiration'. 'Producers, ' Stanislavsky writes, 'explain very cleverly what sort of result they want to get; they are only interested in the final result. They criticize and tell the actor what he should not do, but they do not tell him how to achieve the required result. The producer, ' Stanislavsky adds, 'can do a great deal, but he cannot do everything by any means. For the main thing is in the hands of the actor, who must be helped and instructed first of all'
My life in art by Konstantin Stanislavsky( Book )
123 editions published between 1922 and 2013 in 7 languages and held by 1,415 libraries worldwide
"Stanislavski's autobiography is an inspirational testimony to an artist's imagination and endurance, and still has compelling resonance for today's practitioners. Translator Jean Benedetti brings us, for the first time in English, Stanislavski's autobiography as the author himself wanted it -- from the re-edited 1926 version."--Publisher's description
Stanislavski's legacy : a collection of comments on a variety of aspects of an actor's art and life by Konstantin Stanislavsky( Book )
32 editions published between 1958 and 2012 in English and held by 1,191 libraries worldwide
Synopsis: Out of the large body of materials articles, speeches, notes and memoirs left behind by Stanislavski at the time of his death in 1938, Elizabeth Hapgood, his friend and translator, chose items which concentrate on the essence of his work. The result is a volume which supplements the other books he wrote, and re-emphasizes, sometimes in condensed and particularly vivid form, his views about acting, the theatre and life
An actor's handbook : an alphabetical arrangement of concise statements on aspects of acting by Konstantin Stanislavsky( Book )
24 editions published between 1963 and 2004 in English and Multiple languages and held by 1,131 libraries worldwide
This is the classic lexicon of Stanislavski's most important concepts, all in the master's own words. Upon its publication in 1963, An Actor's Handbook quickly established itself as an essential guide for actors and directors. Culling key passages from Stanislavski's vast output, this book covers more than one hundred and fifty key concepts, among them "Improvisation," "External Technique," "Magic If," "Imaginary Objects," "Discipline," "What Is My System?" and "Stage Fright." This new, attractively packaged edition will be an essential book for any performer
Stanislavski on opera by P. I Rumi︠a︡nt︠s︡ev( Book )
11 editions published between 1975 and 1998 in English and held by 806 libraries worldwide
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company
The magic if; Stanislavski for children by Elizabeth Y Kelly( Book )
5 editions published in 1973 in English and held by 532 libraries worldwide
Stanislavsky produces Othello by Konstantin Stanislavsky( Book )
21 editions published between 1948 and 1968 in English and German and held by 484 libraries worldwide
An actor's work on a role by Konstantin Stanislavsky( Book )
10 editions published between 2009 and 2010 in English and held by 437 libraries worldwide
An Actor's Work on a Role is Konstantin Stanislavski's exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing truth to one's chosen role. Originally published over half a century ago as Creating a Role, this book was the third in a planned trilogy - after An Actor Prepares and Building a Character, now combined in An Actor's Work - in which Stanislavski sets out his psychological, physical and practical vision of actor training. This new translation from renowned scholar Jean Benedetti not only includes Stanislavski's origin
Building a character by Konstantin Stanislavsky( Book )
5 editions published between 1964 and 2003 in English and held by 248 libraries worldwide
The seagull by Konstantin Stanislavsky( Book )
4 editions published in 1952 in English and held by 201 libraries worldwide
The seagull, produced by Stanislavsky. The seagull by Moskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr( Book )
2 editions published in 1952 in English and held by 160 libraries worldwide
Classic comedy-drama depicting man's propensity for destroying those he is close to. The main protagonists are Trepleff, the youthful aspiring writer who dreams of bringing new forms to the theatre and Irina Arkadina, Trepleff's self-centered mother, an accomplished actress, who derides her son's ambitions
Selected works by Konstantin Stanislavsky( Book )
3 editions published in 1984 in English and held by 150 libraries worldwide
K. Stanislavsky, 1863-1963, man and actor, Stanislavsky and the world theatre, Stanislavsky's letters by Konstantin Stanislavsky( Book )
8 editions published between 1963 and 2003 in English and held by 145 libraries worldwide
Ethik by Konstantin Stanislavsky( Book )
43 editions published between 1947 and 2012 in 8 languages and held by 141 libraries worldwide
Die Arbeit an sich selbst im schöpferischen Prozess des Erlebens by Konstantin Stanislavsky( Book )
60 editions published between 1954 and 2010 in 3 languages and held by 134 libraries worldwide
Sobranie sočinenij by Konstantin Stanislavsky( Book )
69 editions published between 1954 and 1999 in Russian and Undetermined and held by 115 libraries worldwide
Stanislavski's legacy; comments on some aspects of an actor's art and life by Konstantin Stanislavsky( Book )
4 editions published between 1958 and 1959 in English and held by 107 libraries worldwide
 
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Alternative Names
Alekseev, K. S.
Alekseev, Konstantin S. 1863-1938
Alekseev, Konstantin Sergeevič.
Alekseev Konstantin Sergeevič 1863-1938
Alekseev, Konstantin Sergeevich
Alekseev, Konstantin Sergeevich, 1863-1938
Alekseev, Konstantin Sergueevitch
Alekseev Konstantin Sergueevitch 1863-1938
Aleksejev, Konstantin Sergejevič 1863-1938
Alekseyev, Konstantin Sergeyevich, 1863-1938
Aleksi︠e︡ev, Konstantin Sergi︠e︡evich, 1863-1938
Alexeiev, Constantin Sergeievich, 1863-1938
Alexejew, Konstantin S. 1863-1938
Alexeyev, Konstantin Sergeyevich, 1863-1938
Sitanni, 1863-1938
Sitannisilafusiji, 1863-1938
Stānīslāfskī, Kūnstāntīn, 1863-1938
Stanislavlski, Konstantin, 1863-1938
Stanislavski, 1863-1938
Stanislavski, Constantin
Stanislavski Constantin 1863-1938
Stanislavski, K. S
Stanislavski, K. S., 1863-1938
Stanislavski, Konstantin 1863-1938
Stanislavski, Konstantin S. 1863-1938
Stanislavski, Konstantin Sergeevich
Stanislavskĭ, Konstantin Sergeevitch Alekseev
Stanislavskĭ Konstantin Sergeevitch Alekseev 1863-1938
Stanislavski Konstantine Sergueevitch 1863-1938
Stanislavskiı̆, K. S., 1863-1938
Stanislavskiĭ, K. S. (Konstantin Sergeevich), 1863-1938
Stanislavskii, Konstantin Sergeevich
Stanislavskiĭ, Konstantin Sergeevich, 1863-1938
Stanislavskiĭ, Konstantin Sergeevitch
Stanislavskiĭ Konstantin Sergeevitch 1863-1938
Stanislavskij, 1863-1938
Stanislavskij 1863-1938 K. S.
Stanislavskij, Constantin, 1863-1938
Stanislavskij, K. S.
Stanislavskij, K. S., 1863-1938
Stanislavskij, Konstantin, 1863-1938
Stanislavskij, Konstantin Sergeevič 1863-1938
Stanislavskij, Konstantin Sergejewitsch 1863-1938
Stan̦islavskis, K. S., 1863-1938
Staņislavskis, Konstantīns, 1863-1938
Stanislavsky, 1863-1938
Stanislavsky, Constantin
Stanislavsky Constantin 1863-1938
Stanislavsky K. 1863-1938
Stanislavsky, Konstantin 1863-1938
Stanislavsky, Konstantin Sergejevič 1863-1938
Stanislavsky, Konstantin Sergeyevich 1863-1938
Stanislawski, 1863-1938
Stanislawski, K.S., 1863-1938
Stanislawski, Konstantin 1863-1938
Stanislawski, Konstantin S. 1863-1938
Stanislawski, Konstantin Sergejewitsch 1863-1938
Stanisławski, Konstanty.
Stanisławski, Konstanty, 1863-1938
Stanislawskij, K. S. 1863-1938
Stanislawskij, Konstantin S. 1863-1938
Stanislawskij, Konstantin Sergejewitsch 1863-1938
Stanislawskij, Konstatnin Sergejewitsch 1863-1938
Sŭtʻanisŭllabŭsŭkʻi, 1863-1938
Sutanisurafusukii, Konsutanchin Serugeievitchi, 1863-1938
Алексеев, К. С. (Константин Сергеевич), 1863-1938
Алексеев К. С. режиссер 1863-1938
Алексеев, Константин Сергеевич, 1863-1938
Алексѣев, Константин Сергѣевич, 1863-1938
Станиславский 1863-1938
Станиславский, К. С. (Константин Сергеевич), 1863-1938
Станиславский, Константин 1863-1938
Станиславский, Константин Сергеевич, 1863-1938
סטניסלבסקי, ק. ס.
ستانيسلافسكي، كونستانتين
قسطنطين ستانسلافسكي
كونستانتين ستانيسلافسكي
스타니스랍스키, 콘스탄틴 1863-1938
스타니슬라브스키, 칸스탄틴 1863-1938
스타니슬라브스키, 콘스탄틴 1863-1938
스타니슬라프스키, 콘스딴찐 세르게예비치 1863-1938
스타니슬라프스키, 콘스탄친 세르게예비치 1863-1938
스타니슬라프스키, 콘스탄틴 1863-1938
스타니슬랍스키, 콘스딴찐 세르게예비치 1863-1938
스타니슬랍스키, 콘스탄틴 1863-1938
スタニスラフスキー, K
スタニスラフスキー, コンスタンチン
スタニスラフスキイ
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