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Masaccio 1401-1428

Overview
Works: 586 works in 1,250 publications in 5 languages and 17,224 library holdings
Genres: Criticism, interpretation, etc  Catalogues raisonnés  Art  Illustrated works  Catalogs  Educational films  Documentary films  Internet videos  Exhibition catalogs  Biography 
Roles: Author, Artist, Illustrator, Other, Inventor, Creator, Designer
Classifications: ND623.M43, 759.5
Publication Timeline
Key
Publications about Masaccio
Publications by Masaccio
Publications by Masaccio, published posthumously.
Most widely held works about Masaccio
 
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Most widely held works by Masaccio
Masaccio by John T Spike( Book )
12 editions published between 1995 and 2015 in 3 languages and held by 671 libraries worldwide
Bold and realistic, the narrative power of Masaccio's entire body of work is explored in this elegant volume. In just seven years before his death at the age of twenty-six, Masaccio (1401-1428) developed a fully naturalistic and dramatic style that inaugurated Renaissance painting. His best-known work is the fresco cycle in the Brancacci Chapel in Florence (painted with Masolino), one of the world's artistic landmarks. Recently restored, these frescoes - with all of Masaccio's other works - are shown in stunning detail in this volume. An opening essay places the painter in his historical and art-historical context, emphasizing Masaccio's innovations. The second part of the book presents two dozen important paintings in full-spread or full-page reproductions with enlarged details and annotated brief essays for each. The last section is an illustrated catalogue raisonne of all of Masaccio's works, from the frescoes on public view in the Brancacci Chapel to other panels in Europe and the United States. John T. Spike's lucid, authoritative text traces Masaccio's artistic development with particular attention to the artist's connection to Donatello and Brunelleschi. He proposes a new reading of the iconography of the influential Brancacci Chapel, and discusses the extent of Filippino Lippi's over-painting in the chapel, based on information gleaned from recent ultraviolet and infrared photography that appears in this volume. Comprehensive and engaging, this profusely illustrated exploration of Masaccio's genius opens new lines of inquiry that will be explored for decades to come
Frescoes in Florence by Masaccio( Book )
9 editions published between 1956 and 1965 in English and held by 503 libraries worldwide
"Enlarged to include details of the fresco in the Church of Santa Maria Novella, Florence and additional details from the Brancacci Chapel ..."--Jacket
Masaccio and Masolino : a complete catalogue by Paul Joannides( Book )
5 editions published in 1993 in English and held by 487 libraries worldwide
Masaccio : Saint Andrew and the Pisa altarpiece by Eliot Wooldridge Rowlands( Book )
6 editions published in 2003 in English and held by 437 libraries worldwide
"This new volume in the Getty Museum's monograph series explores Masaccio's accomplishment as epitomized by the altarpiece of which the Saint Andrew panel once formed a part: The Pisa Altarpiece, one of the truly great polyptychs, or multipaneled paintings, in the history of Italian Renaissance art. It was produced for a chapel in the church of Santa Maria del Carmine in Pisa in 1426. The book also discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role church friars played in the actual commission. Finally, after examining the polyptych's various panels, it traces their later history and recounts how art historians came to identify them."--Jacket
The panel paintings of Masolino and Masaccio : the role of technique by Carl Brandon Strehlke( Book )
5 editions published in 2002 in English and held by 352 libraries worldwide
"The combination of detailed technical studies with art historical insight sheds new light on the life, oeuvre, and working methods of two great Italian Renaissance masters: Masolino and Masaccio." "A team from the Opificio delle Pietre Dure, the great conservation institute in Florence, joined by colleagues from the National Gallery in London and the Philadelphia Museum of Art examined all their panel paintings in European and American museums with special single sheet X-radiographs and infrared reflectographic scanning equipment. Thanks to these methods, the researchers were able to enter into the painting technique of these artists in ways that even a few years before would not have been possible." "The study has lead to a greater understanding of the artists' collaboration and their chronology. It has also been possible to reconstruct more precisely a number of altarpieces and also question earlier reconstructions for Masaccio's Pisa altarpiece of 1426. Fine examples of Masaccio's underdrawing have been revealed as well as Masolino's innovative use of oil mediums. But the book is not only technical; all technical information has been correlated to art historical concerns about early Renaissance art such as the role of the guilds, the nature of collaboration between artists and other craftsmen, and the relationship between patron and artist. In fact, the book shows how a detailed technical study can answer or open up many questions that have previously been the purview of art historians who never knocked on the door of a laboratory." "The book contains technical entries for each of the paintings as well as photographs of their fronts and backs, X-radiographs, and infrared reflectograms. The introduction by Carl Brandon Strehlke summarizes the results and reviews the usefulness of laboratory research for this type of art history. An essay by Roberto Bellucci and Cecilia Frosinini interweaves a social and documentary history of the two artists' lives with a technical study of their paintings. Jill Dunkerton and Dillian Gordon's essay is on the vicissitudes of the Pisa altarpiece and problems of its reconstruction. Strehlke and Mark Tucker's essay on the Santa Maria Maggiore altarpiece discusses the two artists' last collaboration. There are also specific essays by Bellucci and Frosinini on the Carnesecchi and San Giovenale altarpieces. A glossary defines the many technical terms." "The book has been conceived for a general reading public and not necessarily only specialists on technique or historians of early Renaissance art."--Jacket
Tommaso Masaccio : Profile portrait of a young man : c. 1425, tempera on wood : the National Gallery of Art, Washington, D.C. ( visu )
1 edition published in 2014 in English and held by 194 libraries worldwide
This film explores Tommaso Masaccio's "Profile Portrait of a Young Man," completed circa 1425 and housed in National Gallery of Art in Washington, D.C
Masaccio : la Cappella Brancacci by Masaccio( Book )
13 editions published between 1965 and 1969 in Italian and Undetermined and held by 160 libraries worldwide
Masaccio : catalogo completo dei dipinti by Luciano Berti( Book )
4 editions published in 1989 in Italian and Undetermined and held by 117 libraries worldwide
L'opera completa di Masaccio by Masaccio( Book )
16 editions published between 1968 and 1981 in 3 languages and held by 103 libraries worldwide
Masaccio and the Brancacci Chapel by Ornella Casazza( Book )
5 editions published between 1990 and 1997 in English and held by 102 libraries worldwide
Masaccio? : die Zuschreibung des Triptychons von San Giovenale by Anja-Silvia Göing( Book )
3 editions published in 1996 in German and held by 99 libraries worldwide
Masaccio: Brancacci Chapel, church of Santa Maria del Carmine, Florence by Masaccio( Book )
4 editions published between 1950 and 1953 in English and Italian and held by 86 libraries worldwide
Masaccio : il Trittico di San Giovenale e il primo '400 fiorentino by Masaccio( Book )
4 editions published in 2001 in Italian and held by 77 libraries worldwide
Masaccio by Enrico Colle( Book )
3 editions published in 1987 in Italian and Undetermined and held by 68 libraries worldwide
The Cambridge companion to Masaccio by Masaccio( Book )
4 editions published in 2002 in English and held by 67 libraries worldwide
The Cambridge Companion to Masaccio explores the visual, intellectual, and religious culture of Renaissance Florence in the age of Masaccio, 1401-1428
Masaccio e Masolino : il gioco delle parti by A Baldinotti( Book )
2 editions published in 2002 in Italian and held by 64 libraries worldwide
La Trinità di Masaccio : il restauro dell'anno duemila ( Book )
6 editions published in 2002 in Italian and held by 59 libraries worldwide
Tutta la pittura di Masaccio by Masaccio( Book )
23 editions published between 1951 and 1961 in Italian and Undetermined and held by 59 libraries worldwide
Fortuna visiva di Masaccio : San Giovanni Valdarno, 1-28 febbraio 1979 by Barbara Cinelli( Book )
7 editions published in 1979 in Italian and held by 56 libraries worldwide
Masaccio by Masaccio( Book )
15 editions published between 1966 and 1992 in Italian and held by 53 libraries worldwide
 
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Alternative Names
Cassai, Tommaso
Cassai, Tommaso 1401-ca. 1428
Di Ser Giovanni, Maso 1401-1428
Di Simone Guide, Tommaso di Giovanni 1401-1428
Giovanni Di Simone Guidi, Tommaso 1401-1428
Giovanni di Simone Guidi, Tommaso di
Giovanni di Simone Guidi Tommaso di 1401-1428?
Giovanni Guidi, Tommaso di.
Giovanni, Maso di Ser 1401-1428
Giovanni, Tommaso 1401-1428
Guidi di Giovanni, Tommaso 1401-1428
Guidi, Tommaso.
Guidi Tommaso 1401-1428?
Guidi, Tommaso 1401-c. 1428 detto Masaccio
Guidi, Tommaso dei 1401-1428
Guidi, Tommaso, detto Masaccio, 1401-c. 1428
Guidi, Tommaso di G. 1401-1428
Guidi, Tommaso di Giovanni di Simone
Guidi Tommaso di Giovanni di Simone 1401-1428?
Guidi, Tommaso Known as Masaccio
Guido, Tommaso
Masaccio
Masaccio 1401-1429
Masaccio Italian painter
Masaccio italienischer Maler
Masaccio italiensk maler
Masaccio italský malíř
Masaccio malarz włoski
Masaccio peintre italien
Masaccio pictor italian
Masaccio pintor italià
Masaccio pintor italiano
Masaccio, Tommaso 1401-1428
Masaccio, Tommaso Di Giovanni Di Simone 1401-1428
Masaccio, Tommaso Di Giovanni Di Simone Guidi
Masaccio, Tommaso di ser Giovanni 1401-1428
Masaccio, Tommaso Guidi
Masaccio, Tommaso Guidi 1401-1428
Masaccio, Tommaso Guidi 1401-1428 Known as
Masaccio, Tommaso Guidi di Giovanni 1401-1428
Masaccio, Tommaso Guidi, known as, 1401-1428?
Maso 1401-1428 di Giovanni di Castello San Giovanni
Maso di Bartolommeo
Maso di Bartolommeo 1401-1428?
Maso, di Giovanni di Castello San Giovanni, 1401-1428
Massaccio
Massacio
Mazačas
Mazaçço
Mazachcho
Mazachcho 1401-1428?
Mazačo itāļu gleznotājs
Mazzacio
Mesaccio
Mone, Tommaso di Ser Giovanni di
Ser Giovanni, Maso di 1401-1428
Ser Giovanni, Tommaso di
Ser Giovanni Tommaso di 1401-1428?
Simone Guidi, Tommaso di Giovanni di
Simone Guidi Tommaso di Giovanni di 1401-1428?
Tomaso of Florence
Tommaso 1401-1428
Tommaso 1401-1428 di Giovanni Cassai
Tommaso 1401-1428 di Giovanni di Simone Guidi
Tommaso, di Giovanni Cassai, 1401-1428
Tommaso di Giovanni di Simone Guidi
Tommaso di Giovanni di Simone Guidi 1401-1428
Tommaso di Giovanni di Simone Guidi Cassai 1401-1428
Tommaso Di Giovanni Di Simone Guidi Masaccio
Tommaso di Ser Cassai
Tommaso di Ser Giovanni
Tommaso di Ser Giovanni 1401-1428?
Tommaso di Ser Giovanni Cassai 1401-1428
Tommaso di Ser Giovanni di Mone
Tommaso di Ser Giovanni di Mone Cassai
Tommaso di ser Giovanni di Mone Guidi
Tommaso di Ser Giovanni Guidi 1401-ca. 1428
Tommaso Grandão
Tommaso Guidi
Tommaso Guidi Masaccio 1401-1428
Tommaso Guido
Tommaso Masaccio
Tommaso Masaccio Italiaans kunstschilder
Μαζάτσο Ιταλός ζωγράφος της Αναγέννησης
Мазачо
Мазачча
Мазаччо итальянский живописец
Мазаччьо
Мазаччьо 1401-1428
Мазачыа
Томмазо ди Джованни ди Симоне Кассаи
Томмазо ди Джованни ди Симоне Кассаи 1401-1428
Մազաչչո
מזאצ'ו
מזאצ'ו אמן איטלקי
مازاتشو
مازاتشو رسام إيطالي
مازاتچو نقاش ایتالیایی
मासाच्चो
ਮਸਾਚੋ
ജ്യോവാനി മസാക്കിയൊ
มาซัชโช
མྰ་སྰ་ཅིའོ།
마사초
マザッチオ
马萨乔
Languages
Italian (142)
English (132)
German (17)
French (7)
Spanish (1)
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