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Duchamp, Marcel 1887-1968

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Publications about Marcel Duchamp
Publications by Marcel Duchamp
Publications by Marcel Duchamp, published posthumously.
Most widely held works about Marcel Duchamp
 
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Most widely held works by Marcel Duchamp
Unpacking Duchamp art in transit by Dalia Judovitz( file )
10 editions published between 1995 and 1998 in English and Undetermined and held by 1,958 libraries worldwide
Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works, including The Large Glass, Fountain, and Given: 1) the waterfall, 2) the illuminating gas
Dialogues with Marcel Duchamp by Pierre Cabanne( Book )
7 editions published between 1971 and 1987 in English and held by 1,056 libraries worldwide
"""Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where l""
Marcel Duchamp : work and life by Marcel Duchamp( Book )
18 editions published in 1993 in 3 languages and held by 909 libraries worldwide
Marcel Duchamp by Dawn Ades( Book )
3 editions published in 1999 in English and held by 826 libraries worldwide
"Genius, anti-artist, charlatan, guru, impostor? Since 1914 Marcel Duchamp has been called all these. No artist of the twentieth century has aroused more passion and controversy, nor exerted a greater influence on art, whose very nature Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative activities and works which transformed artmaking procedures. Written with the enthusiastic support of Duchamp's widow, this is one of the most original books ever written on this enigmatic artist, and challenges received ideas, misunderstanding and misinformation."--BOOK JACKET
Marcel Duchamp : the art of making art in the age of mechanical reproduction by Francis M Naumann( Book )
7 editions published in 1999 in English and held by 728 libraries worldwide
Examines how appropriation and replication were essential to Duchamp's art and disscusses the significance of the many replicas that he created or authorized
Avant-garde experimental cinema of the 1920s and '30s ( visu )
4 editions published in 2005 in English and Multiple languages and held by 696 libraries worldwide
Originally produced as individual silent motion pictures in France, the Netherlands, Germany, and the United States, these twenty-five short films epitomize the avant garde movement of the 1920's and 1930's. The films are drawn from the collection assembled by Raymond Rohauer, one of the nation's foremost proponents of experimental cinema, founder of the Hollywood Film Society, and longtime programmer at the Coronet Theatre in Los Angeles. Rohauer helped preserve and promote avant-garde cinema, and these films from his personal archive are some of the most influential and eclectic short films made during the 20th Century
Marcel Duchamp, the bachelor stripped bare : a biography by Alice Goldfarb Marquis( Book )
2 editions published in 2002 in English and held by 543 libraries worldwide
"Marcel Duchamp: The Bachelor Stripped Bare is not the first full-length biography of Duchamp, but it is the first to present him in all his human contradictions and to take a refreshingly objective look at his real contribution to twentieth-century art. The well-known facts are explored here: Duchamp's myriad personal relations (with family, lovers, collectors, and artists ranging from Man Ray, Picabia, and Breton to the Stettheimer sisters and the Arensbergs); the creation of major works such as the "readymades" and the Large Glass; his passion for chess and presumed abandonment of painting. But beyond this, Alice Goldfarb Marquis looks past the diffident, humorous mask that Duchamp wore with friend and acquaintance alike, to explore the passions and insecurities that motivated many of his artistic and personal evolutions. And she separates the artist from the con artist, to determine just how profound an influence Duchamp has been."--BOOK JACKET
Joseph Cornell/Marcel Duchamp --in resonance by Joseph Cornell( Book )
14 editions published between 1998 and 1999 in English and German and held by 519 libraries worldwide
"This book chronicles the friendship and working relationship between Marcel Duchamp (1887-1968) and Joseph Cornell (1903-1972), two of the twentieth century's most innovative and influential artists. Joseph Cornell/Marcel Duchamp...in resonance publishes for the first time the Duchamp Dossier (c. 1942-53) - a hitherto publicly unknown collection compiled by Cornell and discovered in the artist's estate following his death in 1972. The small objects, typed and handwritten notes, and ephemera found within the Duchamp Dossier provide an absorbing record of the interchange between these two artists, which included Cornell's assisting Duchamp on the assembly of his edition de ou par Marcel Duchamp ou Rrose Selavy (commonly referred to as the Boite-en-valise)." "Both artists were intrigued by the connection between art and the found object, and they shared a fascination with replicated images and the processes of reproduction. They had parallel interests in optical devices, ephemeral mediums (such as glass, dust, and paper), filmmaking, and graphic design. The book focuses in depth on Duchamp's box editions and Cornell's often neglected "explorations," arranged files of printed matter, notes, and ephemera related to individuals or specific themes."--BOOK JACKET
Marcel Duchamp by Anne D'Harnoncourt( Book )
14 editions published between 1973 and 1989 in English and held by 492 libraries worldwide
Drawing on art : Duchamp and company by Dalia Judovitz( Book )
5 editions published in 2010 in English and held by 489 libraries worldwide
This volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation
Debating American modernism : Stieglitz, Duchamp, and the New York avant-garde by Debra Bricker Balken( Book )
5 editions published in 2003 in English and held by 465 libraries worldwide
"From the crossfire between Marcel Duchamp and Alfred Stieglitz and their respective circles there emerged what Debra Bricker Balken calls "a critical reformulation of modernism, one that imprinted the direction of subsequent American art." Balken traces the fascinating threads of the debate between Duchamp and Stieglitz and their respective camps through the 1910s and '20s, and also addresses the sexualized imagery that appears in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed factions. Jay Bochner provides an absorbing analysis of the artists' respective violations of American expectations about art." "Debating American Modernism includes reproductions of work by artists from both factions, from Arthur Dove, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley, as well as by a group who melded the concerns of each, among them, Charles Demuth, Charles Sheeler, John Storrs, and Stuart Davis."--BOOK JACKET
Notes and projects for the Large Glass by Marcel Duchamp( Book )
4 editions published between 1969 and 1970 in English and held by 448 libraries worldwide
The bride stripped bare by her bachelors, even by Marcel Duchamp( Book )
17 editions published between 1960 and 1976 in English and German and held by 357 libraries worldwide
The Bride Stripped Bare by Her Bachelors, Even, commonly referred to as "the Green Box," is a green-flocked, self-hinged cardboard box containing one color plate and 93 facsimile reproductions of notes, drawings, and photographs of the painting of the same name. The current book is an attempt to transfer those facsimile handwritten notes and loose pages into a typeset and bound version
The complete works of Marcel Duchamp by Arturo Schwarz( Book )
12 editions published between 1996 and 1997 in English and held by 345 libraries worldwide
catalogue raisonné
New York Dada: Duchamp, Man Ray, Picabia ; Städt. Galerie im Lenbachhaus, München, 15. Dez. 1973-27. Jan. 1974; Kunsthalle Tübingen, 9. März 1974-28. April 1974 by Städtische Galerie im Lenbachhaus München( Book )
4 editions published in 1973 in English and Multiple languages and held by 314 libraries worldwide
A game of chess with Marcel Duchamp by Jean-Marie Drot( visu )
10 editions published between 1987 and 1995 in English and French and held by 295 libraries worldwide
An interview during Duchamp's first one man show at the Pasadena Art Museum. Duchamp candidly discusses his life, his ideas on art, his obsession with chess, and why he chose to continue living in America after fleeing France in 1915. Originally filmed in black and white, parts have been reshot to highlight Duchamp's use of color
Marcel Duchamp, the box in a valise : De ou par Marcel Duchamp ou Rrose Selavy : inventory of an edition by Ecke Bonk( Book )
3 editions published in 1989 in English and held by 292 libraries worldwide
Om Marcel Duchamp kuffert-æskekunst eller transportable museum
Marcel Duchamp in his own words by Marcel Duchamp( visu )
9 editions published between 1978 and 1998 in English and held by 258 libraries worldwide
"In this documentary on one of the most important artists of the twentieth century... Duchamp discusses his work, jokes and reminisces, saying he discarded brushes and explored the mind more than the hands."--Container
Étant donnés : manual of instructions by Marcel Duchamp( Book )
15 editions published in 1987 in French and English and held by 242 libraries worldwide
Marcel Duchamp by Sarane Alexandrian( Book )
13 editions published in 1977 in 3 languages and held by 238 libraries worldwide
 
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Alternative Names
Duchamp, .. 1887-1968
Duchamp, H. R. M. 1887-1968
Duchamp, H. R. M. (Henri Robert Marcel), 1887-1968
Duchamp, Henri-Robert-Marcel
Duchamp, Henri-Robert-Marcel 1887-1968
Duchamp, M. (Marcel)
Duchamp, Marcel
Duchamp-Villon, Marcel.
Duchamp-Villon, Marcel 1887-1968
Dushan, Marsel
Dushan, Marsel 1887-1968
Duxiang
Duxiang 1887-1968
Dyutsuyan, Maruseru 1887-1968
Marcel Duchamp
Mutt, R. 1887-1968
Rrose Sélavy 1887-1968
Sélavy, Rose
Sélavy, Rose 1887-1968
Sélavy, Rrose.
Sélavy Rrose 1887-1968
Villon, Marcel Duchamp-.
Villon, Marcel-Duchamp, 1887-1968
דושאן, מרסל
デュシャン, M
デュシャン, マルセル
デユシヤンマルセル
デユシヤンマルセル 1887-1968
Languages
English (326)
French (40)
Italian (6)
German (3)
Japanese (3)
Multiple languages (2)
Polish (1)
Spanish (1)
Covers
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