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Tölzer Knabenchor

Works: 1,956 works in 3,971 publications in 9 languages and 32,232 library holdings
Genres: Musical settings  Live sound recordings  Operas  Requiems  Symphonies  Songs and music  Drama  Oratorios  Cantatas  Excerpts 
Roles: Performer, Musician, Singer, Other, Instrumentalist, Conductor
Classifications: M1530, 782.1
Publication Timeline
Publications about Tölzer Knabenchor
Publications by Tölzer Knabenchor
Most widely held works by Tölzer Knabenchor
Die tote Stadt by Erich Wolfgang Korngold( Sound Recording )
46 editions published between 1975 and 2009 in 3 languages and held by 1,012 libraries worldwide
Die tote Stadt: Oper in drei Akten, op. 12. Libretto: Paul Schott (Julius Korngold)
Das Kantatenwerk by Johann Sebastian Bach( Sound Recording )
36 editions published between 1977 and 1989 in German and Undetermined and held by 943 libraries worldwide
Michael Emmermann, Sopran ; Paul Esswood, alt ; Max van Egmond, bass ; Knaben
Requiem : K 626 by Wolfgang Amadeus Mozart( file )
13 editions published between 2000 and 2013 in 3 languages and held by 534 libraries worldwide
CD #710
Hansel und Gretel : highlights by Engelbert Humperdinck( file )
7 editions published between 2004 and 2005 in German and held by 514 libraries worldwide
Szenen aus Goethes Faust by Robert Schumann( Sound Recording )
38 editions published between 1981 and 2002 in 5 languages and held by 474 libraries worldwide
"Am Pult des Symphonieorchesters des Bayerischen Rundfunks: der herausragende englische Dirigent Daniel Harding. Er präsentiert mit den "Faust-Szenen"ein groß angelegtes Meisterstück, das die komplexe und hochphilosophische literarische Vorlage von Goethe in einer losen Szenenfolge musikalisch nachzeichnet. Immer wieder beschäftigte sich Schumann gerade in seinem letzten Lebensjahrzehnt mit den Möglichkeiten, die im vokal-symphonischen und musikdramatischen Komponieren liegen. Die Partie des Faust gestaltet der außergewöhnliche Bariton Christian Gerhaher, ihm zur Seite stehen Christiane Karg als Gretchen sowie weitere international hoch angesehene Solisten, der Kammerchor der Augsburger Domsingknaben und der Chor des Bayerischen Rundfunks" (
Die Zauberflöte by Wolfgang Amadeus Mozart( file )
9 editions published between 1980 and 2014 in German and Undetermined and held by 422 libraries worldwide
18. Jahrhundert; Oper
Palestrina : [musikalische Legende in drei Akten] by Hans Pfitzner( file )
28 editions published between 1973 and 2011 in 5 languages and held by 420 libraries worldwide
Palestrina is claimed to have 'saved the arts of counterpoint and polyphony' in the face of a Papal edict that church music must be more traditional and revert to plainsong. Palestrina produces a work that contains all the 'modern' and 'sinful' musical styles the Pope disapproves of. Upon hearing the work, the Pope and Palestrina's arch critic, Archbishop Borromeo relents
De temporum fine comoedia by Carl Orff( file )
14 editions published between 1974 and 2013 in 6 languages and held by 418 libraries worldwide
Symphonie no. 8 by Gustav Mahler( file )
14 editions published between 1995 and 1997 in 4 languages and held by 397 libraries worldwide
Sinfonie Nr. 8 Es-Dur für Soli, Knabenchor, zwei Chöre und grosses Orchester. Text: Veni creator spiritus; Schluss-Szene aus Goethes Faust
Matthäus-Passion by Johann Sebastian Bach( file )
26 editions published between 1990 and 2011 in 3 languages and held by 397 libraries worldwide
L'information lisible par ordinateur comprend la reprod. de la partition autographe de la passion conservée à la Staatsbibliothek zu Berlin, Preussischer Kulturbesitz (Mus. Ms. Bach P. 25)
Mass by Leonard Bernstein( file )
4 editions published in 2009 in Latin and held by 377 libraries worldwide
Hansel & Gretel by Engelbert Humperdinck( Sound Recording )
5 editions published between 1990 and 1999 in 3 languages and held by 374 libraries worldwide
A retelling of the well-known tale in which two children lost in the woods find their way home despite an encounter with a wicked witch
War requiem by Benjamin Britten( file )
12 editions published between 1993 and 2014 in 3 languages and held by 364 libraries worldwide
Public awareness of Benjamin Britten's person and works advanced dramatically -- even explosively -- twice during his lifetime. The first time was in 1945, when his opera Peter Grimes was produced for the postwar reopening of Sadler's Wells Theatre in London. The second time followed the premier at Coventry and the subsequent series of performances all across Europe and North America of the War Requiem. Except to those provincials who thought that milky pastoral was the only idiom appropriate for an Englishman and who also found the young Britten too clever by half, the triumph of Peter Grimes marked not just the confirmation of a prodigious talent; it represented a moment of hope that, for the first time since the death of Henry Purcell in 1695, England had produced a composer of international stature. The impact the War Requiem made 17 years later was wider and deeper by far. Britten, approaching 50, had become an artist whose every new utterance was awaited with the most lively interest and the highest expectations. The War Requiem, moreover, was tied to a pair of events that were heavily freighted with history and emotion: the destruction of Coventry Cathedral in an air raid during the night of November 14-15, 1940, and its reconsecration more than 21 years later. Its first performance was planned as an international event with respect both to participants and audience. Most importantly, the War Requiem was a weighty and poignant statement on the subject of piercingly urgent concern to much of humankind. In the War Requiem, Britten drew on forces larger and more complex than in any previous work of his. The basic division of the performers is into two groups, reflecting the dual source of the words; the libretto stands in a relation of text (the Latin Missa pro defunctis) and commentary (the nine Owen poems). The Latin text is essentially the province of the large mixed chorus, but from this there is spillover in two opposite directions: the solo soprano represents a heightening of the choral singing at its most emotional, while the boys' choir represents liturgy at its most distanced. The mixed chorus and solo soprano are accompanied by the full orchestra; the boys' choir, whose sound should be distant, is supported by an organ. All this constitutes one group. The other group consists of the tenor and baritone soloists, whose province is the series of Owen songs; they are accompanied by the chamber orchestra. - Program notes / Michael Steinberg
Die Zauberflöte : Querschnitt = highlights by Wolfgang Amadeus Mozart( file )
5 editions published between 1981 and 1985 in German and No Linguistic Content and held by 334 libraries worldwide
10 Symphonien by Gustav Mahler( file )
13 editions published between 1967 and 1999 in 3 languages and held by 333 libraries worldwide
Carmina burana by Carl Orff( file )
27 editions published between 1973 and 2015 in 4 languages and held by 328 libraries worldwide
Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana
Symphony no. 3 in D minor by Gustav Mahler( file )
11 editions published between 1991 and 1992 in 3 languages and held by 305 libraries worldwide
(1) NORMAN, Jessye (soprano). (1) CONCERT CHORUS OF THE VIENNA STATE OPERA. (1) VIENNA BOYS CHOIR. (1) VIENNA PHILHARMONIC. (1) ABBADO, Claudio (conductor). (1) HETZEL, Gerhart (violin)
Missa C-Dur by Franz Schnitzer( file )
14 editions published between 1982 and 1997 in 5 languages and held by 272 libraries worldwide
Das Christelflein by Hans Pfitzner( file )
4 editions published in 2005 in German and Undetermined and held by 272 libraries worldwide
Salmi da Vespro per il Giorno di S. Petronio by Giovanni Paolo Colonna( file )
6 editions published in 1989 in Latin and No Linguistic Content and held by 272 libraries worldwide
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WorldCat IdentitiesRelated Identities
Alternative Names
Boys' Choir
Boys Choir of Tölz.
Choeur de Garçons
Choeur de Garçons Tölz
Choeur d'enfants de Tolz
Chœur des petits chanteurs de Tölz
Coro de niños de Tölz
Coro di Voci Bianche
Coro di voci bianche di Tölz.
Coro di Voci Bianche Tölz
Coro di voci bianche "Tölzer Knaben"
Der Tölzer Knabenchor.
Der Tölzer Knabenchor (Munich). Choeur
Knabenchor Tölz
Petits chanteurs de Tölz.
Tölz boychoir.
Tölz Boys' Choir.
Tölzer Boys' Choir
Tölzer Knaben.
Tölzer Knabenchor choir
Tölzer Sängerknaben.
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