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Trinh, T. Minh-Ha (Thi Minh-Ha) 1952-

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Publications about T. Minh-Ha Trinh
Publications by T. Minh-Ha Trinh
Most widely held works about T. Minh-Ha Trinh
 
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Most widely held works by T. Minh-Ha Trinh
Woman, native, other : writing postcoloniality and feminism by T. Minh-Ha Trinh( Book )
34 editions published between 1989 and 2011 in 3 languages and held by 1,079 libraries worldwide
"Woman, Native, Other is located at the junction of a number of different fields and disciplines, and it genuinely succeeds in publishing the boundaries of these disciplines further ... In this first full-length study, Trinh Minh-ha examines post-colonial processes of displacement -- cultural hybridization and decentered realities, fragmented selves and multiple identities, marginal voices and languages of rupture. Working at the intersection of several fields -- women's studies, anthropology, critical cultural studies, literary criticism, and feminist theory, she juxtaposes numerous prevailing contemporary discourses in a form that questions the (male-is-norm) literary and theoretical establishment."--Back cover
When the moon waxes red : representation, gender, and cultural politics by T. Minh-Ha Trinh( Book )
19 editions published between 1991 and 2014 in English and Japanese and held by 697 libraries worldwide
"In this collection of her provocative essays on Third World art and culture, award-winning filmmaker and theorist Trinh Minh-ha offers new challenges to Western regimes of knowledge. Bringing to her subjects an acute sense of the many meanings of the marginal, Trinh examines Asian and African texts, the theories of Barthes, questions of spectatorship, the enigmas of art, and the perils of anthropology. In one essay, taking off from ideas raised earlier by Zora Neale Hurston, Trinh considers with astonishment the search by Western "experts" for the hidden values of a person or culture, a process of legitimized voyeurism that, she argues, ultimately equates psychological conflicts with depth, while inner experience is reduced to mere personal feeling. When the Moon Waxes Red is an extended argument against reductive analyses, even those that appear politically adroit. Feminist struggle is heterogeneous. The multiply-hyphenated peoples of color are not simply placed in a duality between two cultural heritages; throughout, Trinh describes the predicament of having to live "a difference that has no name and too many names already." She argues for multicultural revision of knowledge so that a new politics can transform reality rather than merely ideologize it. By rewriting the always emerging, already distorted place of struggle, such work seeks to 'beat the master at his own game'."--Back cover
Drawn from African dwellings by Jean-Paul Bourdier( Book )
8 editions published between 1996 and 1997 in English and held by 492 libraries worldwide
This exquisitely illustrated study takes us into the traditionally built dwellings of African society. This "life-in-architecture" material culture reveals the socioeconomic and cosmological organization and the world views of these societies. Bourdier and Trinh connect structural patterns - setting, design, decoration, orientation - to factors such as kinship, gender, history, religion, poetry, and oral traditions. The authors focus on a variety of African peoples, including the Fulbe, Tokolor, Sereer, Joola, Soninke, Mandingo, Jaxanke, and Bassari. Through photographs, beautifully detailed drawings, and theoretical reflections, Bourdier and Trinh challenge the common perception that traditional dwellings are static artifacts
The dream of the audience : Theresa Hak Kyung Cha (1951-1982) by Constance Lewallen( Book )
3 editions published in 2001 in English and held by 340 libraries worldwide
African spaces : designs for living in Upper Volta by Jean-Paul Bourdier( Book )
7 editions published between 1984 and 1985 in English and held by 329 libraries worldwide
Reassemblage from the firelight to the screen by T. Minh-Ha Trinh( visu )
24 editions published between 1982 and 2013 in English and held by 316 libraries worldwide
A complex visual study of the women of rural Senegal. Reflects on documentary filmmaking and the ethnographic representation of cultures
A place of rage by Open University( visu )
6 editions published between 1991 and 2013 in English and held by 307 libraries worldwide
Prominent black women comment upon experiences of Afro-American women, upon racial discrimination and its effects upon the American culture and make suggestions which they hope will improve the future. Includes historical footage of civil rights movement in the 1960's
Surname Viêt, given name Nam by T. Minh-Ha Trinh( visu )
24 editions published between 1988 and 2013 in 3 languages and held by 293 libraries worldwide
Trinh T. Minh-ha's film looks at the many faces of culture of Vietnamese women as seen in staged interviews, dance footage, and manipulated archival images. Also questions the politics of interviewing and the problems of translation in filmmaking
The digital film event by T. Minh-Ha Trinh( Book )
9 editions published between 2005 and 2012 in English and held by 292 libraries worldwide
Endless travel in cyberspace, virtual reality, and the dream of limitless speed: technology changes our sense of self. In her new book, Trinh Minh-ha explores the way technology transforms our perception of reality. ""We are all engaged in social rituals in our daily activities, she writes, ""and by remaining unaware of their artistic ritual propensity, we remain 'in conformity'."" Her goal, as a thinker and an artist, is to transform our understanding of technology and speed so that we are able to ""turn an instrument into a creative tool and to step out of the one-dimensional
Vernacular architecture of West Africa : a world in dwelling by Jean-Paul Bourdier( Book )
7 editions published in 2011 in English and held by 212 libraries worldwide
Elsewhere, within here : immigration, refugeeism and the boundary event by T. Minh-Ha Trinh( Book )
21 editions published between 2010 and 2014 in 6 languages and held by 210 libraries worldwide
"World-renowned filmmaker and feminist, postcolonial thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in both independent filmmaking and cultural politics. Elsewhere, Within Here is an engaging look at travel across national borders--as a foreigner, a tourist, an immigrant, a refugee--in a pre- and post-9/11 world. Who is welcome where? What does it mean to feel out of place in the country you call home? When does the stranger appear in these times of dark metamorphoses? These are some of the issues addressed by the author as she examines the cultural meaning and complexities of travel, immigration, home and exile. The boundary, seen both as a material and immaterial event, is where endings pass into beginnings. Building upon themes present in her earlier work on hybridity and displacement in the median passage, and illuminating the ways in which "every voyage can be said to involve a re-siting of boundaries," Trinh T. Minh-ha leads her readers through an investigation of what it means to be an insider and an outsider in this "epoch of global fear'."--Page 4 of cover
Naked spaces living is round by T. Minh-Ha Trinh( visu )
8 editions published between 1985 and 2006 in English and held by 136 libraries worldwide
"Shot with stunning elegance and clarity, Naked spaces explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of Naked spaces challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces."--Distributor website
Shoot for the contents ( visu )
9 editions published between 1990 and 2013 in English and held by 106 libraries worldwide
Ponders questions of power and change, politics and culture, as refracted by Tienanmen Square events and offers at the same time an inquiry into the creative process of filmmaking, intricately layering Chinese popular songs and classical music, the sayings of Mao and Confucius, women's voices and the words of artists, philosophers and the cultural workers
A tale of love : a film ( visu )
7 editions published between 1995 and 2006 in English and held by 88 libraries worldwide
Portraying the Vietnamese immigrant experience through Kieu, A tale of love follows the quest of a woman in love with "Love". The film is loosely inspired by The tale of Kieu, the Vietnamese national poem of love which Vietnamese people see as a mythical biography of their land
Habiter un monde : architectures de l'Afrique de l'Ouest by Jean-Paul Bourdier( Book )
4 editions published in 2005 in French and held by 69 libraries worldwide
Présente les conceptions et pratiques de construction de différentes ethnies de l'Afrique de l'Ouest, au sud du Sahara (habitats soninké, kassena, moba ou dogon). Cette étude apprend à tenir compte des éléments constitutifs de base de l'architecture et de l'habiter, tels que lumière, espace, fonction, forme, proportion, orientation, organisations sociales et systèmes symboliques
Night passage ( visu )
4 editions published in 2004 in English and held by 49 libraries worldwide
"Night Passage is a digital film on friendship and death. Made in homage to Miyazawa Kenji's classic novel, The Milky Way Railroad, the story evolves around the spiritual journey of a young woman, in the company of her best friend and a little boy, into a world of in-between realities. Their venture into and out of the land of 'awakened dreams' occurs during a long ride on a night train. The filmmaker elegantly depicts each encounter in two-dimensional space with a unique artistic gesture and ingeniously frames the passage as a series of rhythmic image sequences as seen through the window of a train." -- Verso du conteneur
Leap into the blue by Jean-Paul Bourdier( Book )
1 edition published in 2012 in English and held by 15 libraries worldwide
Un art sans œuvre, ou, L'anonymat dans les arts contemporains by T. Minh-Ha Trinh( Book )
2 editions published between 1977 and 1981 in French and held by 12 libraries worldwide
Cinema interval by T. Minh-Ha Trinh( Book )
4 editions published between 1999 and 2013 in English and held by 3 libraries worldwide
""An image is powerful not necessarily because of anything specific it offers the viewer, but because of everything it apparently also takes away from the viewer.""--Trinh T. Minh-haVietnamese filmmaker and feminist thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in independent filmmaking. In her writings and interviews, as well as in her filmscripts, Trinh explores what she describes as the ""infinite relation"" of word to image. Cinema-Interval brings together her recent conversations on film and art, life
Framer framed by T. Minh-Ha Trinh( Book )
2 editions published between 1972 and 1992 in English and held by 2 libraries worldwide
Framer Framed brings together for the first time the scripts and detailed visuals of three of Trinh Minh-ha's provocative films: Reassemblage, Naked Spaces--Living is Round, and Surname Viet Given Name Nam
 
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Alternative Names
Min-Ha, Trinh Thi 1952-
Minh-ha, Trinh T.
Minh-Ha, Trinh T. 1952-
Minh-Ha, Trinh T. (Thi)
Minh-Ha, Trinh T. (Thi), 1952-
Minh-Ha, Trinh T. (Trinh Thi), 1952-
Minh-Ha, Trinh Th.
Minh-Ha Trinh Thi
T. Minh-Ha Trinh
Thi Minh-Ha
Thi Minh-Ha Trinh.
Torin, T. Minha 1952-
Trinh, Minh-Ha 1952-
Trinh, Minh-Ha T. 1952-
Trinh, T.Minh-Ha
Trinh, T. Minh-ha 1952-
Trinh T. Minh-ha Amerikaans schrijfster
Trinh T. Minh-ha<br><small>Trịnh Thị Minh Hà</small>
Trinh T. Minh-Ha (Trinh Thi Minh-Ha), 1952-
Trinh T. Minh-ha vietnamesische-US-amerikanische postkolonialistische Differenz-Theoretikerin, Komponistin und Filmemacherin
Trinh T. Minh-habrsmallTrịnh Thị Minh Hà/small
Trinh, Thi M. 1952-
Trinh, Thi Minh-H 1952-
Trịnh Thị Minh Hà
Trinh, Thi Minh-ha 1952-
트린 민하
トリン, T. ミンハ
Languages
English (203)
Japanese (9)
French (6)
German (4)
Chinese (4)
Vietnamese (2)
Swedish (1)
Italian (1)
Czech (1)
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